Author: Americana Music News

Podcast #11 Tim Easton and “Paco & the Melodic Polaroids”

Tim EastonTim Easton has an intriguing new album called “Paco & the Melodic Polaroids,” a celebration of his black Gibson J-45 acoustic guitar, christened “Paco” by a Deadhead in Paris. The album was recorded direct to lacquer in Bristol, Virginia, the storied birthplace of country music.

In this Americana Music News podcast, Tim Easton talks about this compelling collection of songs – due for release on April 13 – and the path that brought him to Bristol.

About  Americana Music News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes, Stitcher and Google Play Music.  And  please join our 23,000 Twitter followers to continue the conversation.

 

 

 

Tin Pan South Songwriters Festival Begins April 3

 

By Ken Paulson

One of our favorite musical events of the year in Nashville is the annual Tin Pan South Festival, a celebration of songwriting in the world capital of that art. It begins this year on Tuesday, April 3 and continues through Saturday, April 7.

 

We’ve been attending since 1997 and have never been disappointed in the depth and range of talent. Some songwriters are also performers, but others at the festival simply do their best to deliver their songs with passion, conduction and often humor.

 

The format at each Tin Pan South show consists or three or four songwriters alternating songs, along with a generous sampling of banter.

 

While the talent level has remained consistent over the years, Nashville’s growth means your best bet is to settle on a single venue and stay for the evening. Early on, we would make a point of hitting at least two venues per night. Life in Nashville is not that simple anymore and parking is not that cheap.

 

The festival performers at Tin Pan South –  presented by the Nashville Songwriters Association International – range from the highly accomplished to the highly promising.

This year’s Tin Pan South artists include Keb’ Mo’, Robert Earl Keen, Lori McKenna, Radney Foster, Nashville Songwriters Hall of Fame members Paul Overstreet, Bob DePiero, Tom Douglas, Matraca Berg and Jeffrey Steele, and emerging artists Emily West, Sean McConnell, the Darlins, Sara Beck and Sarah Buxton. And that only scratches the surface.

You’ll find the full roster and more details on the Tin Pan South site.

Review: Michelle Malone’s “Slings & Arrows”

By Paul T. Mueller

Georgia singer-songwriter Michelle Malone puts forth another fine effort with the wide-ranging Slings & Arrows. As always, she’s equally at home with quiet, folky material and flat-out rockers, and this 10-song collection adds other musical flavors, notably funk and soul, to the mix. Lyrical themes include perseverance (“Just Getting Started,” which name-checks Moses and Dr. Martin Luther King Jr., among others); tolerance and self-respect (“Love Yourself”), and defiance (“Civil War” and “Boxing Gloves”).

A couple of songs co-written with fellow Georgian Eliot Bronson explore different aspects of romance – earthier in the Motown-ish “Sugar on My Tongue” and more ethereal in the sweet ballad “The Flame.” Malone enlists another veteran of the Georgia folk-rock scene, Shawn Mullins, as her duet partner on Otis Redding’s “I’ve Been Loving You Too Long.” Their performances dance on the fine line between passionate and over-the-top, but in a fun way.

Malone handles most of the vocals here, as well as extensive work on guitars, mandolin and harmonica. Her singing and playing combine power and finesse, and in her role as producer she gets the most out of her own performances and those of her bandmates. Other contributors include Doug Kees and Peter Stroud (electric guitar), Robby Handley (bass), Christopher Burroughs (drums) and Trish Land (percussion.) Land, a prolific visual artist, also created the CD’s cover art.

Podcast #10 Danny Flowers, “Tulsa Time” and music of the soul

Danny Flowers

Danny Flowers

It was 40 years ago in 1978 that Don Williams and Eric Clapton debated who should be the first to record Danny Flowers’ “Tulsa Time.” Williams hit the country charts first with his version, followed by Clapton’s take on the pop charts.

It was a very good year for Danny, who joined us to talk about that song and his career since then, leading up to the new album “I’m Holdin’ On.”

About  Americana Music News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes, Stitcher and Google Play Music.  And  please join our 23,000 Twitter followers to continue the conversation.

 

Show #9 The Mastersons and Jesse Terry

Mastersons album transient lullabyEleanor Whitmore and Chris Masterson have had a great career as the Mastersons, and as a duchess and duke respectively in Steve Earle’s band. We caught up with them in Kansas City at the Folk Alliance International Conference and talked  about their latest album “Transient Lullaby” and the most buzzed-about song of the conference “Don’t Tell Me to Smile.”

This episode also features Jesse Terry, who shares some thoughts about his fine new album “Natural” and a song entitled “I Was an Island” on our First Person segment.

About  Americana Music News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes, Stitcher and Google Play Music.  And  please join our 23,000 Twitter followers to continue the conversation.

Robbie Fulks to play the Bluebird Cafe March 22

Robbie FulksBy Ken Paulson

Robbie Fulks is coming to the Bluebird Cafe in Nashville on Thursday, March 22. It’s an unusual evening because the Bluebird typically features four songwriters sitting in the round, swapping songs and stories. But Robbie clearly doesn’t need any reinforcements.
I met him in 2000 when I was organizing a free speech benefit at the Bluebird and our mutual friend Bill Lloyd invited him to play. The premise of the evening was that every artist would play a song that was once controversial. Robbie performed a perfect gender-bending version of Loretta Lynn’s “The Pill.”
That pretty much sums Robbie Fulks up: a fine musician and songwriter with a love of country music and a bent sense of humor. His “Upland Stories” album garnered two Grammy nominations. Don’t miss him.

Video Premiere: Chris Smither’s “By The Numbers”

There’s a tireless – arguably timeless – quality to Chris Smither’s work. The consistently impressive artist has released 18 albums over a half-century, but wasn’t satisfied with just a single album with his latest “Call Me Lucky.” No, he recorded it and then did it again from start to finish with different versions of five of the songs in the same album. That’s either very inefficient or very cool. We’ll go with the latter.

Americana Music News is pleased to present the video premiere of “By The Numbers” from “Call Me Lucky.”

Chris Smithers will perform at the Bluebird Cafe in Nashville on April 27.

Show #8: Jorma Kaukonen of Hot Tuna and Jefferson Airplane; Kyle Frederick

Jorma KaukonenJorma Kaukonen has had a rich career as a founding member of Jefferson Airplane and Hot Tuna, and as an accomplished solo artist. He’s ready to tell his life story in a new memoir called “Been So Long.” We had a sneak preview of the book in our conversation with Jorma at the International Folk Alliance Conference in Kansas City.
Also in this edition of the Americana Music News Podcast: A “First Person” account of Kyle Frederick’s new release Already November.

About  Americana Music News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes, Stitcher and Google Play Music.  And  please join our 23,000 Twitter followers to continue the conversation.

Show #7: Mary Gauthier on “Rifles and Rosary Beads”

Mary Gauthier on Rifles and Rosary BeadsMary Gauthier has just released a truly special album of her performing songs she wrote with veterans and their families. “Rifles and Rosary Beads” is a moving collection, drawn from “Songwriting:withSoldiers” sessions. We had the pleasure of hearing more about this important project in a conversation with Mary at the Folk Alliance International conference in Kansas City.

Please subscribe to the Americana Music News Podcast on iTunes, Stitcher or Google Play Music. 

Detroit bluegrass: Escaping Pavement at the Americana in Houston

Escaping Pavement

Escaping Pavement

 

By Paul T. Mueller

Unfamiliar performers and a rainy weekend can make for a small crowd, even on a Saturday night in a big city. Such was the case when Michigan-based folk-bluegrass duo Escaping Pavement played Houston listening room The Americana on Feb. 24. But guitarist Emily Burns and guitarist-mandolinist Aaron Markovitz, both veterans of what they described as a thriving Detroit bluegrass scene, were undeterred by the sparse turnout, playing three enthusiastic sets that showcased their strong vocals and instrumental skills.

Burns, on acoustic and electric guitars, and Markovitz, alternating between guitar and mandolin, are fine singers, both separately and together. On many songs, they alternated singing verses and harmonizing on the choruses. They featured several songs from their recent EP, The Night Owl, among them the folkie-sounding “Wanderers,” the more uptempo “Fuel the Fire” and the slow and sweet “Dumb Luck,” featuring some intricate interplay between Burns’ acoustic guitar and Markovitz’s mandolin.

They demonstrated what they called their “Southern Michigan rock” chops on “Burn This Bridge” and showed off their bluegrass abilities on “Boll Weevil,” “Old Daingerfield” and “Angel Band.” Other highlights included “Hetch Hetchy,” a tribute to a Northern California valley that was controversially flooded in 1923 to form a reservoir to supply the San Francisco Bay area, and “What Will We Do Then?,” which they recorded last year as a benefit for Earth Day.

The duo also offered interesting interpretations of songs by a diverse group of fellow singer-songwriters, including The Civil Wars (“From This Valley”), Bruce Springsteen (“Atlantic City”), the Rolling Stones (“Wild Horses”), Bob Dylan (“Girl from the North Country”) and Lady Gaga (“You and I”). They regretfully declined an audience request for Leonard Cohen’s “Hallelujah,” even though it was accompanied by an offer to pay their bar tab.

Escaping Pavement’s Southwest Tour continues next month with several dates in Texas and New Mexico; their schedule for the rest of the year shows gigs in the upper Midwest and across the country, mostly in smaller venues from Florida to California. This is music worth hearing, from musicians worth watching.

Reissues: The Choir’s “Artifact – The Unreleased Album”

By Ken Paulson
Here’s an album I’ve always wanted, but never knew existed.
I’ve always loved the near-perfect power pop of the Raspberries, and I knew their roots were in the Choir, where band members Wally Bryson, Jim Bonfanti and Dave Smalley honed their skills.
There have been re-issues of their early stuff, most notably “Choir Practice” and their single “Baby It’s Cold Outside.”
But it turns out that in 1969, after the departure of Bryson and Smalley, drummer Bonfanti soldiered on with a new line-up and recorded the album that’s just been released by Omnivore Recordings.
The “Artifact” title is apt. The music is ambitious, uneven and sometimes just odd, but as a document of the era, it’s remarkable.
Opening tracks “Anyway I Can” and “If These Are Men” reflect the band’s British invasion influences, and bring to mind both the Nazz and the soon-to-arrive Big Star. There’s also a faithful and energetic take on the Kinks’ “David Watts.”
But from there, the album is all over the board. In 1969, bands didn’t just make albums; they made statements. Blame psychedelia for the band’s bizarre “Lady Bug” and these lyrics: “Lady Bug, Lady Bug, Please do me no harm.” Yes, be sure to look out for killer lady bugs.
It gets stranger. The final track is a jaunty tribute to a Mummer Band: “I love rock ‘n’ roll and rhythm ‘n’ blues, but oh that Mummer Band.” Oh indeed.
But give credit where due. This was the band that inspired Eric Carmen to pursue rock and these final recordings bridged the gap to the Raspberries. Omnivore has unearthed an important final chapter.

Lisa LeBlanc in Nashville March 10

We happened upon Lisa LeBlanc at the Folk Alliance International Conference in Kansas City last weekend. For those who haven’t attended, it’s four days of great music and you end up stumbling from one showcase to another, like cruising the honky tonks on Lower Broad in Nashville. That’s the last time we’ll be so nonchalant about seeing her.
She’s an excellent banjo player who defies expectations about the instrument by playing full-throttle and with a rock sensibility.
She’ll be in Nashville at the City Winery on March 10. It’s in the lounge, so that means very reasonable ticket prices and a welcome intimacy.
A sample of her talents:

Ruby Boots in Nashville this Saturday

One of the most intriguing artists we saw at the Folk Alliance International Conference in Kansas City last weekend was Ruby Boots, a West Australian singer-songwriter with a real rock edge. We’re confident she was the only performer at this folk music conference who led people to say “Does that sound like T.Rex?”
She’s more Americana than Marc Bolan, but she’s undeniably interesting. And the good news is that she’ll be at Grimey’s in Nashville at 5 p.m. for an album release party. (She’s also an upcoming guest on the Americana Music News Podcast, so subscribe now on iTunes, Google Play and Stitcher.)

The Mastersons’ “Don’t Tell Me to Smile”

You couldn’t walk  more than a few steps at last weekend’s Folk Alliance International Conference without seeing someone wearing a “Don’t Tell Me to Smile” button. It’s a statement for the times, but also doubled as a bit of promotion for the new Mastersons video of the same name. From “Transient Lullaby:”

 

Cayamo 2018 review – A week of high points

 

By Paul T. Mueller 

Lee Ann Womack, Buddy Miller and Patty Griffin

Any weeklong music festival tends to turn into a blur of overlapping shows, and this year’s Cayamo festival-at-sea was no exception. The annual charter cruise, held aboard Norwegian Cruise Line’s Pearl and produced by NCL subsidiary Sixthman, featured 40-plus performers and something like 100 shows over the course of six days and seven nights. The ambitious schedule made it pretty much impossible to see everything, so what follows is a highly subjective list of a dozen notable sets from the week.

Sunday: The evening sailaway show, as the Pearl departed New Orleans for the Gulf of Mexico and points south, was an all-star tribute to the great John Prine, who led off with “All the Best” and then turned the stage over to emcee Jim Lauderdale. Highlight performances included “Angel from Mongomery” by Richard Thompson and Brandi Carlile, “Illegal Smile” by Margo Price, and “Sam Stone” by Brian Wright and Joe Purdy. Prine was spotted high above, watching from outside his customary top-of-the-ship quarters, as Aaron Lee Tasjan and his band performed “Lake Marie.” The 18-song set ended with an all-hands-on-deck rendition of “Paradise.”

Windy, chilly conditions made for a relatively small crowd at Margo Price’s Sunday night pool deck show, but those who toughed it out were rewarded with an energetic set of Price’s traditional country with a rocking edge. Selections included several songs from her most recent album, All American Made, notably “Don’t Say It” and “Cocaine Cowboys.” She and her capable band also did right by a few covers (Guy Clark’s “New Cut Road,” Rodney Crowell’s “Leaving Louisiana in the Broad Daylight”) before closing with the geographically appropriate “Proud Mary.”

Monday: John Prine, backed by longtime bandmates Jason Wilber on guitar and Dave Jacques on bass, plus drummer Ken Blevins and multi-instrumentalist Fats Kaplin, played a set of songs requested in advance by fans. Of the 49 songs requested, Prine performed 16, including such favorites as “The Glory of True Love,” “Far From Me” and “Angel from Montgomery.” On his closer, “Paradise,” he got vocal assistance from his wife, Fiona Whelan, as well as Joe Purdy, Amber Rubarth and John Paul White.

Richard Thompson on Cayamo 18

Tuesday: Fans packed the Stardust Theater, the Pearl’s largest venue, for a solo show by the legendary Richard Thompson. Thompson poked fun at himself, noting that he’s capable of playing fast miserable songs as well as depressing fare at slow and medium tempos. But there was no denying the emotional power of a beautiful rendition of Sandy Denny’s “Who Knows Where the Time Goes?,” followed by his own “1952 Vincent Black Lightning” and “Persuasion.” He also performed, at the request of an audience member, the traditional English ballad “Matty Groves,” recorded by his former band Fairport Convention among others.

Wednesday: Chicago-based singer-songwriter Michael McDermott, in his second Cayamo appearance, held back nothing in a well-attended set on the Bar City stage. Accompanied by his wife and musical partner, Heather Horton, on vocals and violin, McDermott delivered an intense performance of songs drawn largely from his troubled past and his years of sobriety since. Songs such as “Eleven Nights of Whiskey,” “Butterfly” and “20 Miles South of Nowhere” recounted the dark days; more upbeat fare included a fine cover of Tom Petty’s “The Waiting.” McDermott’s moving tribute to his late father, “Shadow in the Window,” left many audience members in tears. He closed with a rousing rendition of “A Wall I Must Climb,” a perennial favorite from his 1991 debut album.

Thursday: One of the week’s biggest crowds turned out for a Tom Petty tribute show on the pool deck, as the Pearl departed Harvest Caye off the coast of Belize. Band of Heathens filled in capably for Petty’s Heartbreakers, backing an excellent cast of singers on well-loved Petty songs. The Austin-based rockers led off with “You Wreck Me,” followed by, among others, B.J. Barham doing “Listen to Her Heart,” Steve Poltz with “Wildflowers” and Buddy Miller with “It’ll All Work Out.” A sudden thunderstorm put an end to the show, but Aaron Lee Tasjan and Patty Griffin finished their a capella duet on “Insider” as the crew hastily covered equipment in the rain. The show was completed on Friday; highlights included a powerful reading of “Southern Accents” by John Paul White and an all-star closing rendition of the anthemic “I Won’t Back Down.”

Things can get a bit somber on a cruise populated by Serious Singer-Songwriters, so the Thursday night Spinnaker Lounge set by Traveller – a somewhat ad hoc trio consisting of Cayamo veteran Robert Ellis and newcomers Jonny Fritz and Cory Chisel – provided some welcome comic relief. The three, obviously having a great time, performed funny songs with titles like “15 Passenger Van,” “Christmas Eve at Kroger” and “Get Me Out of the South.” And then there was “Stadium Inn,” an ode to a dubious hotel in Nashville that had the audience howling. Fritz’s dancing and Ellis’ raucous laughter completed the picture. Maybe it’s more than coincidence that Fritz, who seemed to be the ringleader of this outfit, bears a passing resemblance to the late, great Steve Goodman. Along the way there was more serious fare, notably Ellis’ “Elephant” and Chisel’s “Southern Arms”; the closer was Ellis’ powerful “Sing Along.”

Friday: Max Gomez, a singer-songwriter from New Mexico making his second Cayamo appearance, put on a low-key but charming morning show in the Spinnaker, drawing from his first album, Rule the World, and his recent EP, Me and Joe. He was joined for much of the set by what he called Max’s Morning Band – percussionist Michael Jerome and bassist Taras Prodaniuk, of Richard Thompson’s trio, plus accordion ace Radoslav Lorković, who also backed many other performers during the week. Highlights included “Make It Me” and a new song about a young couple who open an antiques store, only to find that it’s not the ideal venture they expected, and several covers, notably John Hartford’s “In Tall Buildings.”

 

Tanya Trotter and John Paul White on Cayamo 2018.

Tanya Trotter and John Paul White on Cayamo 2018.

First-timers The War and Treaty – married couple Michael Trotter Jr. and Tanya Trotter – brought a powerful blend of folk, soul and rock to the Spinnaker stage. Backed by Buddy Miller’s band, the duo tore through songs including “Mother’s Child,” “Are You Ready to Love Me, Baby?” and “Maryland,” which included a verse of “Proud Mary.” In the middle of a between-songs thank-you to John Paul White – whom the couple had credited with much of their success – White himself showed up, taking a seat on the stage with a big grin. Michael Trotter and much of the audience ended up in tears after “Dear Martha,” a tribute to his late commanding officer in Iraq, where he served two tours in the Army and eventually was assigned to write songs about fallen soldiers and perform them at memorials. The War and Treaty’s potent blend of emotional material and sweet harmonies made them a big hit with fans all week.

Scott Miller returned to Cayamo after a seven-year absence, playing a brilliant set in an unusually quiet Atrium. High points included the funny and moving “Lo Siento, Spanishburg, West Virginia” and the very funny “Mother-in-Law,” both from Miller’s recent Ladies Auxiliary album, as well as older songs such as “People Who Rule” (featuring the week’s outstanding performance on kazoo) and the rocking “Freedom’s A Stranger.” The show was especially impressive considering that Miller had been involved in a serious wreck on the way to New Orleans, rolling his van after skidding on ice not far from his Virginia home.

The McCrarys on Cayamo 2018

Saturday: The end-of-the-cruise gospel show has become a Cayamo mainstay in the past few years. This year’s edition, hosted on the pool deck stage by Drew and Ellie Holcomb, was more explicitly gospel than some in past years.  Performers included the Holcombs (“Everywhere I Go I See You”), Devon Gilfillian (“Down by the Riverside”), Paul Thorn (“Will the Circle Be Unbroken?”), the McCrary Sisters (“I’ll Fly Away,” “I Saw the Light,” “Amazing Grace” and “Let It Go”) and Joe Purdy (“He Walks With Me”). At the end, most of the artists joined in on “I Shall Be Released” and a lovely a capella rendition of Bill Withers’ “Lean on Me.”

The Stardust Theater was the setting for a fine set by Buddy Miller, Lee Ann Womack and Patty Griffin. Numerous highlights included performances of Richard Thompson’s “Time to Ring Some Changes,” Neil Young’s “Out on the Weekend” (with Womack taking the lead vocal), and the Grateful Dead’s “Brokedown Palace.” Womack and Miller teamed for an excellent duet on “After the Fire is Gone,” while Miller and Griffin shared the vocals on “I’ll Be With You Always.” The emotional high point came with Womack’s slow, dramatic take on the classic “Long Black Veil,” a great showcase for her tremendous vocal abilities.

Lagniappe: Cayamo 2018 featured too many excellent performances to recount here, but not least among them were Saturday night’s rocking “Tas-Jam” in the Atrium, featuring Aaron Lee Tasjan and his fine band backing a cast of guests, and the week’s final event, a honky-tonk dance party in the intimate Bliss Lounge, hosted by Robert Ellis.

About  Americana News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes. And  please join our 23,000 Twitter followers to continue the conversation.



Quotable Cayamo

 

By Paul T. Mueller 

Some of the most memorable onstage comments on the Cayamo 2018 cruise:

Good God, you are a morose bunch.John Prine, commenting on some of the songs suggested by passengers for his all-request show

Brian Wright and Aaaron Lee Tasjan on Cayamo 2018

Brian Wright and Aaaron Lee Tasjan

Some people – some people – say my music lacks emotional range.Richard Thompson, noting that he’s capable of singing miserable songs at any tempo

A lot of catharsis before lunch is not the norm for me.Hayes Carll, during a Wednesday morning “Unlikely Trio” show with Gregory Alan Isakov and Joe Purdy

I’m kind of out of tune – if this were the Outlaw [Country] Cruise, I’d just go ahead and play.Joe Pug

This is the greatest trip I’ve ever been on, and I’ve been on a few.Steve Poltz

Did you guys enjoy Fake Belize?Jonny Fritz, referring to Harvest Caye, Norwegian’s newly created private island

I didn’t really lose that much – plus, I’m going back tonight to win it back.Max Gomez, on his Thursday night in the casino

Even the espresso machines are going “Shhh.” – Shawn Fisher of Flagship Romance, introducing one of the duo’s quiet songs next to the Atrium coffee bar

It’s the laziest thing in the world, writing songs about writing songs, but I do it all the time. – Brian Wright

Scott Miller on Cayamo 2018

Scott Miller

Don’t give up! Just keep trying – and when you make it, remember me. – Michael Trotter Jr. of The War and Treaty

It’s not as full out here as at night, when all the sinning is taking place.Paul Thorn, during the Saturday morning gospel show

We can out-earnest anyone on this boat. – Cory Chisel, during his solo show

I could sing you out on a happy high note, but I’m not going to.Hayes Carll, at the end of a somewhat downbeat solo set

This is so much fun, I can’t even tell you.Buddy Miller

Maybe I died in that wreck and this is heaven. – Scott Miller, referring to the rollover accident that delayed him on the way to New Orleans

About  Americana News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes. And  please join our 23,000 Twitter followers to continue the conversation.



 

Show #6 Bill Lloyd’s new “It’s Happening Now”

Bill Lloyd, along with partner Radney Foster, were fresh voices in country music as the duo Foster and Lloyd. Today Bill skews more pop and rock than country, as evidenced by his ambitious new album “It’s Happening Now,” Bill talks about the Foster and Lloyd years and his new album in this Americana Music News podcast.

Subscribe to the Americana Music News Podcast on iTunes.

https://itunes.apple.com/us/podcast/americana-music-news/id1347410883

 

About  Americana News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes. And  please join our 23,000 Twitter followers to continue the conversation.

PlayPlay

Show #5 Ashley Cleveland’s “One More Song”

Ashley Cleveland, a 3-time Grammy winner for rock gospel, has just released ‘One More Song,” a powerful and personal album that mirrors the honesty of her memoir “Little Black Sheep.”  She talks about her once-tumultuous life and music in this episode of the Americana Music Podcast.

About  Americana News: We’re in our seventh year covering Americana, roots, country and folk music from our base in Nashville. We’ve just launched a new Americana Music News podcast, available free of charge through all the leading podcast providers, including iTunes. And  please join our 23,000 Twitter followers to continue the conversation.