Delbert McClinton’s Sandy Beaches Cruise 2016

By Ken Paulson

As Marcia Ball wrapped up her first song to polite applause, she seemed a little nonplussed.

“I thought there was a dance floor here,” she said, as she kicked off Delbert McClinton’s Sandy Beaches Cruise 2016. The crowd took the hint, and the rest of the evening – and the week – was one non-stop dance floor.

That sets this music cruise apart from others, where headliners and reserved seats are the norm. The Sandy Beaches crowd listens respectfully, but they move to the music.

That’s probably the influence of McClinton himself, who is a low-key and welcoming presence thoughout the cruise. It’s as though you were invited to Delbert’s house – one with a very large pool – with his musical friends on a Saturday night.

And if this is your first visit to Delbert’s, you won’t feel like a newcomer for long.

“This is your cherry and we’re here to bust it, “ Ball declared, launching into a high-velocity set of rhythm and blues, including the week’s first performance of “Sea Cruise.’ “A lot of nerve, “ she laughed.

“All Night Long” with the Mavericks

The Mavericks headlined the pool deck stage three times and the energy never flagged. Since reuniting in 2012, the band has been on a roll, culminating in their Grammy nominations for the song “All Night Long” and their Mono album, and being named group of the year in the Americana Music Association awards. When a band with more than two decades of experience hits a new career high, it shows on stage. In their final set of the week, they even played a danceable “Okie from Muskogee.”

 

 The McCrary Sisters Let It Go

The McCrary Sisters delivered their first set on Sunday, appropriately so for this hard-rocking gospel quartet. Regina McCrary spoke of God’s capacity for healing and offered to pray for anyone in need. If you have a burden, you should “Let It Go,” they sang. No, not the song from “Frozen.”

Later in the day, Roger Blevins Jr. and Mingo Fishtrap announced they were going to echo the McCrarys’ advice to “let it go, “though their version would be “more profane.”

It wasn’t all church for the McCrarys . The sisters did the Family Stone proud with an inspired version of “Thank You (Falettinme Be Mice Elf Agin.)”

Sandy Beaches Cruise 2016 songwriters

The songwriter sessions were uniformly impressive, giving artists the chance to showcase their writing in an acoustic performance. Sharon Vaughn told the story of how she pitched her classic My Heroes Have Always Been Cowboys” to Waylon Jennings, who refused to believe she wrote it. Spooner Oldham played songs he co-wrote with Dan Penn, including James and Bobby Purify’s hit “I’m Your Puppet.”

Delbert McClinton joined the songwriters mid-week to showcase songs from a new album due this spring.

The World Famous Headliners

Former NRBQ member Al Anderson has been on the last 18 cruises, but this time he brought his bandmates from the World Famous Headliners . It’s a tongue-in-cheek name, but Anderson, Shawn Camp and Pat McLaughlin make up a potent front three, with stellar guitar work and tight harmonies. The band – deep in writing talent – showcased songs from their new album, including “Hitchike Home,” “The Whoa Whoa Song” and “Fried Chicken,” a song that mashes up Memphis music and the Bee Gees.

The Headliners know no barriers. “We’d like to apologize for these songs,’ McLaughlin told the audience, shortly before Anderson sang “Stick It Where the Sun Don’t Ever Shine.”

The band brings Little Village to mind. That was the storied band featuring Nick Lowe, Ry Cooder, John Hiatt and Jim Keltner, an amazing line-up of players and songwriters that never seemed to gel as a group.

The Headliners gel. They even have their own theme song, which they played at both the beginning and close of their set. “We’re the World Famous Headliners…”

Keb’ Mo’ and the return of Lee Roy Parnell

Among other highlights of  Sandy Beaches Cruise 2016:

Keb’ Mo’ drew big and appreciative crowds poolside with impeccable sets of blues and soul, including his fresh take on the O’Jays’ “Love Train.”

Mingo Fishtrap rallied the audience on the final day, with Blevins Jr. saying that although everyone would have to disembark the next morning, now was the time to “self-lobotomize.” The band then launched into a blistering medley of classic James Brown songs.

Lee Roy Parnell, on the Sandy Beaches Cruise since its inception 22 years ago, was back after a year away. He saluted the late Allen Toussaint with a spirited take on his “Holy Cow.” Lari White joined him for a duet of a song she and Parnell had written, and Etta Britt delivered a powerful “People Get Ready.”

 

The annual “Pianorama,” with Marcia Ball as ringleader, convened virtually every keyboardist on the cruise for a piano jam. Five players at a time took the stage, trading off parts on songs like “Iko Iko,” “Nothing from Nothing” and Drinkin’ Wine Spo-de-o-dee.”

The Quebe Sisters were a revelation. Their harmonies were gorgeous – in 1940 they would have been the Andrews Sisters –and all three play fiddle beautifully. They draw on a big songbook, but Western Swing is a specialty.

Doyle and Debbie, the lampooning country music revue, doesn’t change and doesn’t need to. It remains fresh and funny.

Alyssa Bonagura was joined onstage by her parents Kathie Baillie and Michael Bonagura, aka “Baillie and the Boys ,” who revisited their musical past, including an impressive “Blue Bayou.” It’s that rare family where the daughter can plug her parents’ CDs at the merch table.

Bruce Channel joined Delbert to perform his big 1962 hit “Hey Baby,” a record on which McClinton played harmonica. I’m sure they’ve performed it together dozens of times, but it’s still a joyous performance.

The Howlin’ Brothers – Ian Craft, JT Huskey and Jared Green impressed audiences with both a reverence for folk, blues and bluegrass classics and their ability to craft new songs that continue the tradition.

 

(More Sandy Beaches coverage can be found here.)