Tag: Hayes Carll

Hayes Carll’s “What It Is” named top Americana album in 2019

 in Americana Music

The Americana Music Association reports that Hayes’ Carll’s “What It Is” was the most played album on Americana radio stations in 2019, just ahead of the most recent releases by Josh Ritter and the Lumineers.

The Top 10:

  1. Hayes Carll – What It Is
  2. Josh Ritter – Fever Breaks
  3. The Lumineers – III
  4. Lukas Nelson and Promise of the Real – Turn Off the News (Build A Garden)
  5. Tedeschi Trucks Band – Signs
  6. Jade Bird – Jade Bird
  7. Mavis Staples – We Get By
  8. Ryan Bingham – American Love Song
  9. Yola – Walk Through Fire
  10. The Avett Brothers- Closer Than Together

The full list of the Top 100 can be found here.

Review: Hayes Carll’s “Lovers and Leavers”

 in Americana Music, New releases, Reviews

By Paul T. Mueller

carll_ll_160Texas singer-songwriter Hayes Carll made a splash with his last album, 2011’s KMAG YOYO, which featured such raucous fare as “Stomp and Holler,” “Another Like You” and the title track. On Lovers and Leavers, he turns inward, focusing on such themes as love, loss and struggle. The subject matter reflects Carll’s challenges during the intervening years – divorce, vocal problems and new love, among others – but Lovers and Leavers is more than a collection of sob stories. The songs are full of insightful (and sometimes painful) observations that illuminate wider truths, and they’re marked by fine playing, singing and production. With the help of a distinguished group of collaborators, Hayes Carll has succeeded at turning personal travail into good art.

Hayes Carll

Hayes Carll

Each of the 10 tracks is a co-write, with such illustrious names as Darrell Scott, Will Hoge, Scott Nolan, Jim Lauderdale and J.D. Souther, among others. From Carll and Scott we get “Sake of the Song,” a concise overview of the musician’s life and those who live it; “Love Don’t Let Me Down,” about hope and fear at the outset of a new romance, and “The Magic Kid,” a touching tribute to Carll’s young son (an aspiring magician who’s been known to open shows for his dad) that touches on the larger themes of courage and truth. Hoge contributed to “Good While It Lasted,” a clear-eyed look at the emotions, good and bad, that come with the fading of good times. “Nothing lasts forever and time knows that it’s true,” Carll sings. “Sometimes a little while’s the best we can do.”

Carll teamed with Jack Ingram and Allison Moorer on the sad but beautiful “The Love That We Need,” a cautionary tale about settling for less than we should and finally facing up to that truth. “We lie down together/but our hearts never touch,” Carll sings, later adding in the chorus, “We got the life that we wanted/but not the love that we need.” A better side of love features in “Love Is So Easy,” written with Ruston Kelly: “I’ve always had a hurt that I can’t name/but it all feels better when you call my name.”

The album closes with the lovely “Jealous Moon,” written with J.D. Souther. Maybe no one else would have thought to lament the plight of Earth’s lonely satellite, doomed to watch over the pageant of life without ever getting to participate. Carll and Souther did, and Carll – his voice apparently recovered from the problems of the past few years – does a fine job telling the story.

Carll is credited with all the guitar (all acoustic) on the album. Other musicians include Jay Bellerose on drums and percussion, Tyler Chester on keyboards, Eric Heywood on pedal steel and David Piltch on bass, all ably produced by Joe Henry.

Rounder, New West, Lost Highway top Americana labels

 in Americana Music, Reviews

Among the joys of Americana music is the range of artists and labels. Indie labels often break through, leading to dark horses and pleasant surprises.

Yet this year’s Americana Music Association list of the top 100 albums from November 16, 2010 through November 14, 2011, serves as a reminder that the bigger labels still play a major role.

An analysis of both the number of charting albums and their relative position in the charts suggests that five labels are dominant, accounting for the top six releases of the year and more than a quarter of all charting albums:

1.Rounder is the top player in Americana music radio. The label placed a total of nine albums in the top 100, including two in the top 20 and 6 in the top 25, including Alison Krauss and Union Station’s Paper Airplane (4), Gregg Allman’s Low Country Blues (6) the Jayhawks’ Mocking Bird Time (12), Robert Plant’s Band of Joy (17) Abigail Washburn’s City of Refuge (24) and Steve Martin and the Steep Canyon Rangers’ Rare Bird Alert (25)

2. New West had six albums on the Americana music charts, with two in the top 10 and three in the top 20. They include Steve Earle’s I’ll Never Get Out of This World Alive (3), John Hiatt’s Dirty Jeans and Mudslide Hymns (8), Buddy Miller’s Majestic Silver Strings (13) and the Old 97s’ The  Grand Theatre (30.)

3. Lost Highway had four  albums on the Americana chart, including the top two slots, Hayes Carll’s KMAG YO-YO and Lucinda Williams’ Blessed. Their other charting albums were Robert Earl Keen’s Ready for Confetti (19) and 19 and Ryan Bingham and the Dead Horses’ Junky Star (40.)

4. Nonesuch was the fourth most influential label, with five albums in the top 100, including Emmylou Harris’ Hard Bargain (5) and Wanda Jackson’s Party Ain’t Over (Third Man/ Nonesuch) at 23.

5.Sugar Hill also fared well in the annual chart with five albums, including Sarah Jarosz’s Follow Me Down (20) and Kasey Chamber’s Little Bird (31)

Hayes Carll tops 2011 Americana music airplay chart

 in Americana Music
The Americana Music Association has just released its list of the 100 most-played Americana music albums, with Hayes Carll’s KMAG YOYO in the top slot.
Their top 20:
1) Hayes Carll, KMAG YOYO / Lost Highway
2) Lucinda Williams, Blessed / Lost Highway
3) Steve Earle, I’ll Never Get Out of This World Alive / New West
4) Alison Krauss & Union Station, Paper Airplane / Rounder
5) Emmylou Harris, Hard Bargain / Nonesuch
6) Gregg Allman, Low Country Blues / Rounder
7) Jason Isbell and The 400 Unit, Here We Rest / Lightning Rod
8. John Hiatt, Dirty Jeans and Mudslide Hymns / New West
9) Decemberists, The King Is Dead / Capitol
10) Band of Heathens, Top Hat Crowns and the Clapmaster’s Son / BOH Records
The AMA offers a full list of the top 100 albums of the past year here, but be forewarned that you’ll need to search for the link and the download will be straight out of your accountant’s office.

Review: This One’s For Him, A Tribute to Guy Clark

 in Reviews

by Terry Roland

– Released on November 8, two days after veteran Texas songwriter Guy Clark’s 70th birthday, This One’s For Him: A Tribute To Guy Clark, succeeds beyond expectations as a tribute to a much- loved songwriter and a well-produced album of finely crafted country-folk music.

It may be the mark of a great songwriter that a diverse group of musicians can make an album of songs that not only capture the artist’s vision, but emerge with each song realized to near perfection.

Produced by Tamara Saviano whose 2004 release, Beautiful Dreamer: The Songs of Stephen Foster, won a GRAMMY and Clark’s friend and collaborator Shawn Camp, this is a masterfully produced album of 30 handpicked songs by 33 of today’s finest Americana artists.

Some of the greatest of the singer-songwriters of the last five decades have aged into their craft, but none have done so with as much grace, dignity and imagination as Guy Clark. His legacy of song gives his friends plenty of material to work with on this album.

Leading off with a chuckle from Rodney Crowell who says, “let’s give her a good go and make old Guy proud of us,” then proceeds to do so with the opening “Old Time Feeling.” The song sets us up for what is to come; a loving, reflective, funny, heartfelt tribute to one of the great storytellers and craftsmen of American song.

What follows plays at times like short stories, fragments of chapters in a novel, sweet poetry, western stories, tall-tales, cowboy haikus, personal testaments, musings and meditations on regret and joy, life-lessons laced with humor and wisdom, characters of the past aged with grace, remembered loved ones, death songs
and love ballads, all painted with various shades and strokes of lyrical colors.

If this were an exhibit of the lifetime work of a visual artist, it would take several galleries to fill. As it is, it takes this many fine performers and singer-songwriters to do justice to Clark.

The trick with any tribute album is to match material and artist, for the sake of the song and the overall production of the project. Many past tribute albums have turned into well-intentioned, unfocused failures.

But This One’s For Him avoids those traps by tapping into Guy Clark’s original recordings. The album embodies its title by keeping to the simple, intimate style Clark has mastered so well in his own studio work over the years.

It’s a style that allows the beauty of each song to surface. That makes this an anthology graced with continuity and a sense of history. This One’s For Him is the best album of its kind since the classic tribute to Merle Haggard, Tulare Dust.

A decade before Johnny Cash and Rick Rubin came together to make their historic American Recordings, Guy Clark had already released a series of live-in-studio, intimate, stripped-down acoustic recordings on the Sugar Hill label.

Albums like Old Friends, Boats To Build and Dublin Blues offered minimal production gloss in favor of a straightforward and organic sonic experience. While many obscure artists had championed this approach through the years, Guy Clark was among the first major songwriters to elevate purity over production.Today, this remains the gold standard in Americana music.

Some of the strongest moments on the album come from female artists. This makes sense for Clark who has often written songs reflecting a woman’s point of view (“She Ain’t Goin’ Nowhere,” “Magdeline”). Shawn Colvin’s smoky sexy reading of “All He Wants Is You,” Rosanne Cash’s expressive interpretation of “Better Days,” and Rosie Flores’ funky and spirited version of “Baby Took A Limo To Memphis,” all feel as though this was how these songs were intended to be performed – by women.

It’s impossible to mention Guy Clark without a reference to Townes Van Zandt. One touching moment among many is the bittersweet sound of Towne’s oldest son, John Townes Van Zandt narrating “Let Him Roll,” a love story about a Dallas prostitute and her alcoholic lover. It is eerie and touching to hear this tale with guitar- picking, phrasing and a vocal presence that sounds so much Townes. It feels like a tribute from Townes to Guy, channeled by his son.

Hayes Carll brings the country blues out in “Worry B Gone,” while Steve Earle revels in the western imagery of “The Last Gunfighter Ballad.” Both give the songs added grit, which distinguishes them from the original versions.

The old friends of Guy’s also do him proud. Willie Nelson’s “Desperados Waiting For A Train,” haunts in its simplicity. It’s a song that only grows more poignant with time as the singer and the song age.

Ramblin’ Jack Elliot turns in a gentle interpretation of the engaging “The Guitar.” Terry Allen’s “Old Friends,” also plays out with a beautiful country-blues simplicity.

Kris Kristofferson’s reading of “Hemingway’s Whiskey” delivers gut-level authenticity. The track opens with a short tale from Kris of a personal encounter with Hemingway then folds into a quintessential Guy Clark (literally whiskey-soaked) metaphor of life lived to its fullest. The slightly drunk emotion in Kris’ voice comes through as he carries the album’s title lyric with it:

There’s more to life than whiskey
more to words than rhyme
Sail away three sheets to the wind
Live hard, die hard
This one’s for him.

Other moments that will lure the listener to repeated listening include EmmyLou Harris and John Prine’s duet on “Magnolia Wind, Radney Foster’s smooth and easy version of “L.A. Freeway,” and Jerry Jeff Walker’s closing track “My Favorite Picture of You.”

The house band, which recorded live in the studio, included multi-instrumentalist and co-producer Shawn Camp, guitarist Verlon Thompson and keyboard player Jen Gunderman. Listen for Lloyd Maines on an array of dobros and steel guitars, bassists Glenn Fukunaga and Mike Bub and Kenny Malone and Larry Atamanuik on drums. The musical backing is skillfully interwoven with mandolins, lap steel guitars and fiddles.

This One’s For Him: A Tribute To Guy Clark is a living legacy from some very talented friends, a well-deserved tribute to a great craftsman and an early holiday present that invites us to discover or re-discover the best in Americana music through the songs of one of our national treasures.

(Terry Roland is an Americana-roots music journalist who has written interviews, reviews and feature articles for FolkWorks, Sing-Out, No Depression and The San Diego Troubadour.)

Nov. 19: Americana Music Festival on Austin City Limits

 in Americana Music Festival

The national television debut of the Americana Music Festival is scheduled for Nov. 19 on Austin City Limits, which has released this show setlist, beginning with Emmylou Harris, Alison Krauss, Buddy Miller, Jerry Douglas and Don Was singing “I’ll Fly Away.”

  • The Avett Brothers – The Once and Future Carpenter
  • Lucinda Williams – Blessed
  • Amos Lee – Cup of Sorrow
  • Elizabeth Cook- El Camino
  • Justin Townes Earle – Harlem River Blues
  • Jessica Lea Mayfield – For Today
  • Buddy Miller – Gasoline and Matches
  • The Civil Wars – Barton Hollow
  • Candi Staton – Heart on a String
  • Jim Lauderdale – Life by Numbers
  • Robert Plant – Monkey
  • Gregg Allman – Melissa

It captures the best moments of the evening, although we wish Hayes Carll had made the cut. Nashville area viewers were able to watch the full version live and in a couple of early morning repeats.

As we’ve noted, national television exposure is critical to the future growth of Americana music and there’s arguable no better showcase than Austin City Limits. Check your local PBS station for show times.

 

Preview: Americana Music Festival 2011 in Nashville

 in Americana Music Festival

The 2011 Americana Music Festival lights up Nashville this
week, bringing a remarkably diverse and talented range of artists to the city’s venues.
And of course, it also prompts the question: “What is
Americana music?”
Peter Cooper of the Tennessean took a stab at it in 2003:

American music is “country music that is too rooted and true for contemporary country radio programmers. Twangy music that draws from blues, folk and rock forms. Music with smart and
literary lyrics that can be more layered and “difficult” than most
radio fare. Or maybe it would be simpler to say that what they mean is ‘Johnny Cash Music.’

Not bad. That description holds up well today. The biggest change over the years has been a broadening of the genre by the Americana Music Association and radio programmers, inviting more alternative folk performers and storied rock artists into the tent.
That means you’ll see country legend Connie Smith at 9 p.m.
at the Rutledge and emerging folk duo The Civil Wars at the Cannery Ballroom two hours later. You’ll hear the rootsy Knoxville band the Black Lillies one night, and Bobby Keys, saxophonist for the Rolling Stones the next.

Among the performers scheduled for the Americana Music
Festival, which runs from Oct. 12-15:

– The Jayhawks
– North Mississippi AllStars
– Elizabeth Cook
– Keb’ Mo’
-The Bottle Rockets
– Foster and Lloyd
– John Oates
– Kelly Willis and Bruce Robison
– Marty Stuart
– Blind Boys of Alabama
– Blackie and the Rodeo Kings
– Hayes Carll

The highlight of the week is the Americana Americana Honors and Awards Show, scheduled for the Ryman Auditorium on Oct. 13. The show recognizes the best in Americana music and always features stellar performances. This year the show will be broadcast live
for the first time on Nashville Public Television. An edited version will be featured on Nov. 19 on Austin City Limits.

Ticket information for the week’s showcases available at the Americana Music Association website.
You’ll find schedules for Wednesday, Thursday, Friday and Saturday on Sun209.