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10 Special Moments on Sandy Beaches Cruise 2018

Americana Music News – Delbert McCinton’s 24th annual Sandy Beaches Cruise has come to a close after a full week of varied and outstanding musical performances, including shows by the Mavericks, Marc Broussard, Marcia Ball, Teresa James and the Rhythm Tramps, Band of Heathens, the Howlin’ Brothers, Paul Brady, the McCrary Sisters, Paul Brady, Danny Flowers, Wayne Toups and many more. We’ll be rolling out a new podcast this Spring that will feature interviews with many of the artists, but in the meantime, here’s a quick look at 10 of the moments that helped make the cruise special:

10. Bob and Etta Britt’s rambunctious cover of Leon Russell’s “Out in the Woods,”  with Bob channeling Leon’s voice.

9. “Pianorama,” an annual jam/shoot-out on a boat full of top-notch keyboard players. Always dazzling.

8. Bob DiPiero’s game take on “Too Fat to Fly,” a warped Christmas song about Santa’s weight problem and the tension it causes with the reindeer. It was an audience request and DePiero seemed to be willing the lyrics to float to him from across the ether.

7. Aeronautics Professor and former NASA researcher Scott Hubbard spoke compellingly  about our progress in exploring Mars.  No, it’s not standard music cruise fare, but it works.

6. The transformation of world-class songwriter Gary Nicholson into white-suited bluesman Whitey Johnson, setting the stage for a raucous R&B party.

5. The mere presence of  Spooner Oldham, Red Young and Bruce Channel.

4. Jaston Williams of “Greater Tuna” fame’s monologue about his boyhood infatuation with the Beatles, and his cowboy father’s stunned disapproval of the Fab Four.

3. The Mavericks’ note-perfect cover of the Bee Gees’ “How Can You Mend a Broken Heart?”

2. Al Anderson’s blazing solo sets, tapping into his NRBQ songlist, from “Riding In My Car” to “Never Take the Place of You. ”

1. “Delbert and Friends:” That’s how the Sandy Beaches Cruise is billed, and it’s also the key to the cruise’s charm. Virtually every artist has played a role somewhere in Delbert’s decades-long career, so they know and genuinely like each other, hopping on stage, sharing sets and sitting in. Other music cruises are festivals at sea, but this one is Delbert’s party and the guests are happy to mingle.

 

Do you have your own favorite moment from the Sandy Beaches Cruise? Please share in the comments section below.


 

 

Sandy Beaches Cruise

By Ken Paulson

We had the opportunity again this year to travel on Delbert McClinton’s Sandy Beaches 2017 Cruise, a weeklong music festival at sea that featured the Mavericks, Marcia Ball, Teresa James, World Famous Headliners and many more country, blues and Americana artists. We worked our way around the ship, talking to a wide array of talented artists about the cruise and the music they make. Among the best conversations:

Delbert McClinton was just about to release “Prick of the Litter,” his 19th album, and a release he’s clearly proud of:

Lari White, literally a star of stage, screen and recordings, has a new double-EP out called Old Friends, New Loves. We had the chance to talk with her about her new release.

The Band of Heathens recently topped the Americana Music Chart with Duende, their fifth album.
We had the opportunity to visit with the band’s Ed Jurdi:

Teresa James is the sparkplug of the cruise, always playing on opening night and getting the crowd dancing. Her latest album is “Bonafide”:

On the flight to Tampa just before the Sandy Beaches 2017 cruise, we found ourselves sitting next to Al Anderson of the World Famous Headliners and NRBQ. We had a great conversation, which we picked up again on board and on camera.

Songwriter Sharon Vaughn may be best known for writing “My Heroes Have Always Been Cowboys,” but her success spans decades. We spoke to her about her remarkable career:

Danny Flowers is a good friend from Nashville, who we’re privileged to see in performance a half-dozen times a year. We spoke with him about his big hit “Tulsa Time” and his approach to songwriting.

“Doyle and Debbie” is a musical chronicling the hoped-for “comeback” of a country artist and the talented down-on-her-luck young woman who he hopes will make that possible. (And that sentence doesn’t begin to convey just how brilliant, engaging and hilarious this show is.)  We spoke with Bruce Arnston and Jenny Littleton about the origins of the inimitable Doyle and Debbie:

Sometimes it seems like Spooner Oldham has played on half the records in our collection. The good ones, anyway. We talked to this pivotal player and songwriter behind the Muscle Shoals sound.

And just for good measure, here’s a photo album from the 2017 Sandy Beaches Cruise:

Review: Sandy Beaches Cruise 2017

By Ken Paulson

The Sandy Beaches Cruise, the much-loved music festival at sea hosted by Delbert McClinton, rocked – in more ways than one – throughout its 23rd annual edition.

While the U.S. was shivering from a wide-ranging cold front, the temperatures on the Holland America Oosterdam were far more pleasant, but accompanied by high winds and waves. That left a number of artists struggling to keep their footing on stage and dancing audience members discovering moves they didn’t know they had.

But this is one cruise where the weather is almost irrelevant. People return to the Sandy Beaches Cruise every year because the musical talent is deep and the vibe is relaxed. When cruisers meet each other, the first question is almost always “How many of these have you been on?” There’s status in numbers.

week kicked off with Marcia Ball and Teresa James, strategic scheduling that got the audience up out of its seats on the very first night. That pattern held throughout the week with highly danceable music from McClinton, Marc Broussard, Jimmy Hall, Clay McClinton, Gary Nicholson, Lee Roy Parnell, Wayne Toups and Mike Zito.

The Mavericks performed three exuberant shows, though one was in the face of powerful winds and a cascade of sea spray. I’m not sure I’ve seen a more challenging performance environment, but the band – and the faithful – stayed the course.

The World Famous Headliners, a band comprised of NRBQ veteran Al Anderson, Shawn Camp, Pat McLaughlin, Michael Rhodes and Greg Morrow, were cruise favorites. There are a few songs on which their three lead vocals mesh and sound strikingly like the Band, but with a sense of humor. The Headliners have recorded two fine albums, but almost never perform, so those on board for the cruise the past two years have probably seen a majority of their shows.

The McCrary Sisters are the spiritual heart of the cruise, offering up a powerful mix of soul and gospel. Their medley of “I Can See Clearly Now/Let the Sun Shine In” was a musical weather forecast, with a bit of wishful thinking thrown in.

The surprise of the week was a salute to Eric Burdon and the Animals, led by Red Young, who played with Burdon for decades. It turns out that Teresa James and members of the Rhythm Tramps also served as latter-day Animals, and they joined Young on this impressive revue of Burdon’s best. James herself took the lead on “Don’t Bring Me Down.”

“Pianorama” is always a highlight of the Sandy Beaches Cruise. This impromptu annual jam session led by Marcia Ball brings together nearly a dozen great keyboard players. Adrenaline flows and the performances are inspired.

Lari White, Etta Britt and Kree Harrison offered up impressive solo showcases, while the Band of Heathens, the Howlin’ Brothers and Mingo Fishtrap delivered well-received sets, tapping into country, rock and traditional music. No one had a more traditional sound than the Quebe Sisters who channel brilliant harmonies (they say the Mills Brothers are their model) and a love of Bob Wills into a vibrant and contemporary take on Western Swing

The Sandy Beaches Cruise songwriters sessions are always entertaining and probably merit a larger venue. One show was dedicated to Lubbock, Texas (in a back-handed sort of way.) It featured a very funny monologue by Jaston Williams of “Greater Tuna” fame, who explored the city’s quirks. “Our homosexuals were not all that gay,” he noted. Gary Nicholson had a great story of his own, recalling a truly crazed friend who rescued him from a biker gang. Delbert shared his own account of seeing UFOs high over Lubbock. Kimmie Rhodes organized the session, which also included stories and music from Sharon Vaughn.

Other songwriting shows featured Bruce “Hey Baby” Channel, Bob DiPiero, Donnie Fritts, Danny Flowers, HalleyAnna, Terry McBride, Tom Hambridge, Spooner Oldham, Kevin Welch, Dustin Welch and Lari White, among others.

Lukas Nelson and Promise of the Real was this year’s revelation. Fresh off backing Neil Young, Willie Nelson’s sixth child delivered a high energy show reminiscent of the power trios of the late ‘60s. His own material – highlights included “Four Letter Word” and “Can You Hear Me Love You” – was complemented by nods to the past, from Paul Simon’s “Diamonds on the Soles of Her Shoes” to Roger Miller’s “King of the Road.”

And then there are Doyle and Debbie, aka Bruce Arnston and Jenny Littleton. The duo, along with Matt Carlton, offer up the story of a washed-up country star who latches onto a talented and desperate young woman and launches a comeback tour. The show, which features songs like “When You’re Screwing Other Women (think of me)” and “Fat Women in Trailers,” has been touring – and on the cruise – for a decade, and for good reason. It’s one of the funniest and most irreverent shows you’ll ever see.

The final show of the Sandy Beaches Cruise  always features Delbert McClinton and a wide range of guest artists. Gary Nicholson assembled about a dozen friends from Nashville, who joined him in singing “More Days Like This,” a fitting sentiment after 7 days of soulful and satisfying performances.

Delbert McClinton’s 2017 Sandy Beaches Cruise

By Ken Paulson

Delbert McClinton is the host and ringleader of the Sandy Beaches cruise, opening and closing the week, and playing all over the ship throughout the week.

Delbert McClinton is the host and ringleader of the Sandy Beaches cruise.

We’re looking forward to Delbert McClinton’s 2017 Sandy Beaches Cruise, which begins Jan. 6 in Tampa. There’s a relaxed vibe throughout the week, in contrast to other music cruises that include assigned seats and lines to get into shows.

It’s a great line-up, with Marcia Ball, the Mavericks, Marc Broussard, Fred Eaglesmith, Clay McClinton, the Quebe Sisters, Wayne Toups, Red Young, World Famous Headliners, Teresa James, Lukas Nelson and the Promise of the Real, Etta Britt, the McCrary Sisters, Big Joe Maher, Lari White, Bob DiPiero, Anson Funderburgh, Bluz House Rockers, Bruce Channel, Danny Flowers, Doyle and Debbie, Gary Nicholson, Jimmy Hall, Kimmie Rhodes, Kree Harrison, Lee Roy Parnell, Mike Zito, Mingo Fishtrap, Sharon Vaughn, Shelley King, the Band of Heathens, Spooner Oldham, the Howlin’ Brothers and Tom  Hambridge .

We’ll have full coverage of the 2017 Sandy Beaches cruise, but here’s our report from 2016.

As Marcia Ball wrapped up her first song to polite applause, she seemed a little nonplussed.

“I thought there was a dance floor here,” she said, as she kicked off Delbert McClinton’s Sandy Beaches Cruise 2016. The crowd took the hint, and the rest of the evening – and the week – was one non-stop dance floor.

That sets this music cruise apart from others, where headliners and reserved seats are the norm. The Sandy Beaches crowd listens respectfully, but they move to the music.

That’s probably the influence of McClinton himself, who is a low-key and welcoming presence thoughout the cruise. It’s as though you were invited to Delbert’s house – one with a very large pool – with his musical friends on a Saturday night.

And if this is your first visit to Delbert’s, you won’t feel like a newcomer for long.

“This is your cherry and we’re here to bust it, “ Ball declared, launching into a high-velocity set of rhythm and blues, including the week’s first performance of “Sea Cruise.’ “A lot of nerve, “ she laughed.

“All Night Long” with the Mavericks

Raul Malo of the Mavericks

Raul Malo of the Mavericks

The Mavericks headlined the pool deck stage three times and the energy never flagged. Since reuniting in 2012, the band has been on a roll, culminating in their Grammy nominations for the song “All Night Long” and their Mono album, and being named group of the year in the Americana Music Association awards. When a band with more than two decades of experience hits a new career high, it shows on stage. In their final set of the week, they even played a danceable “Okie from Muskogee.”

 

 The McCrary Sisters Let It Go

The McCrary Sisters delivered their first set on Sunday, appropriately so for this hard-rocking gospel quartet. Regina McCrary spoke of God’s capacity for healing and offered to pray for anyone in need. If you have a burden, you should “Let It Go,” they sang. No, not the song from “Frozen.”

Later in the day, Roger Blevins Jr. and Mingo Fishtrap announced they were going to echo the McCrarys’ advice to “let it go, “though their version would be “more profane.”

It wasn’t all church for the McCrarys . The sisters did the Family Stone proud with an inspired version of “Thank You (Falettinme Be Mice Elf Agin.)”

Sandy Beaches Cruise 2016 songwriters

The songwriter sessions were uniformly impressive, giving artists the chance to showcase their writing in an acoustic performance. Sharon Vaughn told the story of how she pitched her classic My Heroes Have Always Been Cowboys” to Waylon Jennings, who refused to believe she wrote it. Spooner Oldham played songs he co-wrote with Dan Penn, including James and Bobby Purify’s hit “I’m Your Puppet.”

Delbert McClinton joined the songwriters mid-week to showcase songs from a new album due this spring.

The World Famous Headliners

Former NRBQ member Al Anderson has been on the last 18 cruises, but this time he brought his bandmates from the World Famous Headliners . It’s a tongue-in-cheek name, but Anderson, Shawn Camp and Pat McLaughlin make up a potent front three, with stellar guitar work and tight harmonies. The band – deep in writing talent – showcased songs from their new album, including “Hitchike Home,” “The Whoa Whoa Song” and “Fried Chicken,” a song that mashes up Memphis music and the Bee Gees.

The Headliners know no barriers. “We’d like to apologize for these songs,’ McLaughlin told the audience, shortly before Anderson sang “Stick It Where the Sun Don’t Ever Shine.”

The band brings Little Village to mind. That was the storied band featuring Nick Lowe, Ry Cooder, John Hiatt and Jim Keltner, an amazing line-up of players and songwriters that never seemed to gel as a group.

The Headliners gel. They even have their own theme song, which they played at both the beginning and close of their set. “We’re the World Famous Headliners…”

Keb’ Mo’ and the return of Lee Roy Parnell

Among other highlights of  Sandy Beaches Cruise 2016:

Keb’ Mo’ drew big and appreciative crowds poolside with impeccable sets of blues and soul, including his fresh take on the O’Jays’ “Love Train.”

Mingo Fishtrap rallied the audience on the final day, with Blevins Jr. saying that although everyone would have to disembark the next morning, now was the time to “self-lobotomize.” The band then launched into a blistering medley of classic James Brown songs.

Lee Roy Parnell, on the Sandy Beaches Cruise since its inception 22 years ago, was back after a year away. He saluted the late Allen Toussaint with a spirited take on his “Holy Cow.” Lari White joined him for a duet of a song she and Parnell had written, and Etta Britt delivered a powerful “People Get Ready.”

The annual “Pianorama,” with Marcia Ball as ringleader, convened virtually every keyboardist on the cruise for a piano jam. Five players at a time took the stage, trading off parts on songs like “Iko Iko,” “Nothing from Nothing” and Drinkin’ Wine Spo-de-o-dee.”

The Quobe Sisters Band

The Quobe Sisters Band

The Quebe Sisters were a revelation. Their harmonies were gorgeous – in 1940 they would have been the Andrews Sisters –and all three play fiddle beautifully. They draw on a big songbook, but Western Swing is a specialty.

Doyle and Debbie, the lampooning country music revue, doesn’t change and doesn’t need to. It remains fresh and funny.

Alyssa Bonagura was joined onstage by her parents Kathie Baillie and Michael Bonagura, aka “Baillie and the Boys ,” who revisited their musical past, including an impressive “Blue Bayou.” It’s that rare family where the daughter can plug her parents’ CDs at the merch table.

Bruce Channel joined Delbert to perform his big 1962 hit “Hey Baby,” a record on which McClinton played harmonica. I’m sure they’ve performed it together dozens of times, but it’s still a joyous performance.

The Howlin’ Brothers – Ian Craft, JT Huskey and Jared Green impressed audiences with both a reverence for folk, blues and bluegrass classics and their ability to craft new songs that continue the tradition.

Sandy Beaches Cruise 2016 in photos

By Ken Paulson

shipDelbert McClinton’s Sandy Beaches Cruise always offers a rich array of blues, R&B, rock and folk performers  and the 2016 event continued the tradition. On board the Holland America Westerdam were  Keb’ Mo’, the Mavericks, Marcia Ball, Jimmy Hall, Mingo Fishtrap, Alyssa Bonagura, Seth Walker, The Quebe Sisters, Band of Heathens, Teresa James and the Rhythm Tramps,  Lee Roy Parnell, Fred Eaglesmith, Shelley King, Mike Zito, Big Joe Maher, Anson Funderburgh, Kevin Welch, Doyle and Debbie, Danny Flowers, Kree Harrison, Brian Dunne, the McCrary Sisters, Bruce Channel, Etta Britt, Clay McClinton, Lari White, Chuck Cannon, Red Young, Gary Nicholson, the Howlin’ Brothers, Spooner Oldham, Bob Dipiero, Tom Hambridge, World Famous Headliners, the Damn Quails, Halley Anna Finlay, Baillie and the Boys and the Bluz House Rockers.

That meant music most days from noon until 2 in the morning. You’ll find our review on our site. Here’s a sampling of photos from one very entertaining week:

Delbert McClinton is the host and ringleader of the Sandy Beaches cruise, opening and closing the week, and playing all over the ship throughout the week.

Delbert McClinton is the host and ringmaster of the Sandy Beaches Cruise, opening and closing the week, and playing all over the ship throughout the trip.

 

 

 

 

 

 

 

 

 

 

The McCrary Sisters bring high-energy gospel to the pool deck.

The McCrary Sisters bring high-energy gospel to the pool deck.

 

 

 

 

 

 

 

 

 

Lari White had a busy week with two shows of her own, a songwriters session and...

Lari White had a busy week with two shows of her own, a songwriters session and…

 

 

 

 

 

 

 

 

 

 

 

a duet with Lee Roy Parnell.

.. a duet with Lee Roy Parnell.

 

 

 

 

 

 

 

 

Jimmy Hall, the former lead singer of Wet Willie, was back for the 18th year in a row.

Jimmy Hall, the former lead singer of Wet Willie, was back for the 18th year in a row.

 

 

 

 

 

 

 

 

 

There were newcomers as well. New York singer-songwriter Brian Donne confessed that given the talent on the ship, he half-expected to be turned away when he showed up to board the cruise.

There were newcomers as well. New York singer-songwriter Brian Donne confessed that given the talent on the ship, he half-expected to be turned away when he showed up to board the cruise.

 

 

 

 

 

 

 

 

 

 

Marcia Ball may have been the most collaborative artists on board. When she wasn't playing her own sets or hosting Pianorama, she was sitting in with others. And when the ship docked in St. John...

Marcia Ball may have been the most collaborative artists on board. When she wasn’t playing her own sets or hosting Pianorama, she was sitting in with others. And when the ship docked in St. John…

 

 

 

 

 

 

 

 

 

 

... she showed up on stage here.

… she showed up on stage here.

 

 

 

 

 

 

 

 

Aylssa Bonagura's first set on the pool deck included guest performances by her parents...

Alyssa Bonagura’s fine first set on the pool deck included guest performances by her parents Michael Bonagura and …

 

 

 

 

 

 

 

 

 

 

 

Kathy Baillie of Baillie and the Boys.

… Kathy Baillie of Baillie and the Boys.

 

 

 

 

 

 

 

 

 

Teresa James and the Rhythm Tramps piton great shows all week, including a Friday afternoon set moved indoors because of the only inclement weather of the week. The move inspired a very funny recollection of a very dark dive bar frequented by housewives in the middle of the afternoon.

Teresa James and the Rhythm Tramps put on great shows all week, including a Friday afternoon set moved indoors because of the only inclement weather of the week. The move inspired a very funny recollection of a very dark dive bar frequented by housewives in the middle of the afternoon.

 

 

 

 

 

 

 

 

 

 

 

 

 

Spooner Oldham., Danny Flowers and Bruce Channel span decades of great songwriting.

Spooner Oldham., Danny Flowers and Bruce Channel span decades of great songwriting.

 

 

 

 

 

 

 

 

 

Red Young's 5 p.m. dance parties in the ship's lounge were always packed, fueled by Young's deep setlist of Ray Charles songs.

Red Young’s 5 p.m. dance parties in the ship’s lounge were always packed, fueled by Young’s deep setlist of Ray Charles songs.

 

 

 

 

 

 

 

 

 

Etta Britt on the pool deck, delivering her own show and then doubling back to sing with Lee Roy Parnell.

Etta Britt on the pool deck, delivering her own show and then doubling back to sing with Lee Roy Parnell.

 

 

 

 

 

 

 

 

 

 

 

Oklahoma band the Damn Quails made their Sandy Beaches Cruise debut this year.

Oklahoma band the Damn Quails made their Sandy Beaches Cruise debut this year.

 

 

 

 

 

 

 

 

 

On a ship where dancing was a near-constant, no one inspired as much movement as Raul Malo and the Mavericks.

On a ship where dancing was a near-constant, no one packed the dance floor like Raul Malo and the Mavericks.

 

 

 

 

Delbert McClinton’s Sandy Beaches Cruise 2016

By Ken Paulson

Marcia Ball

Marcia Ball

As Marcia Ball wrapped up her first song to polite applause, she seemed a little nonplussed.

“I thought there was a dance floor here,” she said, as she kicked off Delbert McClinton’s Sandy Beaches Cruise 2016. The crowd took the hint, and the rest of the evening – and the week – was one non-stop dance floor.

That sets this music cruise apart from others, where headliners and reserved seats are the norm. The Sandy Beaches crowd listens respectfully, but they move to the music.

That’s probably the influence of McClinton himself, who is a low-key and welcoming presence thoughout the cruise. It’s as though you were invited to Delbert’s house – one with a very large pool – with his musical friends on a Saturday night.

And if this is your first visit to Delbert’s, you won’t feel like a newcomer for long.

“This is your cherry and we’re here to bust it, “ Ball declared, launching into a high-velocity set of rhythm and blues, including the week’s first performance of “Sea Cruise.’ “A lot of nerve, “ she laughed.

“All Night Long” with the Mavericks

Raul Malo of the Mavericks

Raul Malo and Jerry Dale McFadden of the Mavericks

The Mavericks headlined the pool deck stage three times and the energy never flagged. Since reuniting in 2012, the band has been on a roll, culminating in their Grammy nominations for the song “All Night Long” and their Mono album, and being named group of the year in the Americana Music Association awards. When a band with more than two decades of experience hits a new career high, it shows on stage. In their final set of the week, they even played a danceable “Okie from Muskogee.”

 

 The McCrary Sisters Let It Go

The McCrary Sisters delivered their first set on Sunday, appropriately so for this hard-rocking gospel quartet. Regina McCrary spoke of God’s capacity for healing and offered to pray for anyone in need. If you have a burden, you should “Let It Go,” they sang. No, not the song from “Frozen.”

Regina McCrary of the McCrary Sisters

Regina McCrary of the McCrary Sisters on Sandy Beaches Cruise 2016

Later in the day, Roger Blevins Jr. and Mingo Fishtrap announced they were going to echo the McCrarys’ advice to “let it go, “though their version would be “more profane.”

It wasn’t all church for the McCrarys . The sisters did the Family Stone proud with an inspired version of “Thank You (Falettinme Be Mice Elf Agin.)”

Sandy Beaches Cruise 2016 songwriters

The songwriter sessions were uniformly impressive, giving artists the chance to showcase their writing in an acoustic performance. Sharon Vaughn told the story of how she pitched her classic My Heroes Have Always Been Cowboys” to Waylon Jennings, who refused to believe she wrote it. Spooner Oldham played songs he co-wrote with Dan Penn, including James and Bobby Purify’s hit “I’m Your Puppet.”

Delbert McClinton joined the songwriters mid-week to showcase songs from a new album due this spring.

The World Famous Headliners

Al Anderson, Shawn Camp and Pat McLaughlin of the World Famous Headliners

Al Anderson, Shawn Camp and Pat McLaughlin of the World Famous Headliners

Former NRBQ member Al Anderson has been on the last 18 cruises, but this time he brought his bandmates from the World Famous Headliners . It’s a tongue-in-cheek name, but Anderson, Shawn Camp and Pat McLaughlin make up a potent front three, with stellar guitar work and tight harmonies. The band – deep in writing talent – showcased songs from their new album, including “Hitchike Home,” “The Whoa Whoa Song” and “Fried Chicken,” a song that mashes up Memphis music and the Bee Gees.

The Headliners know no barriers. “We’d like to apologize for these songs,’ McLaughlin told the audience, shortly before Anderson sang “Stick It Where the Sun Don’t Ever Shine.”

The band brings Little Village to mind. That was the storied band featuring Nick Lowe, Ry Cooder, John Hiatt and Jim Keltner, an amazing line-up of players and songwriters that never seemed to gel as a group.

The Headliners gel. They even have their own theme song, which they played at both the beginning and close of their set. “We’re the World Famous Headliners…”

Keb’ Mo’ and the return of Lee Roy Parnell

Among other highlights of  Sandy Beaches Cruise 2016:

Keb’ Mo’ drew big and appreciative crowds poolside with impeccable sets of blues and soul, including his fresh take on the O’Jays’ “Love Train.”

LeeRoy Parnell

Lee Roy Parnell on Sandy Beaches Cruise 2016

Mingo Fishtrap rallied the audience on the final day, with Blevins Jr. saying that although everyone would have to disembark the next morning, now was the time to “self-lobotomize.” The band then launched into a blistering medley of classic James Brown songs.

Lee Roy Parnell, on the Sandy Beaches Cruise since its inception 22 years ago, was back after a year away. He saluted the late Allen Toussaint with a spirited take on his “Holy Cow.” Lari White joined him for a duet of a song she and Parnell had written, and Etta Britt delivered a powerful “People Get Ready.”

 

The annual “Pianorama,” with Marcia Ball as ringleader, convened virtually every keyboardist on the cruise for a piano jam. Five players at a time took the stage, trading off parts on songs like “Iko Iko,” “Nothing from Nothing” and Drinkin’ Wine Spo-de-o-dee.”

The Quobe Sisters Band

The Quebe Sisters Band

The Quebe Sisters were a revelation. Their harmonies were gorgeous – in 1940 they would have been the Andrews Sisters –and all three play fiddle beautifully. They draw on a big songbook, but Western Swing is a specialty.

Doyle and Debbie, the lampooning country music revue, doesn’t change and doesn’t need to. It remains fresh and funny.

Alyssa Bonagura was joined onstage by her parents Kathie Baillie and Michael Bonagura, aka “Baillie and the Boys ,” who revisited their musical past, including an impressive “Blue Bayou.” It’s that rare family where the daughter can plug her parents’ CDs at the merch table.

Bruce Channel and Delbert McClinton perform "Hey Baby"

Bruce Channel and Delbert McClinton perform “Hey Baby” on Sandy Beaches Cruise 2016.

Bruce Channel joined Delbert to perform his big 1962 hit “Hey Baby,” a record on which McClinton played harmonica. I’m sure they’ve performed it together dozens of times, but it’s still a joyous performance.

The Howlin’ Brothers – Ian Craft, JT Huskey and Jared Green impressed audiences with both a reverence for folk, blues and bluegrass classics and their ability to craft new songs that continue the tradition.

 

(More Sandy Beaches coverage can be found here.)

Delbert McClinton hosts Sandy Beaches benefit

Delbert McClinton and Gary Nicholson

Delbert McClinton and Gary Nicholson on the 2015 Sandy Beaches Cruise

Delbert McClinton’s annual Sandy Beaches cruise launches this Sunday at 7 p.m. in non-nautical Nashville with a benefit concert for Mark Allison, McClinton’s longtime monitor engineer.

The concert at 3rd and Lindsley will feature artists scheduled to join McClinton on the Jan. 8 cruise out of Fort Lauderdale, including LeeRoy Parnell, Etta Britt, the McCrary Sisters, Gary Nicholson, Alyssa Bonagura, the Howlin’ Brothers, Danny Flowers, Lari White,  and Rocky Block.

 

 

 

Delbert McClinton’s Sandy Beaches Cruise set for Jan.9

By Ken Paulson

We’re less than a month away from the Jan. 9 launch of Delbert McClinton’ Sandy Beaches Cruise, one of our favorite musical events of the year. It’s blues, roots music  and rock on the high seas, with a heavy infusion of talent from our hometown of Nashville.

Lari White and Delbert McClinton on Sandy Beaches 2015

Lari White and Delbert McClinton on Sandy Beaches 2015

This year’s artists include Keb’ Mo’, The Mavericks, Marcia Ball, Jimmy Hall, Mingo Fishtrap, Alyssa Bonagura, Seth Walker, The Quebe Sisters, Band of Heathens, Teresa James, Lee Roy Parnell, Fred Eaglesmith, Mike Zito and the Wheel, Big Joe Maher, Anson Funderburgh, Doyle and Debbie, The McCrary Sisters, Bruce Channel, Etta Britt, Clay McClinton, Lari White, Chuck Cannon, Red Young, Whitey Johnson, Bob Dipiero, Brian Dunne, Tom Hambridge, World Famous Headliners, The Damn Quails, Halley Anna Finlay and The Bluz House Rockers.

You’ll find more info on the cruise on Delbert McClinton’s site. You’ll find  our past coverage of Sandy Beaches here.

Review: Delbert McClinton’s Sandy Beaches Cruise 2015

(Editor’s note: The 2016 review of the Sandy Beaches Cruise can be found here.)

By Ken Paulson

We’ve just stepped off Delbert McClinton’s Sandy Beaches Cruise, a floating music festival in its 21st year. Though the ship stopped in Antigua and St. Croix, that really didn’t matter. On Sandy Beaches, you come for the music.

Paul Thorn

Paul Thorn

The cruise features an amazing array of artists, with blues, rhythm and blues and New Orleans influences among the most common denominators. Headliners included McClinton, Paul Thorn, the Mavericks, Lyle Lovett, Marcia Ball, Wayne Toups, Band of Heathens, the McCrary Sisters, Teresa James, Elizabeth Cook, Lari White and Mingo Fishtrap. Rough seas moved some of the deck shows inside, but the performances didn’t suffer. It was one rich performance after another.

McClinton’s partner on the 2015  cruise was Sixthman, the industry leaders in music cruises. Their cruises (they call them festivals) include ventures with Kiss, Florida Georgia Line, Train and Kid Rock, as well as the popular Americana-folk-rock Cayamo cruise.

We’ve written extensively about the always amazing Cayamo cruise over the years and we’ll have a report on the 2015 cruise shortly. It’s the cruise that most closely matches the vibe and music of Sandy Beaches. While both are impressive festivals, Cayamo tends to have bigger names and a wide range of singer-songwriters (John Prine, Lucinda Williams, Richard Thompson and Lovett are headliners this year), while Sandy Beaches books bands and artists whose primary mission is to get you dancing in the aisles.

Among the week’s highlights on Sandy Beaches:

Red Young and Delbert McClinton

Red Young and Delbert McClinton

Collaborations – some planned, many impromptu – were a big part of the cruise, and Delbert McClinton was everywhere. In addition to three sets with his band, he sat in on a songwriters session featuring Gary Nicholson, Spooner Oldham, Danny Flowers, Glen Clark (of Delbert and Glen) and Bruce Channel. It was Delbert who played harmonica on Channel’s big hit “Hey! Baby,” a #1 record in 1962, and the duo revisited that classic.

The most striking team-up came when Delbert sat down on the piano bench with

veteran keyboardist Red Young for a stirring version of “Georgia,” while members of the audience attempted to slow dance despite high waves and a rocking boat. Young was a revelation throughout the cruise.

He’s played piano for Clyde McCoy, Lloyd Price, Eric Burdon, Willie Nelson, Waylon Jennings and even Sonny and Cher, and he showed up as a sideman on stages throughout the cruise, while also leading a band that played Frank Sinatra and jazzy pop in the Spinnaker Lounge.

Delbert also joined Lari White for a song from her Green Eyed Soul album, to her obvious delight. She had opened her set by telling the audience that she would understand if they filtered out to see the Mavericks, whose set overlapped with hers. She then went on to make

Lari White and Delbert McClinton

Lari White and Delbert McClinton

sure they didn’t, Opening with “Amazing Grace” (her usual encore, she explained), a sizzling take on Steve Wonder’s “Signed, Sealed, Delivered” and guest spots with Young and others.

White’s concern about competition from the Mavericks was understandable. They played two robust sets, including songs from their upcoming album Mono, set for release on Valory Music on Feb. 17.

Bass player and longtime Maverick Robert Reynolds is no longer in the band, and the Mavericks used Sandy Beaches to introduce his successor James Intveld. Raul Malo claimed they were throwing Intveld into the mix without much rehearsal time, but it didn’t show. He’s an accomplished solo artist and a great addition to the band.

As hard as Delbert worked, Marcia Ball matched him, headlining her own three sets, hosting an all-star “Pianorama” that featured the most talented keyboardists on the cruise complementing and competing with each other, and doing guest spots in other shows, including a memorable turn with Teresa James.

Marcia Ball and Teresa James

Marcia Ball and Teresa James

Lyle Lovett was probably the biggest draw on the cruise, and packed the largest theater on the boat with acoustic sets that had fans raving.

Paul Thorn’s fans were also out in force, though he surprised many by announcing that after more than a decade on this cruise, this would be his last. He told fans to watch his website for developments, and then delivered an outstanding set that included a guest spot by his daughter on tambourine.

It’s been a few years since we’ve seen Thorn perform, and it’s clear that as his fan base has grown, so has his sound. He’s playing much bigger rooms now and his band is more powerful  and his songs more anthemic. He played a number of songs from his latest album Too Blessed to Be Stressed, including “Everybody Needs Somebody” and a wonderful version of the title song with guest vocals from the McCrary Sisters.

Another highlight from the new album was “Mediocrity is King,” the best protest song we’ve heard in years, taking to task everything and everyone who waters down our culture, and expressing special disdain for both Republicans and Democrats.

A bonus was the Paul Thorn Band’s take on Jackson Browne’s “Doctor My Eyes,” from the recent tribute album Looking Into You.

Elizabeth Cook

Elizabeth Cook

Thorn also showed up on Jason Wilber’s “In Search of A Song” radio show taping and as a flamboyantly dressed guest on Fred Eaglesmith’s mock talk show. The Sandy Beaches audience will miss him.

Elizabeth Cook battled an illness early in the week, and only made it through four songs before her voice gave out.

To our surprise, she battled back on Friday to deliver a solid set that drew heavily from her recent Gospel Plow album and her 201o release Welder, including “El Camino” and “Heroin Addict Sister” from the latter.

Whether it was the bug or the mix, her vocals were sometimes overwhelmed by her new band, but she played for almost 90 minutes.

Jill Sobule’s time on the boat was limited, but she delivered one of the most entertaining sets of the week, backed by members of Paul Thorn’s band. she opened with “If I Had a Jetpack,” followed by the defiant “I’ve Got Nothing to Prove,” immediately winning over the audience.

Jill Sobule and her instant chorus

Jill Sobule and her instant chorus

“Where is Bobbie Gentry?,” from her California Years album, was next, and Sobule said she had been told that Gentry thought the song was very funny. It was a  sweet tribute to Gentry and the sound of “Ode to Billie Joe.”

Sobule explained that she had been hired to write a song about the history of immigration in America, and enlisted more than a dozen audience members to serve as a chorus on a powerful and profane song that makes the point that virtually all of us are in the U.S. because of immigration.

Sobule closed with a sampling of fan favorites, including “Supermodel” from the Clueless soundtrack, “Bitter,” “When My Ship Comes In, “Underdog Victorious”  and “Lucy in the Gym,” with an atrium-wide sing-along on the encore of Mott the Hoople’s “All the Young Dudes.”

Of course, all of this just scratches the surface. There were more than 60 shows, with outstanding sets by Wayne Toups, the Band of Heathens, the McCrary Sisters, Jimmy Hall, Teresa James and many more.

Spooner Oldham and Glen Clark

Spooner Oldham and Glen Clark

As musically memorable as the week was, some of the smaller moments were the most memorable. When Muscle Shoals great Spooner Oldham performed his “I’m Your Puppet,” a hit for James and Bobby Purify in 1966, Glen Clark couldn’t contain himself, rushing all the way across the stage to harmonize with Oldham. We know the feeling.

(The 2016 Sandy Beaches Cruise is scheduled for January 9 through 16 on the Holland America Line. More information is available on Delbert McClinton’s site.)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Snapshots: Scenes from the Sandy Beaches Cruise

Americana Music News – A sampling of scenes from Sixthman/Delbert McClinton’s 2015 Sandy Beaches Cruise:

Delbert McClinton and Gary Nicholson

Delbert McClinton and Gary Nicholson

Delbert McClinton played with pretty much everybody on the Sandy Beaches cruise, but was clearly in his element as Gary Nicholson accompanied him in a stellar guitar pull.

Bruce Channel

Bruce Channel

That guitar pull included Bruce Channel, who performed a number of his country hits, along with a fine rendition of his 1962 hit “Hey! Baby,” accompanied by McClinton on harmonica. McCinton played on  the original record.

McCrary Sisters

McCrary Sisters

The McCrary Sisters previewed  their upcoming album (produced by Buddy Miller) with outstanding performances throughout the ship. Particularly memorable were covers of the Staples Singers’ “I’ll Take You There” and an unexpected medley of “Oh Happy Day/Happy.”

Danny Flowers

Danny Flowers

Danny Flowers’  next album features the McCrary Sisters throughout, and the women could be seen quietly singing along in the audience at one of his songwriter sessions. He began one of the shows with what he described as his worst song (“East Batcave”),  and opened another with “Tulsa Time,” one of his best.

Al Anderson

Al Anderson

Sitting next to Flowers at the first songwriters session was Al Anderson, a highly successful songwriter and founding member of NRBQ.

Jill Sobule

Jill Sobule

Jill Sobule rocked the atrium with an energetic (and very entertaining) set, backed by members of Paul Thorn’s band. She’s a remarkable songwriter, but there was also real joy in her cover of the Mott the Hoople hit “All the Young Dudes.”

The Mavericks

The Mavericks

Along with Lyle Lovett, the Mavericks were the biggest draw on the cruise, previewing songs from their new album Mono in sets at the Stardust Theater and outside on the deck.

Lari White and Delbert McClinton

Lari White and Delbert McClinton

You knew it was  going to be a great set (from a confident performer) when Nashville’s Lari White opened up her Stardust Theatre set with “Amazing Grace.” Lari also did a great show in the Atrium, and teamed with husband Chuck Cannon to lead the renewal of marriage vows on the ship.

Etta Britt

Etta Britt

Etta Britt, another fine Nashville artist, did her own soulful sets throughout the cruise, including a memorable show in the Atrium.

Jimmy Hall

Jimmy Hall

Jimmy Hall, yet another performer from Nashville, closed his show with “Keep On Smilin'” a Top 10 record in 1974, when he was lead singer of Wet Willie.               IMG_8802One of the final shows on the cruise was also one of the best. Teresa James delivered a stirring set in the Stardust Theater, with a guest spot from Marcia Ball and a multi-performer finale that channeled Aretha.

Review: Doyle and Debbie on the Sandy Beaches Cruise

The Doyle and Debbie Show

The Doyle and Debbie Show

By Ken Paulson

For years, we’ve heard great things about the Doyle and Debbie Show, a satirical take on country music with a long weekly residency at Nashville’s Station Inn. Instead of seeing it just miles from home, though, we finally caught up with it on Delbert McClinton’s Sandy Beaches Cruise.

The shows tells the story of Doyle, a washed-up old school country singer who never quite made it, and his duo partner Debbie, an earnest and quirky young woman who sees the chance to team up with Doyle as her last, best shot at a career in show business.

It’s laugh-out-loud funny, particularly because Bruce Amston (“Doyle” and the author of the show) and Jenny Littleton (“Debbie”) play it so straight, delivering outlandishly goofy lyrics with heart. Among the songs: “Barefoot and Pregnant,” “When You’re Screwin’ Other Women (Think of Me)” and “Whine Whine Twang Twang.”

There were two performances of the Doyle and Debbie Show on board, and we saw both of them. On the second night, a computer glitch shut down their music in the final minutes of the show, leaving Amston to scramble to a laptop.

At each show, Doyle thanks the audience for being so “forgiving,” but this time, Amston said he really meant it. The computer rebooted, the music kicked in and the show ended with a well-deserved standing ovation.

Marcia Ball, Wayne Toups kick off Sandy Beaches

Wayne Toups on the Sandy Beaches Cruise

Wayne Toups on the Sandy Beaches Cruise

By Ken Paulson 

Delbert McClinton

Delbert McClinton

The 21st edition of Delbert McClinton’s Sandy Beaches Cruise got off to a rousing start Saturday, despite blustery winds that moved the main events off the deck. This cruise, like the Cayamo cruise next week, features a wide range of Americana, blues and folk performers in often intimate seetings. Headliners on Sandy Beaches include Lyle Lovett, Paul Thorn, the McCrary Sisters, Jill Sobule, Band of Heathens, Etta Britt, Elizabeth Cook, Mingo Fishtrap, Gary Nicholson, Red Young, Teresa James, Fred Eaglesmith, Lari White and the Mavericks.

The weather hitch Saturday meant Sandy Beaches openers Marcia Ball, Wayne Toups and Delbert himself took the stage at the Stardust Theatre, the best venue on the cruise ship. The audience lost a deck party under the stars, but enjoyed superior lines of sight and much better sound. Not a bad trade under the circumstances.

Marcia Ball

Marcia Ball

Ball began the evening with a spirited set that immediately brought dancers to the front of the audience. She’s been part of McClinton’s cruises since the beginning and set the tone for the party to come. She drew heavily from her latest album The Tattooed Lady and the Alligator Man, including the title cut, “The Squeeze is On” and “Human Kindness.”

Yet for all the dance music she played, the highlight may have been her poignant performance of Randy Newman’s “Louisiana 1927.”

Wayne Toups, also a veteran of the earliest cruises, followed with a blistering set that began up-tempo and accelerated from there, just easing up for a phenomenal rendition of Van Morrison’s “Tupelo Honey” and the Neville classic ‘Tell It Like It Is.”

Delbert McClinton closed out the evening at the Stardust with old favorites like “Old Weakness Coming on Strong” and “New York City,” reminding the faithful why this cruise has worked so well for 21 years.

(Photos by Ken Paulson)

Bonus Podcast: Bruce Channel’s Classic “Hey Baby”

Bruce ChannelNext year marks the 60th anniversary of the writing of the rock ‘n’  roll classic “Hey Baby” by Bruce Channel (who recorded it) and Margaret Cobb. Earlier this year, we had the chance to visit with Bruce on board Delbert McClinton’s Sandy Beaches Cruise and we heard the full story of the 1962 hit record, Delbert’s role and the song’s connection to the Beatles. It’s an entertaining tale from a true rock ‘n’ roll pioneer.
Please subscribe to the Americana Music News Podcast on iTunes .

Podcast 14 Marcia Ball continues to “Shine Bright”

 

Marcia Ball, the official 2018 Texas State Musician of the Year, has a just-released  album called “Shine Bright,” her 12th.  We caught up with her on board Delbert McClinton’s “Sandy Beaches Cruise” earlier this year. She talks about the new album and her colorful career on Episode 11 of the Americana Music News Podcast.

About  Americana Music News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes, Stitcher and Google Play Music.  And  please join our 23,000 Twitter followers to continue the conversation.

Show #2 Band of Heathens and the inspiration of Ray Charles

Gordy Quist and his bandmates in the Band of Heathens have spent time in their studio recreating an obscure Ray Charles album from the early ’70s. We’re all for it and pretty much anything else this dynamic band produces.

About  Americana News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes. And  please join our 23,000 Twitter followers to continue the conversation.

Podcast 1 Raul Malo of the Mavericks

Few could have produced the Mavericks’ creative resurgence after reuniting in 2012 that led to being voted the top Americana Music Band of 2015 by the voters of the Americana Music Association. Raul Malo talks about the band’s return to glory, their new label and other exciting new projects.

Subscribe to the Americana Music News Podcast on iTunes.

Sharon Vaughn to be honored at Country Hall of Fame

Americana Music News – Sharon Vaughn, a fine songwriter we interviewed last January on the Sandy Beaches Cruise, is being honored at the Country Music Hall of Fame at 2 p.m. August 8th. Here’s the Hall’s announcement, along with our conversation with Sharon:
Sharon Vaughn’s first songwriting hit was a career maker: “My Heroes Have Always Been Cowboys.” It appeared in 1976 on country music’s first certified platinum album, Wanted! The Outlaws, sung by Waylon Jennings. Four years later, Willie Nelson’s version went to #1 when it was included in the soundtrack to the film The Electric Horseman. Vaughn hails from Orlando, Florida. She was discovered by fellow Floridian Mel Tillis and she moved to Nashville in 1969 to pursue a singing career. During the 1970s Vaughn released her own singles on several labels, including ABC/Dot, while juggling studio work as a vocalist. Vaughn’s songwriting credits include the Oak Ridge Boys’ breakthrough country hit, “Y’All Come Back Saloon,” Reba McEntire’s “I’m Not That Lonely Yet,” the Lorrie Morgan-Keith Whitley duet “’Til a Tear Becomes a Rose,” Patty Loveless’s “Lonely Too Long,” and Randy Travis’s “Out of My Bones.” Today, Vaughn splits time between Orlando and Stockholm, and she has had success writing for international pop stars. In 2009 her song “Release Me,” recorded by Swedish singer Agnes, reached #1 on the Billboard Hot Dance Club Play Chart. This interview and performance will be illustrated with vintage photos, film footage, and recordings.

This program takes place in the Museum’s Ford Theater.

After the program Vaughn will sign commemorative Hatch Show Print posters. Ford Theater. Included with museum admission.

Conversations on Cayamo: The Quebe Sisters

By Ken Paulson

We met the Quebe Sisters on Delbert McClinton’s Sandy Beaches Cruise a few years ago and were immediately impressed with their joy and talent. Both were even more apparent on this year’s Cayamo music cruise.

Quebe Sisters

The sisters’ triple-fiddling and tight harmonies create Western swing for a new generation. Their newest album – accurately named The Quebe Sisters – is their best yet, packed with traditional music with a progressive perspective.

Here’s our conversation with Grace, Sophia and Hulda Quebe.

Americana One #35 Gary Nicholson bridges the divide

By Ken Paulson

Gary Nicholson, one of Nashville’s most respected songwriters and artists, is overachieving these days. On June 7, he’ll release not one, but two new albums, and both are pretty special.

Nicholson, like so many of us, is concerned about the state of our nation these days. His The Great Divide captures that in 11 compelling songs, opening with “God Help America” and a nod to Irving Berlin. It’s not an angry album; it’s a call to action.

Whitey Johnson is the Clark Kent to Gary Nicholson’s Superman, or maybe it’s the other way around. As Whitey, Nicholson delivers a playful groove throughout More Days Like This. It’s a soulful and often charming collection of rhythm and blues, with co-writes from Delbert McClinton, Seth Walker, Donnie Fritts, Tom Hambridge and the late Arthur Alexander. Nicholson doesn’t mess around.

In this edition of the Americana One podcast, we paired our preview of the new albums with a conversation we had with Gary last year on Delbert’s Sandy Beaches Cruise. He took us all the way back to the roots of his career and the highly successful years that followed.

Americana One is heard twice a week on WMOT Roots Radio and is available as a podcast on iTunes, Google Play and other prominent podcast platforms. Subscribe now.

Our Favorite Podcasts of 2018

It’s been a fun and rewarding year on the Americana Music News Podcast, featuring visits with some of the most vibrant artists in the field. Here are the five we’ll remember particularly fondly:

Tony Joe White – We were honored to speak with Tony Joe White about his new album Bad Mouthin’ at the Americana Music Festival. Sadly, he passed away weeks later. A great artist.

Kathy Mattea – We talked with Kathy Mattea at WMOT’s Americana Music Festival stage event in September about her new album Pretty Bird and her work to regain use of her singing voice.

Will Hoge – We also connected with Will Hoge at the WMOT event. His My American Dream is a powerful and passionate statement about today’s world.

Raul Malo – We kicked off the year with this entertaining conversation with Raul Malo of the Mavericks on the Sandy Beaches Cruise.

Mary Gauthier – Rifles and Rosary Beads features songs written by Mary Gauthier with veterans and their families, Moving and illuminating.