Tag: Jimmy Webb

Tin Pan South Festival: Jimmy Webb, Jack Tempchin and Felix Cavaliere

 in Nashville music, Reviews

Jimmy Webb

By Ken Paulson

–Tin Pan South is a weeklong festival in Nashville featuring fine songwriters and engaging songs, but there was no question that the event’s epicenter was at 3rd and Lindsley tonight, as pop and rock songwriting royalty performed.

Felix Cavaliere of the Rascals took the stage first, and he remains in astonishingly fine voice. He began with “It’s A Beautiful Morning” and closed with a rousing “People Got to Be Free,” filling his set with radio classics and a fine new song that inspired an audience sing-along.
Jack Tempchin’s hit list is not as deep, but he was very entertaining, reminiscing about the best year of the ‘60s (1972) and playing his Eagles cuts “Already Gone” and “Peaceful Easy Feeling,” plus the Johnny Rivers hit “Slow Dancin’”

The finale – and maybe the festival – belonged to Jimmy Webb. He began his set with “Highwayman” and closed with “McArthur Park,” told a very funny story about the inspiration for “The Worst That Could Happen,” saluted Vince Gill with “Oklahoma Nights,” and recalled praying as a 14-year-old that Glen Campbell would one day record one of his songs before launching into “Wichita Lineman.” Webb is certainly one of the top ten composers in pop music history, along with Goffin and King, Lennon and McCartney, Mann and Weil and Bacharach and David. Tonight’s performance was a reminder of Jimmy Webb’s singular talent.

Concert review: Glen Campbell at the Ryman in Nashville

 in Reviews

It was a sad and exhilarating evening at the Ryman Auditorium in Nashville tonight.

It’s wasn’t sad because Glen Campbell is suffering from Alzheimer’s or that his performance was part of his “Goodbye Tour.” He’s 75 and ailments strike us all.

It was sad because this is the last tour of one of America’s great pop singers, interpreters and guitarists, and it’s not realistic to expect anyone else to ever perform the work of Jimmy Webb with as much passion and joy.

Campbell had some challenges tonight, forgetting the lyrics to set opener “Gentle on My Mind” when a prompter malfunctioned and stumbling through some stage patter. But his guitar
playing was solid, and his solo on “Wichita Lineman” was stirring.

In full stride, singing the songs that dominated America’s pop and country charts from 1967 through 1977,he was impressive. He played his biggest hits, including “By the Time I Get to Phoenix” and “Galveston,” but also lesser and still memorable hits, notably “Where’s The Playground Susie?” and “Dreams of the Everyday Housewife.” Haunting and beautiful stuff.

It was inspiring to see Campbell pepper the show with tracks from his outstanding final album Ghost on the Canvas. He’s been an artist all his life and he’s going to leave the stage playing new songs. That’s what artists – as opposed to oldies acts – do.

Glen Campbell’s powerful “Ghost on the Canvas”

 in Reviews

Tickets for Glen Campbell’s final show at the Ryman Auditorium in Nashville on Nov. 30 go on sale at 10 a.m. on Friday, Sept. 9. It’s part of the “Goodbye Tour,” Campbell’s farewell concert series in the wake of his Alzheimer’s diagnosis.
I respect Campbell and his family, and their decision to face his illness in a public and forthright way. They give the audience a clear understanding of the challenges Campbell faces, and provide context for his new and deeply personal music.
Campbell’s new album “Ghost on the Canvas,” billed as his final release, reflects his condition. The opening song “A Better Place” spells that out: “Some days I’m so confused Lord, my past gets in my way, I need the ones I love, Lord, more and more each day.”
It is a powerful and emotional album, and the last musical testament of a major figure in pop and country music. The songs document both his struggles and hopes, and even songs by Paul Westerberg and Jakob Dylan seem tailored for Campbell.
As fine as this album is, reflections on mortality are not everyone’s first download choice.
If you don’t know Campbell’s work, you might consider a collection of his early hits. In tandem with Jimmy Webb, Campbell created several pop masterpieces, including “By the Time I Get to Phoenix” and “Wichita Lineman,” that rank with anything of their era.