Tag: “Steve Earle”

12 special moments at John Prine’s inaugural “All the Best” Festival

By Ken Paulson –

John Prine’s music – and life – have always been marked by courage, compassion and integrity.

Now imagine a music festival just like that.

All the Best, a Prine-curated Sixthman festival in the Dominican Republic, wrapped up tonight after four days of inspired and inspiring music from some of the top songwriters in the world, including Prine, Lucinda Williams, Steve Earle, Gretchen Peters, Lori McKenna and Brandi Carlile.

More important, the performers at this festival were hellraisers and truth tellers, just like their host. When you write a line like “Jesus Christ died for nothing, I suppose,” you don’t invite the meek to your festival.

Kentucky songwriter Kelsey Waldon said it was a treat to perform where “people care so much about the lyrics . . . awesome.”

John Prine and Emmylou Harris at the All The Best Festival
Emmylou Harris and John Prine at the All The Best Festival

12 special moments:

  • The day after the Country Music Awards featured “Independence Day, Gretchen Peters proudly performed her indelible anthem, smiling broadly and exultantly declaring “My words came out of Dolly Parton’s mouth!”
  • Throughout the festival, artists covered Prine’s songs to often stirring effect. Perhaps the most moving, though, were Emmylou Harris and Ruby Amanfu’s respective takes on “Angel From Montgomery.” Prine noted that when artists perform the song, they always base it on Bonnie Raitt’s version instead of his.
  • Much like Prine, Paul Thorn is always wildly entertaining, but then he’ll draw you up short with a song that makes you look at something in a fresh way. “You Might Be Wrong” couldn’t have been more timely.
  • Given the line-up, the festival was full of songs that reflect the news. Todd Snider joked that surveys indicate that only 50 percent of the audience should like his topical songs, while Steve Earle’s “City of Immigrants” received a rousing response.
  • In the spirit of the festival, Iris Dement and John Prine performed what appeared to be a thoroughly unrehearsed version of the spouse-swapping tune “Let’s Invite Them Over Tonight.” The real lyrics showed up about 30 seconds in. Pure fun.
  • Nitty Gritty Dirt Band – The Dirt Band was a late addition to the line-up, and happily so. It’s hard to imagine a more joyous band than these guys, and that’s been the case for a half-century.  Sometimes you want self-reflection . Sometimes you want to dance. The Dirt Band has been around for more than a half-century, but remain as vibrant as ever.
Jimmie Fadden and Jeff Hanna of the Nitty Gritty Dirt Band at the All the Best Festival
Jimmie Fadden and Jeff Hanna of the Nitty Gritty Dirt Band at the All the Best Festival
  • Keith Sykes performed “You Got Gold,” a number of times during the festival, but added the inside story during a guitar pull at the Breathless Plaza.  He and Prine felt so good about the song they had written that they were “overserved” and ended the night being “picked up by two women” – Memphis police officers – who promptly took them to jail.
  • Tyler Childers’ swift career ascent has been amazing, and he played two crowd-pleasing sets, but the real treat was seeing him cover fellow Kentuckian Prine’s “Yes, I Guess They Oughta Name A Song After You” and “Please Don’t Bury Me
  • Lori McKenna unveiled a brand new song “In it for Love.”  “I’ve only heard it twice myself, she said. She played the near-anthemic song in back-to-back sets and the audience roared.  Sometime, somewhere and in the hands of someone to be determined, “In It For Love” is going to be a hit.
  • Nathaniel Rateliff and the Night Sweats played a raucous set on the final night and then Rateliff returned to the stage for a closing segment of Prine songs. Wiping away tears, Rateliff sang “Summer’s End” and was then joined by Prine for a touching “Sam Stone.”
  • Brandi Carlile was fresh off the Country Music Awards, where she had performed with her new group the Highwomen. Her All the Best  set was high energy and compelling, but two solo turns stuck out: Her rendition of the yodel-intensive “Lovesick Blues” and “Highwomen,” the gender-revised version of Jimmy Webb’s classic “Highwayman.”
The finale of John Prine's All the Best festival
The finale of John Prine’s All the Best festival

There was much more, including fine sets by Emmylou Harris and the Red Dirt Boys, Courtney Marie Andrews, Jason Wilber, Lucinda Williams, Rita Wilson, Senora May, Ruston Kelly, Kristi Rose and Fats Kaplin.

  • But everything was eclipsed by John Prine’s revisiting his very first album, playing the LP in order, start to finish. This was the astounding debut album that gave us “Sam Stone,” “Angel From Montgomery,” “Paradise,” “Donald and Lydia” and “Hello in There, ” and signaled the emergence of an extraordinary new talent. Prine noted that the album didn’t chart or win any awards, but that it was eventually inducted into the Grammys Hall of Fame along with Neil Young’s Harvest and Bob Dylan’s Blood on the Tracks. “I’ll take that,” Prine said.

Prine later joked that it took 40 minutes to play the album and another hour for him to talk about the songs. Of course, that’s what made it so special:  A great American songwriter standing steps from the ocean, exploring his groundbreaking first recording under a full moon. Now that’s Paradise.

2015 Americana Music Festival notebook

By Ken Paulson

ama_logo_button_redRandom thoughts and observations about the Americana Music Festival week that was: The Nitty Gritty Dirt Band‘s 50th anniversary show at the Ryman was the perfect kick-off and an extraordinary event. Take the four current members of the Dirt Band – Jeff Hanna, John McEuen, Jimmie Fadden and Bob Carpenter – and add Byron House, Sam Bush and Jerry Douglas, and you have the ultimate Americana band. Then you add appearances by Jackson Browne, Vince Gill, John Prine, Alison Krauss, Rodney Crowell and returning Dirt Band member Jimmy Ibbotson and you have a singular evening. Recorded for PBS, the show’s few flubs just meant we had a chance to hear the classics twice – most notably Jerry Jeff Walker and the band doing his “Mr. Bojangles. …Based on their most recent album, we had high hopes for Dustbowl Revival and they absolutely delivered, even inspiring some City Winery patrons to dance, a scene we hadn’t witnessed before…

Dustbowl Revival at the City Winery

Dustbowl Revival at the City Winery

Our single favorite song of the week was Steve Earle doing “Mississippi, It’s Time,” a stirring song about the Confederate flag that reminded us how powerful truly topical songs can be….On the same stage, we saw Loretta Lynn, whose stage show probably hasn’t changed much in the past 40 years – and that’s just fine…We used the new app for our schedule all week and just have one request: build bios into the app for artists and panel members rather than passing us through to websites….We were honored to present the Spirit of Americana Free Speech in Music award to Buffy Sainte Marie on Wednesday night and then sat in when she visited with Middle Tennessee State University students the next day. They loved her energy and sage advice: “Don’t believe any of that junk about genres.”…We saw some tremendous unbilled shows at various receptions around town, including the new trio Applewood Road…. The Americana Music Festival remains the best single week for music in Music City –and that’s saying something.

New releases: Robert Earl Keen, Steve Earle

6PAN1T-R PSDAmericana Music News – New releases in our mailbox this week:

Robert Earl Keen – Happy Prisoner DualtoneKeen’s latest is a bluegrass album, set for release Feb. 10. Full of familiar favorites, it includes “T for Texas,” Long Black Veil” and “Vincent Black Lightning. Among the guest artists: Lyle Lovett, Sara Watkins, Natalie Maines and Peter Rowan.

Tom Paxton Redemption Road – Pax Records – The folk legend’s latest is set for release March 10; features appearances by John Prine and Janis Ian. www.tompaxton.com

American Aquarium Wolves – The follow-up to Burn.Flicker.Die. is set for release Feb. 3. Produced by Brad Cook.

TerraplaneSteve Earle and the DukesTerraplane – Set for release on Feb. 17, this is Earle’s blues album, produced by R.S. Field. Most intriguing song title: “Go Go Boots Are Back.” www.stevearle.com

Susie Fitzgerald Restless –Big Purr Music, Fitzgerald’s second album, set for release Feb. 9. www.susiefitzgeraldmusic.com

Scott WooldridgeScott Wooldridge – Solo album from Minneapolis-based singer-songwriter; Midwest tour planned. www. Scottwooldridge.com

The David MotelPeople, Places, Things – New project from Nashville-based singer-songwriter David Brooks, produced by Dave Coleman of the Coalmen. www.TheDavidmotel.com

Drew holcombDrew Holcomb and the Neighbors Medicine – Magnolia Music – First single is “Shine Like Lightning;” album produced by Joe Pisapia. www.drewholcomb.com

PI JacobsHi-Rise Ranch – Six-track collection from L.A. musician, produced by Eugene Toale.

SeahorseThe Fire’s Heart – Raven’s Flight Records – A Kickstarter-fueled album from Oregon anchored by Rich Swanger. www.seahorselovesyou.com

Chris CarrollTrouble & Time – Debut album from Texas-based congwriter, produced ny David Beck. www.chriscarrollsongs.com

The WestiesWest Side Stories – Michael McDermott and Heather Horton present a “song cycle” about gangsters in Hell’s Kitchen in the ‘60s and ‘70s. www.westiesmusic.com

Follow Americana Music News on Twitter.

 

 

 

Review: The Mastersons’ “Good Luck Charm”

MastersonsBy Ken Paulson

We first saw the Mastersons two years ago on a Cayamo cruise and were knocked out by their tight harmonies and penchant for great hooks.

Those traits show up in abundance on their second album Good Luck Charm on New West Records. Chris Masterson and Eleanor Whitmore, also members of Steve Earle’s Dukes and Duchesses, make for an impressive duo and their new album is even more fully realized than their first, Birds Fly South.

While not overtly political, the title track and “Uniform” make their points in highly melodic settings. “Closer to You” is a reminder to break down the barriers that keep us apart, a serious message delivered in an upbeat vessel.

There are songs of love and lost love, all with the engaging hooks and harmonies that drew us to the Mastersons in the first place.

Masterson and Whitmore have clearly committed themselves to releasing great sounding songs that say something. Mission accomplished.

 

Photo by Paul T. Mueller

Photo by Paul T. Mueller

 

Follow Sun209 on Twitter at @Sun209com.

 

 

Americana Music Association’s Top 100 albums

IsbellAmericana Music News – The Americana Music Association has just released its list of the Top 100 most-played albums of the year, based on airplay from November 19, 2012 through December 2, 2013.
Jason Isbell’s haunting Southeastern is at the top of the list, with  the top 10 largely occupied by Americana music’s royalty: Steve Earle, Emmylou Harris, Patty Griffin, Buddy Miller and Jim Lauderdale.
And then there are the surprises: the reunions of Delbert and Glen (after decades) and the Mavericks, the always-great pairing of Kelly Willis and Bruce Robison and top ten finishes by Carrie Rodriguez and Holly Williams.
“Surprises” may be the wrong word. These are all remarkable artists in the Top 10 and we’ve seen their albums dominate airplay much of the year.
The full list from the Americana Music Association:
Artist                                                               Title
1. Jason Isbell                                                      Southeastern
2. Steve Earle & The Dukes (& Duchesses)   The Low Highway
3. Emmylou Harris & Rodney Crowell           Old Yellow Moon
4. Patty Griffin                                                     American Kid
5. Mavericks                                                         Suited Up And Ready / In Time
6. Kelly Willis & Bruce Robison                       Cheater’s Game
7. Delbert McClinton & Glen Clark                 Blind, Crippled & Crazy
8. Buddy Miller and Jim Lauderdale             Buddy and Jim
9. Carrie Rodriguez                                           Give Me All You Got
10. Holly Williams                                             The Highway
11. Richard Thompson                                      Electric
12. John Fogerty / Various Artists                 Wrote A Song For Everyone
13. Slaid Cleaves                                                 Still Fighting The War
14. Tedeschi Trucks Band                                 Made Up Mind
15. Mumford & Sons                                          Babel
16. Aoife O’Donovan                                          Fossils
17. Guy Clark                                                       My Favorite Picture Of You
18. Black Lillies                                                  Runaway Freeway Blues
19. Steeldrivers                                                  Hammer Down
20. Steve Martin And Edie Brickell               Love Has Come For You
21. Kasey Chambers & Shane Nicholson      Wreck & Ruin
22. Dwight Yoakam                                           3 Pears
23. Dawes                                                            Stories Don’t End
24. Nora Jane Struthers & The Party Line   Carnival
25. Donna The Buffalo                                      Tonight, Tomorrow And Yesterday
26. Kacey Musgraves                                         Same Trailer Different Park
27. Son Volt                                                         Honky Tonk
28. Sarah Jarosz                                                Build Me Up From Bones
29. Civil Wars                                                    Civil Wars
30. Howlin’ Brothers                                       Howl
31. Sturgill Simpson                                        High Top Mountain
32. Ben Harper w/ Charles Musselwhite    I Don’t Believe A Word You Say
33. Mavis Staples                                             One True Vine
34. Band Of Heathens                                     Sunday Morning Record
35. Amos Lee                                                    Mountains Of Sorrow Rivers Of Song
36. Sons Of Fathers                                         Burning Days
37. Billy Bragg                                                  Tooth & Nail
38. Neko Case                                                  The Worse Things Get, The Harder I Fight.
39. Kim Richey                                                Thorn In My Heart
40. Drew Holcomb & The Neighbors         Good Light
41. Ashley Monroe                                          Like A Rose
42. John Hiatt                                                 Mystic Pinball
43. Wayne Hancock                                       Ride
44. Various – The Music Is You                   A Tribute To John Denver
45. Tim O’Brien & Darrell Scott                  Memories & Moments
46. Shooter Jennings                                     The Other Life
47. Jamey Johnson                                         Living For A Song: A Tribute To Hank Cochran
48. Avett Brothers                                          The Carpenter
49. Various – Let Us In Americana             The Music Of Paul McCartney
50. Amanda Shires                                         Down Fell The Doves
51. Iris DeMent                                               Sing The Delta
52. James Hunter Six                                    Minute By Minute
53. Tim Easton                                               Not Cool
54. Mark Knopfler                                         Privateering
55. Wheeler Brothers                                    Gold Boots Glitter
56. Tift Merritt                                               Traveling Alone
57. Pokey LaFarge                                         Pokey LaFarge
58. J.J. Grey And Mofro                              This River
59. Various                                                     Ghost Brothers of Darkland County
60. Chris Knight                                            Little Victories
61. Kris Kristofferson                                   Feeling Mortal
62. Jason Boland and the Stragglers        Dark & Dirty Mile
63. Milk Carton Kids                                    The Ash & Clay
64. Josh Ritter                                               The Beast In Its Tracks
65. Peter Rowan                                            The Old School
66. Marshall Chapman                                Blaze Of Glory
67. Dale Watson And His Lonestars         El Rancho Azul
68. Over the Rhine                                       Meet Me At The Edge Of The World
69. Gibson Brothers                                     They Called It Music
70. Houndmouth                                          From The Hills Above The City
71. Max Gomez                                              Rule The World
72. Time Jumpers                                         Time Jumpers
73. Wood Brothers                                        The Muse
74. Randall Bramblett                                  The Bright Spots
75. Jason Isbell And The 400 Unit            Live In Alabama
76. Willie Nelson                                           To All The Girls
77. Steep Canyon Rangers                           Tell The Ones I Love
78. Various                                                     High Cotton: A Tribute To Alabama
79. North Mississippi Allstars                    World Boogie is Coming
80. Robbie Fulks                                           Gone Away Backward
81. Shannon McNally                                   Small Town Talk
82. Mando Saenz                                          Studebaker
83. Underhill Rose                                       Something Real
84. Departed                                                 Adventus
85. Della Mae                                                This World Oft Can Be
86. Vince Gill & Paul Franklin                   Bakersfield
87. Statesboro Revue                                   Ramble On Privilege Creek
88. Will Hoge                                                Never Give In
89. Elephant Revival                                   These Changing Skies
90. Avett Brothers                                        Magpie And The Dandelion
91. Valerie June                                             Pushin’ Against A Stone
92. Gary Clark Jr.                                          Blak And Blu
93. Willie Sugarcapps                                  Willie Sugarcapps
94. Devil Makes Three                                 I’m A Stranger Here
95. Ryan Bingham                                        Tomorrowland
96. Greencards                                              Sweetheart Of The Sun
97. Buddy Guy                                               Rhythm & Blues
98. Andrew Bird                                           Hands Of Glory
99. Wild Ponies                                            Things That Used To Shine
100. Civil Wars And T-Bone Burnett       A Place At The Table Soundtrack

2012 Americana Music Awards nominees announced

Robert Plant and Patty Griffin at the 2011 Americana music awards show

The 2012 Americana Honors and Awards nominees were announced today in Los Angeles. They’ll be presented at the Ryman Auditorium on September 12 during the Americana Music Festival in Nashville.
The nominees:

ALBUM OF THE YEAR
Here We Rest – Jason Isbell and the 400 Unit
I’ll Never Get Out of This World Alive – Steve Earle
The Harrow & The Harvest – Gillian Welch
This One’s For Him: A Tribute to Guy Clark – Various Artists

ARTIST OF THE YEAR
Gillian Welch
Hayes Carll
Jason Isbell
Justin Townes Earle

EMERGING ARTIST OF THE YEAR
Alabama Shakes
Dawes
Deep Dark Woods
Robert Ellis

SONG OF THE YEAR
“Alabama Pines” – Written by Jason Isbell and performed by Jason Isbell and the 400 Unit
“Come Around” – Written and performed by Sarah Jarosz
“I Love” – Written by Tom T. Hall and performed by Patty Griffin
“Waiting on the Sky to Fall” – Written and performed by Steve Earle

INSTRUMENTALIST OF THE YEAR
Buddy Miller
Chris Thile
Darrell Scott
Dave Rawlings

DUO / GROUP OF THE YEAR
Carolina Chocolate Drops
Civil Wars
Gillian Welch and David Rawlings
Jason Isbell and the 400 Unit
Punch Brothers

Rounder, New West, Lost Highway top Americana labels

Among the joys of Americana music is the range of artists and labels. Indie labels often break through, leading to dark horses and pleasant surprises.

Yet this year’s Americana Music Association list of the top 100 albums from November 16, 2010 through November 14, 2011, serves as a reminder that the bigger labels still play a major role.

An analysis of both the number of charting albums and their relative position in the charts suggests that five labels are dominant, accounting for the top six releases of the year and more than a quarter of all charting albums:

1.Rounder is the top player in Americana music radio. The label placed a total of nine albums in the top 100, including two in the top 20 and 6 in the top 25, including Alison Krauss and Union Station’s Paper Airplane (4), Gregg Allman’s Low Country Blues (6) the Jayhawks’ Mocking Bird Time (12), Robert Plant’s Band of Joy (17) Abigail Washburn’s City of Refuge (24) and Steve Martin and the Steep Canyon Rangers’ Rare Bird Alert (25)

2. New West had six albums on the Americana music charts, with two in the top 10 and three in the top 20. They include Steve Earle’s I’ll Never Get Out of This World Alive (3), John Hiatt’s Dirty Jeans and Mudslide Hymns (8), Buddy Miller’s Majestic Silver Strings (13) and the Old 97s’ The  Grand Theatre (30.)

3. Lost Highway had four  albums on the Americana chart, including the top two slots, Hayes Carll’s KMAG YO-YO and Lucinda Williams’ Blessed. Their other charting albums were Robert Earl Keen’s Ready for Confetti (19) and 19 and Ryan Bingham and the Dead Horses’ Junky Star (40.)

4. Nonesuch was the fourth most influential label, with five albums in the top 100, including Emmylou Harris’ Hard Bargain (5) and Wanda Jackson’s Party Ain’t Over (Third Man/ Nonesuch) at 23.

5.Sugar Hill also fared well in the annual chart with five albums, including Sarah Jarosz’s Follow Me Down (20) and Kasey Chamber’s Little Bird (31)

Hayes Carll tops 2011 Americana music airplay chart

The Americana Music Association has just released its list of the 100 most-played Americana music albums, with Hayes Carll’s KMAG YOYO in the top slot.
Their top 20:
1) Hayes Carll, KMAG YOYO / Lost Highway
2) Lucinda Williams, Blessed / Lost Highway
3) Steve Earle, I’ll Never Get Out of This World Alive / New West
4) Alison Krauss & Union Station, Paper Airplane / Rounder
5) Emmylou Harris, Hard Bargain / Nonesuch
6) Gregg Allman, Low Country Blues / Rounder
7) Jason Isbell and The 400 Unit, Here We Rest / Lightning Rod
8. John Hiatt, Dirty Jeans and Mudslide Hymns / New West
9) Decemberists, The King Is Dead / Capitol
10) Band of Heathens, Top Hat Crowns and the Clapmaster’s Son / BOH Records
The AMA offers a full list of the top 100 albums of the past year here, but be forewarned that you’ll need to search for the link and the download will be straight out of your accountant’s office.

Review: This One’s For Him, A Tribute to Guy Clark

by Terry Roland

– Released on November 8, two days after veteran Texas songwriter Guy Clark’s 70th birthday, This One’s For Him: A Tribute To Guy Clark, succeeds beyond expectations as a tribute to a much- loved songwriter and a well-produced album of finely crafted country-folk music.

It may be the mark of a great songwriter that a diverse group of musicians can make an album of songs that not only capture the artist’s vision, but emerge with each song realized to near perfection.

Produced by Tamara Saviano whose 2004 release, Beautiful Dreamer: The Songs of Stephen Foster, won a GRAMMY and Clark’s friend and collaborator Shawn Camp, this is a masterfully produced album of 30 handpicked songs by 33 of today’s finest Americana artists.

Some of the greatest of the singer-songwriters of the last five decades have aged into their craft, but none have done so with as much grace, dignity and imagination as Guy Clark. His legacy of song gives his friends plenty of material to work with on this album.

Leading off with a chuckle from Rodney Crowell who says, “let’s give her a good go and make old Guy proud of us,” then proceeds to do so with the opening “Old Time Feeling.” The song sets us up for what is to come; a loving, reflective, funny, heartfelt tribute to one of the great storytellers and craftsmen of American song.

What follows plays at times like short stories, fragments of chapters in a novel, sweet poetry, western stories, tall-tales, cowboy haikus, personal testaments, musings and meditations on regret and joy, life-lessons laced with humor and wisdom, characters of the past aged with grace, remembered loved ones, death songs
and love ballads, all painted with various shades and strokes of lyrical colors.

If this were an exhibit of the lifetime work of a visual artist, it would take several galleries to fill. As it is, it takes this many fine performers and singer-songwriters to do justice to Clark.

The trick with any tribute album is to match material and artist, for the sake of the song and the overall production of the project. Many past tribute albums have turned into well-intentioned, unfocused failures.

But This One’s For Him avoids those traps by tapping into Guy Clark’s original recordings. The album embodies its title by keeping to the simple, intimate style Clark has mastered so well in his own studio work over the years.

It’s a style that allows the beauty of each song to surface. That makes this an anthology graced with continuity and a sense of history. This One’s For Him is the best album of its kind since the classic tribute to Merle Haggard, Tulare Dust.

A decade before Johnny Cash and Rick Rubin came together to make their historic American Recordings, Guy Clark had already released a series of live-in-studio, intimate, stripped-down acoustic recordings on the Sugar Hill label.

Albums like Old Friends, Boats To Build and Dublin Blues offered minimal production gloss in favor of a straightforward and organic sonic experience. While many obscure artists had championed this approach through the years, Guy Clark was among the first major songwriters to elevate purity over production.Today, this remains the gold standard in Americana music.

Some of the strongest moments on the album come from female artists. This makes sense for Clark who has often written songs reflecting a woman’s point of view (“She Ain’t Goin’ Nowhere,” “Magdeline”). Shawn Colvin’s smoky sexy reading of “All He Wants Is You,” Rosanne Cash’s expressive interpretation of “Better Days,” and Rosie Flores’ funky and spirited version of “Baby Took A Limo To Memphis,” all feel as though this was how these songs were intended to be performed – by women.

It’s impossible to mention Guy Clark without a reference to Townes Van Zandt. One touching moment among many is the bittersweet sound of Towne’s oldest son, John Townes Van Zandt narrating “Let Him Roll,” a love story about a Dallas prostitute and her alcoholic lover. It is eerie and touching to hear this tale with guitar- picking, phrasing and a vocal presence that sounds so much Townes. It feels like a tribute from Townes to Guy, channeled by his son.

Hayes Carll brings the country blues out in “Worry B Gone,” while Steve Earle revels in the western imagery of “The Last Gunfighter Ballad.” Both give the songs added grit, which distinguishes them from the original versions.

The old friends of Guy’s also do him proud. Willie Nelson’s “Desperados Waiting For A Train,” haunts in its simplicity. It’s a song that only grows more poignant with time as the singer and the song age.

Ramblin’ Jack Elliot turns in a gentle interpretation of the engaging “The Guitar.” Terry Allen’s “Old Friends,” also plays out with a beautiful country-blues simplicity.

Kris Kristofferson’s reading of “Hemingway’s Whiskey” delivers gut-level authenticity. The track opens with a short tale from Kris of a personal encounter with Hemingway then folds into a quintessential Guy Clark (literally whiskey-soaked) metaphor of life lived to its fullest. The slightly drunk emotion in Kris’ voice comes through as he carries the album’s title lyric with it:

There’s more to life than whiskey
more to words than rhyme
Sail away three sheets to the wind
Live hard, die hard
This one’s for him.

Other moments that will lure the listener to repeated listening include EmmyLou Harris and John Prine’s duet on “Magnolia Wind, Radney Foster’s smooth and easy version of “L.A. Freeway,” and Jerry Jeff Walker’s closing track “My Favorite Picture of You.”

The house band, which recorded live in the studio, included multi-instrumentalist and co-producer Shawn Camp, guitarist Verlon Thompson and keyboard player Jen Gunderman. Listen for Lloyd Maines on an array of dobros and steel guitars, bassists Glenn Fukunaga and Mike Bub and Kenny Malone and Larry Atamanuik on drums. The musical backing is skillfully interwoven with mandolins, lap steel guitars and fiddles.

This One’s For Him: A Tribute To Guy Clark is a living legacy from some very talented friends, a well-deserved tribute to a great craftsman and an early holiday present that invites us to discover or re-discover the best in Americana music through the songs of one of our national treasures.

(Terry Roland is an Americana-roots music journalist who has written interviews, reviews and feature articles for FolkWorks, Sing-Out, No Depression and The San Diego Troubadour.)

“I’ll Never Get Out of This World Alive”

Steve Earle tells USA Today’s Jerry Shriver that the songs on his new album, “I’ll Never Get Out of This World Alive” focus on mortality:
“They’re about mortality in the sense that, this is the one thing we all have to do. You know what they say about death and taxes. But you have the option to not pay taxes. I have done that. And paid the penalty and interest and survived. You have no choice about death whatsoever.”
The new album will be released April 26.

Cayamo’s 11 best moments

Brandi Carlile on Cayamo.

Paste writer Josh Jackson has posted his “10 unforgettable moments from Cayamo 2011.” It’s a good list, but it inspires the ever-competitive Sun209 to offer up 11 of our own favorite performances from the Cayamo cruise:
1. Loud and Rich -Loud and Rich are better known as Loudon Wainwright and Richard Thompson, and this was a rare show as a duo. Who would have guessed that these wildly disparate players and personalities would meld so well? Their harmonies were terrific and their covers were inspired.
2. Brandi Carlile in all her incarnations – Glen Phillips calls her “the queen of the boat” with good reason. Her own dynamic sets and collaborations with the Indigo Girls, John Prine and Shawn Mullins energized the entire ship.
3. John Prine – Prine was the biggest draw on the ship and he delivered varied and entertaining sets through the first four days of the cruise.
4. Steve Earle – Last year, he played an acoustic set. This time around, he brought his band, including his wife Alison Moorer. These were great sets: passion and politics at high volume
5. Will Hoge – Too few people saw Hoge perform; he was consistently scheduled against fan favorites. He and his band were the closest thing to a rock band on the boat and provided a vibrant change of pace.
6. Richard Thompson solo – Thompson said this was his first solo show in many months, but the rust didn’t show. He played his best-known songs – “Wall of Death” and “1952 Vincent Black Lightning” among them – but sang “The Money Shuffle,” a jaunty new song attacking the world’s giant financial institutions with particular relish.
7. Songwriters in the round, featuring Dar Williams, Patti Griffin, Allison Moorer, Buddy Miller and Scott Miller – What better way to spend your early afternoon than listening to this talented line-up in an informal, acoustic setting?
8. Shawn Mullins and Chuck Cannon – Both performers were boat favorites, but there was a special dynamic when they played together.
9. Buddy Miller – This was billed as a solo show, but Patti Griffin sat in for much of the set. Buddy’s self-effacing approach and extraordinary guitar-playing made his shows special.
10. Larkin Poe – Rebecca and Megan Lovell are not old enough to drink in most states, but they have an extraordinary musical maturity. Larkin Poe (named after a great-great-great grandfather) is the successor to their earlier Lovell Sisters and features a fascinating melding of folk, bluegrass and rock. They were tireless performers on the cruise.
11. Colin Hay – Hay was the lead singer of Men at Work, and he sprinkled acoustic versions of his old band’s hits throughout his sets. He may have been the most talkative of performers, playing just three songs in the first 30 minutes of one of his shows. But that was fine. Hay is a great storyteller with an engaging stage presence, and his solo material was compelling.
And of course, all of this just scratches the surface. I heard estimates of more than 150 concerts over the span of the cruise, and regret not having seen more of Tyrone Wells, WPA, Sam and Ruby and a half-dozen more.
The Cayamo cruise is a singular experience for music fans, a floating festival of great performances. There’s nothing quite like it.

Cayamo update: Steve Earle

Steve Earle and band

Steve Earle looks like a happy man. His wife Allison Moorer has joined the band and he was spotted carrying a child booster seat in the Cayamo cruise cafeteria.
For a man who has had his share of demons, he’s making a joyful noise these days and his set at Cayamo was energetic and powerful.
Recognizing that this audience might not know his catalog, he played some of his best-known material, opening with “Copperhead Road” and later, “Guitar Town.”
Earle defies labels, but we were reminded once again – particularly on “The Revolution Starts Now” – what a fine rock ‘n’ roll band he fronts