Tag: Will Hoge

Our Favorite Podcasts of 2018

It’s been a fun and rewarding year on the Americana Music News Podcast, featuring visits with some of the most vibrant artists in the field. Here are the five we’ll remember particularly fondly:

Tony Joe White – We were honored to speak with Tony Joe White about his new album Bad Mouthin’ at the Americana Music Festival. Sadly, he passed away weeks later. A great artist.

Kathy Mattea – We talked with Kathy Mattea at WMOT’s Americana Music Festival stage event in September about her new album Pretty Bird and her work to regain use of her singing voice.

Will Hoge – We also connected with Will Hoge at the WMOT event. His My American Dream is a powerful and passionate statement about today’s world.

Raul Malo – We kicked off the year with this entertaining conversation with Raul Malo of the Mavericks on the Sandy Beaches Cruise.

Mary Gauthier – Rifles and Rosary Beads features songs written by Mary Gauthier with veterans and their families, Moving and illuminating.

 

 

Show #28 Will Hoge’s “My American Dream”

Will HogeBy Ken Paulson

Two great ways to celebrate democracy:

1. Vote on Nov. 6.

2. Buy Will Hoge’s My American Dream.

At a time of intense polarization, surprisingly few artists have used their music to reflect their political beliefs. Will Hoge is the laudable exception to that, as evidenced by his compelling new collection of socially conscious songs. It’s no surprise; his earlier Modern American Protest Music was similarly striking.

This week’s edition of the Americana Music News Podcast features a conversation with Will about his music and the state of the Union.

 

Review: Old Settler’s Music Festival

By Paul T. Mueller

We Banjo 3 at Settler's Music Festival

We Banjo 3

Despite being forced to relocate on relatively short notice, the Old Settler’s Music Festival came off without any major hitches over four days in late April. The Texas festival, in its 31st year, recently acquired a permanent site, a 45-acre plot near the tiny town of Tilmon, southeast of the central Texas barbecue Mecca of Lockhart. Organizers had expected this year’s event to take place at its longtime location, a leased site near Driftwood, southwest of Austin, giving them another year to prepare the new location. But that plan fell through, forcing the festival to scramble to get the new site ready. A few rough edges were in evidence, but for the most part the facilities were in good shape for the thousands of music fans, many of whom spent the long weekend in a campground adjacent to the performance area.

Old Settler’s (named for its original home, Old Settler’s Park in Round Rock, Texas) has always had something of a hippie vibe, and that atmosphere lives on. Tie-dyed clothing, sparkly capes, headbands and other countercultural accoutrements were much in evidence. Vendors’ wares included various handcrafted items, as well as clothing suitable to the occasion. And the atmosphere was perfumed with the occasional whiff of suspicious substances, along with the aromas of barbecue smoke, corn dogs and kettle corn.

Because of day-job demands, your reporter couldn’t get to OSMF until Friday. The Thursday lineup included Austin-area folkies The Deer, veteran bluegrassers The Travelin’ McCourys, Irish band We Banjo 3, and Grateful Ball, featuring members of The Travelin’ McCourys and the Jeff Austin Band playing bluegrass interpretations of Grateful Dead songs. Schedule conflicts and heavy rain on Saturday also limited attendance options; what follows are impressions of some of the festival’s nearly 40 sets (not counting middle-of-the-night “Camp Shhh-Times” acoustic sets, open to campers only).

Steve Poltz at Settler's Music Festival

Steve Poltz

Friday:
Donna the Buffalo – Jammy rock from the veteran outfit, playing one of the first sets on the Black’s Original BBQ stage, the larger of the two main stages. The sound was loud but clear, and punctuated, as might be expected, with some “420” jokes.
We Banjo 3 – Spirited tunes from “the originators of Celtgrass,” on their first U.S. tour.
Jamestown Revival – rootsy rock from the Texas-based band featuring childhood friends Zach Chance and Jonathan Clay.
Calexico – An eclectic mix of rock, jazz, country and various Latin styles, featuring the fine vocals of John Burns. Martin Wenk turned in excellent performances on several instruments, notably trumpet.
Tomar and the FCs – energetic soul to close out a chilly evening on the festival’s smaller Bluebonnet Stage. The Austin-based band is anchored by charismatic frontman Tomar Williams.

Saturday:
Jon Stickley Trio – A band consisting of acoustic guitar, violin and drums might seem to promise a relatively quiet experience, but Saturday’s opening set on the big stage featured a lot of volume. The tunes had a Celtic feel to them; the long but well-structured instrumental arrangements were reminiscent of early Yes music.
Steve Poltz – The Canadian-turned-Southern Californian folkie troubadour entertained the crowd with his usual mix of zany humor, keen observation and fine musicianship. A highlight was a moving rendition of Bob Dylan’s “Not Dark Yet,” which Poltz dedicated to the late Jimmy LaFave.
The Peterson Brothers Band – Powerful blues and rock featuring brothers Glenn and Alex Peterson, from the not-far-away city of Bastrop. Their set included plenty of pyrotechnics, with Glenn’s guitar soaring over Alex’s fluid bass, but also a sweet rendition of “Amazing Grace” that featured Alex on violin.
Colter Wall – Thoughtful country with a Canadian twist, featuring interesting lyrics and excellent vocals that belied Wall’s 22 years. The inclusion of a Townes Van Zandt song was a nice touch.
Sean McConnell – More well-done singer-songwriter fare from a Massachusetts native now based in Nashville. Backed by a capable band, McConnell played a high-energy set that included a moving song about his father and a nice cover of “The Boys of Summer” that seemed oddly appropriate in the midst of a late-spring downpour.
The California Honeydrops – An infectious blend of rock, soul, jazz and various other influences, all built around the charismatic singer and trumpeter Lech Wierzynski, a native of Poland who grew up listening to American jazz and R&B before moving to the United States. Highlight: a jazzy, funky rendition of Allen Toussaint’s “Yes We Can Can.”

Peterson Brothers Band at Settler's Music Festival

Peterson Brothers Band

Will Hoge – High-energy roots rock, backing often confessional lyrics by the Nashville-based singer-songwriter. Between songs, Hoge told a touching story of being re-inspired in his musical pursuits by his young sons’ earnest attempts at pursuing their own rock ‘n’ roll dreams in his garage.
I’m With Her – One of the highlights of the festival, and probably the best-attended set of the weekend. The acoustic supergroup – Sara Watkins, Sarah Jarosz and Aoife O’Donovan – dazzled the crowd with their world-class playing and beautiful harmonies, drawing their set mostly from their recent debut album, See You Around. They also played a tune by Swedish acoustic trio Väsen, which performed a well-received set at last year’s OSMF.

Sunday:

Balsam Range – Well-played traditional bluegrass on the small but comfortable Campground Stage (the festival was originally called the Old Settler’s Bluegrass Festival).
The Cleverlys – Bluegrass versions of pop songs by artists including Beck, the Red Hot Chili Peppers and Lady Gaga, among others. Funny stuff, especially combined with between-songs banter, but the “faux family band” from Arkansas backed it up with serious vocal and instrumental chops.
Galeano – High-energy Latin pop, including salsa and cumbia, from a band led by José Galeano, frontman of Austin-based Grupo Fantasma. Galeano did a fine job on vocals and timbales, backed by excellent rhythm and horn sections, plus keyboards and additional vocals. He urged those in attendance to get up and dance, and many happily obliged.

Other OSMF 2018 performers included Frankie Leonie, Front Country, the Jeff Austin Band, Billy Strings, Greensky Bluegrass, Darlingside, The War and Treaty, JD McPherson, Wade Bowen, Railroad Earth, Bob Schneider and Ray Wylie Hubbard.

Quotable Cayamo 2017

By Paul T. Mueller

Things musicians say between songs are sometimes funny, sometimes profound, sometimes both. Here are some notable quotes from the stages of Cayamo 2017.

“I don’t have any songs about boats. I do have a lot of songs about death, so we’ll just do those.” – Gretchen Peters

Lee Ann Womack

“I’m here to do country music!” – Lee Ann Womack

“Are you often told you’re too young to be writing that well?” – Glen Phillips to 21-year-old Christian Lopez after the latter presented a new song in their songwriters-in-the-round show with Will Hoge

“Glen and I were 21 when Pearl Harbor happened.” – Will Hoge (who’s actually 44) to Lopez after Lopez described singing on an aircraft carrier

“Damn, I’m having a good time! Resistance is fun!” – Gretchen Peters, in the “Songs of Protest” show she hosted

“The dues-paying in Nashville is never-ending.” – Angaleena Presley

“There’s a responsibility to protect the repertoire.” – Luther Dickinson, on the North Mississippi Allstars’ approach to playing the blues.

“Cayamo, I just found out, is an old Spanish word for ‘We printed the lineups too small.’ “ – Will Hoge, on the tiny type used on the show schedules provided to passengers

“Y’all just sit there and judge us? If we make you cry, do we get a prize?” – Aoife O’Donovan, a guest performer in the Secret Sisters’ “All the Girls Who Cry” show, to the Sisters, Lydia and Laura Rogers (who were in fact sitting, judge-like, at the side of the stage)

“How cliché are we, crying at our own show?” – Lydia Rogers, after a particularly sad song

“Oh, my god! Holy sh*t! I was worried! Thanks for voting for me! I never win anything!” – Sarah Potenza, who earned her spot in the lineup partly through passengers’ votes in the “Soundcheck” competition

“We’re songwriters. You can’t hurt our feelings.” – Lori McKenna, in a Love Junkies show

BJ Barham

“Thank you so much for cultivating this kind of community… It’s just as much fun as everyone told us. It’s a family reunion!” – BJ Barham of American Aquarium.

“We went from a latte president to an Orange Julius president.” – “stowaway” Chuck Cannon, on his new song “Tangerine Jesus,” sung to the tune of “Paperback Writer”

“It’s ‘Skunk’ time all over again!” – Loudon Wainwright III of “Dead Skunk in the Middle of the Road” fame, on the expected success of “Meet the Wainwrights,” a musical introduction to his extended family

“If Elton John had had a baby with Tom Petty…” – Patty Griffin, introducing guest Aaron Lee Tasjan, before a lovely duet on Petty’s “Insider”

“You will always have my heart.” – Rodney Crowell to Emmylou Harris in their duet show

“Same back atcha!” – Harris to Crowell

“I’m going to keep singing this song until I die or it comes true, whichever happens first.” – Steve Earle on his optimistic “Jerusalem”

 

 

 

 

 

WMOT launch: Jim Lauderdale, Suzy Bogguss, Will Hoge

Jim Lauderdale hosted the launch party for new Americana radio station WMOT at the Country Music Hall of Fame, drawing on the talents of Will Hoge, Suzy Bogguss, Mike Farris and an All-Star Americana band. The new station, based at Middle Tennessee State University’s College of Media and Entertainment, can be accessed on mobile devices with the Roots Radio app for Apple and Android devices.

Damn Quails, Willie Nelson enter Americana airplay chart

There’s little change in this week’s Americana music chart, with Ryan Adams’ Ashes & Fire once again in the top position, followed by Robert Earl Keen and the Jayhawks. At long last, Will Hoge’s Number Seven settles in at #7.

The only new albums on the airplay chart are Damn Quails’ Down the Hatch at #26 and Willie Nelson’s Remember Me Vol. 1 at #27.

The most added new albums include Mark O’Connor’s An Appalachian Christmas, the Little Willies’ For the Good Times and the Nelson album.

The Guy Clark tribute album This One’s For Him was picked up by six new stations this week.

Jonell Mosser breaks into Americana music chart

Jonell Mosser, one of our favorites, breaks into the Americana Music Association chart at #38 this week with “Fortunes Lost, Fortunes Told,” As we noted in our review of the album, Jonell is a stirring and soulful singer who has never had the break she deserves. Maybe that’s changing.

With the Jayhawks still at #1 with “Mocking Bird Time,” the only new entry in the top ten is Will Hoge’s “Number Seven” at #9.

Also new to the chart: The self-titled album from Whitehorse at #36 and Lera Lynn’s “Have You Met Lera Lynn?” at #39.

Jayhawks, Will Hoge headline Americana Music Showcases

Tonight’s Americana Music Festival in Nashville kicks off with the week’s highlight, the 10th Annual Americana Honors and Awards show. Performers include Lucinda Williams, the Civil Wars, Elizabeth Cook and Buddy Miller, plus many more.

Club showcases begin at 10 p.m., with the reunited Jayhawks (currently in the top spot in Americana radio with “Mocking Bird Hill”,) headlining the Cannery Ballroom at 11 p.m.

At exactly the same time in the adjoining Mercy Lounge, Will Hoge will take the stage in support of his new album “Number Seven,” which is #13 on the Americana chart.

The Station Inn features Mollie O’Brien and Rich Moore at 10 p.m., followed by storied songwriter and singer J.D. Souther. In addition to a rich solo career and his role in the Souther Hillman Furay Band, Souther wrote “Best of My Love”, “Heartache Tonight”,”New Kid in Town” and “Faithless Love.”

Here’s the full line-up for tonight:

The Basement

10 pm Amanda Shires
11 pm Malcolm Holcombe
Midnight: Pokey LaFarge & the South City Three

The Station Inn

10 pm Mollie O’Brien and Rich Moore

11 pm JD Souther

The Rutledge

10 pm Frank Solivan and Dirty Kitchen

11 pm Gurf Morlix

Midnight: Lori McKenna

The Mercy Lounge

10 pm Lera Lynn

11 pm Will Hoge

Midnight: Romantica

The Cannery Ballroom

10 pm Carrie Rodriguez

11 pm The Jayhawks

Americana Music Festival schedule: Thursday, Oct. 13

The big event in Thursday’s Americana Music Festival schedule is the Honor and Awards show at the Ryman Auditorium. Here’s a quick look at the showcases that follow:

The Basement
10 pm Amanda Shires
11 pm Malcolm Holcombe
Midnight: Pokey LaFarge & the South City Three

The Station Inn

10 pm Mollie O’Brien and Rich Moore

11 pm JD Souther

The Rutledge

10 pm Frank Solivan and Dirty Kitchen

11 pm Gurf Morlix

Midnight: Lori McKenna

The Mercy Lounge

10 pm Lera Lynn

11 pm Will Hoge

Midnight: Romantica

The Cannery Ballroom

10 pm Carrie Rodriguez

11 pm The Jayhawks

Will Hoge, Wilco surge on Americana Music Chart

The top five spots in this week’s Americana Music Association Chart remain unchanged, with the Jayhawks, Robert Earl Keen, John Hiatt, Gillian Welch and Guy Clark ranked one through five. Will Hoge’s “Number Seven” jumps from #26 to #13.

Fresh off two triumphant nights at the Ryman Auditorium in Nashville, Wilco enters the chart at #21 with “The Whole Love.” (Pictured.) Other Americana music chart debuts include Jason Boland and the Stragglers’ “Rancho Alto” at #30, Pieta Brown’s “Mercury” at #35,Pokey LaFarge and the South City Three’s “Middle of Everywhere” at #37 and Lydia Loveless’ “Indestructible Machine” at #39. The most added album of the week is Ryan Adams’ “Ashes and Fire.”

Jayhawks top Americana chart

The Jayhawks, with founding member Mark Olson on hand for the first time since 1995, have the top album on the Americana Music Assocation chart this week. “Mocking Bird Time” (Rounder) replaces Robert Earl Keen’s “Ready for Confetti” after a one-week run at the top.
New to the top ten is Ry Cooder’s “Pull Up Some Dust and Sit Down” (Nonesuch) at number nine. It’s also one of the chart’s most-added albums.
This week’s chart debuts are Will Hoge’s “Seven” (Ryko) at #26 and the Dirt Daubers’ “Wake Up, Sinners” (Colonel Knowledge) at #39.

Cayamo update: Will Hoge, Scott Miller

Will Hoge and Scott Miller confer on a song they can perform together.

Will Hoge and Scott Miller dropped in for a taping of “World Café” at Cayamo, each fielding a challenge to play four songs – one early and one new song, plus a cover and something anthemic.
The covers were particularly entertaining, with Hoge performing “Crying Time” and telling a story about blowing his chance to talk to hero Buck Owns. “What time is the show?” was the extent of his repartee, he admitted.
Miller paid tribute to the Statler Brothers, a group from his hometown.
Hoge and Miller closed the show with an impromptu take on John Prine’s “Picture Show.” It was fun, but rough, and isn’t likely to make it to NPR.