Tag: Robert Plant

Rounder, New West, Lost Highway top Americana labels

 in Americana Music, Reviews

Among the joys of Americana music is the range of artists and labels. Indie labels often break through, leading to dark horses and pleasant surprises.

Yet this year’s Americana Music Association list of the top 100 albums from November 16, 2010 through November 14, 2011, serves as a reminder that the bigger labels still play a major role.

An analysis of both the number of charting albums and their relative position in the charts suggests that five labels are dominant, accounting for the top six releases of the year and more than a quarter of all charting albums:

1.Rounder is the top player in Americana music radio. The label placed a total of nine albums in the top 100, including two in the top 20 and 6 in the top 25, including Alison Krauss and Union Station’s Paper Airplane (4), Gregg Allman’s Low Country Blues (6) the Jayhawks’ Mocking Bird Time (12), Robert Plant’s Band of Joy (17) Abigail Washburn’s City of Refuge (24) and Steve Martin and the Steep Canyon Rangers’ Rare Bird Alert (25)

2. New West had six albums on the Americana music charts, with two in the top 10 and three in the top 20. They include Steve Earle’s I’ll Never Get Out of This World Alive (3), John Hiatt’s Dirty Jeans and Mudslide Hymns (8), Buddy Miller’s Majestic Silver Strings (13) and the Old 97s’ The  Grand Theatre (30.)

3. Lost Highway had four  albums on the Americana chart, including the top two slots, Hayes Carll’s KMAG YO-YO and Lucinda Williams’ Blessed. Their other charting albums were Robert Earl Keen’s Ready for Confetti (19) and 19 and Ryan Bingham and the Dead Horses’ Junky Star (40.)

4. Nonesuch was the fourth most influential label, with five albums in the top 100, including Emmylou Harris’ Hard Bargain (5) and Wanda Jackson’s Party Ain’t Over (Third Man/ Nonesuch) at 23.

5.Sugar Hill also fared well in the annual chart with five albums, including Sarah Jarosz’s Follow Me Down (20) and Kasey Chamber’s Little Bird (31)

Registration opens for 2012 Americana Music Festival in Nashville

 in Americana Music Festival, Nashville music

Early registration for the 13th annual Americana Music Association Festival and Conference, set for Sept. 12-15, 2012 in Nashville is now open.
This is one of the best music festivals in the nation, and always attracts an intriguing mix of artists. This year, Gregg Allman, Robert Plant, the Civil Wars and a Muscle Shoals tribute were all on the bill.

The AMA is offering an early bird registration of $250 for association members and $350 for non-members. Registration at the convention hotel is also now open.

ACL’s Terry Lickona recaps best of Americana Music Festival

 in Americana Music

The Americana Music Festival edition of Austin City Limits is being seen across the country on PBS stations this week, and Brian Atkinson  interviewed ACL producer Terry Lickona for the Austin American-Statesman about how the show came about.
You’ll find the full interview at the American-Statesman site, but here’s what he had to say about the highlights of the evening:
“I’m huge fan of the Avett Brothers. The fact that they did a new song that night was definitely a standout. Robert Plant and his Band of Joy with our own Patty Griffin was a great moment. I think probably the emotional highlight of the show came at the very end when Gregg Allman performed “Melissa.” We literally didn’t know until the morning of the show whether he was even going to be there because he’s had some pretty serious health issues. That was certainly a poignant moment and a great way to close out the hour.”

 

TV holds key to growth of Americana music

 in Americana Music Festival, Reviews

The Avett Brothers at the Americana Awards show

By Ken Paulson

Television is a very big deal to the Americana music community.
For years, the Americana Music Association has worked to establish the genre with the general public, and TV is the key.
Any medium that can make Snooki a household name should do wonders for Buddy Miller.
That’s why news that WNPT, Nashville’s public television station, would broadcast the 2011 Americana Music Festival Honors and Awards show , and that Austin City Limits would do a show of highlights, was so welcome. A broader audience would finally see what Americana music was all about.
Yet the early results were discouraging. That initial live broadcast from the Ryman Auditorium in Nashville showed large expanses of empty seats early on, due to a late-arriving crowd. Unbelievably, the opening graphic noted that the evening was dedicated to the memory of “Jim” Hartford rather than John Hartford. And then early in the show, transmission difficulties meant audio and video drop-outs during performances by Justin Townes Earle and Elizabeth Cook. Ouch.
Things were better for a rebroadcast two days later, although the length of the show was apparently longer than the original estimate. If you have a TiVo, you didn’t see a dazzling finale.
But the good news is that the music overall was stunning, the performances passionate and even the presentations were well-paced. Austin City Limits should find it relatively easy to mine the two-plus hour show for an hour’s worth of great music, drawing on performances by Robert Plant, the Avett Brothers, Jim Lauderdale, Lucinda Williams, Emmylou Harris, Miller, Cook, Earle and more.
That kind of quality exposure will build awareness of Americana, but will also amplify the sales pitch to prospective music festival sponsors.
My guess is that Austin City Limits, scheduled for Nov. 19, will edit out acceptance speeches, which may be just as well. The message relayed by Mumford and Sons thanked “the Nashville community,” which is exactly what the Americana Music Association doesn’t need. Americana needs to be seen as a vibrant worldwide genre, which just happens to have an office in Nashville. National television exposure is critical to making that happen.