Author: Americana Music News

Sun209 on Twitter: Americana Music Festival edition

 

Middle Tennessee State University partners with Americana Music Association

NASHVILLE — This weekend’s Americana Music Festival and Conference marked the beginning of a unique educational partnership between the festival’s organizer, the Americana Music Association, and MTSU’s College of Mass Communication.

The collaboration between MTSU and the association, based in Franklin, Tenn., will bring special learning opportunities to students pursuing careers in music, said Mass Communication Dean Ken Paulson.

Under the partnership, Paulson said, prominent artists will participate in special lectures at the university. Students also got to attend the Americana Music Festival and Conference, which ran this year from Wednesday to Sunday in Nashville, featured about 130 live performances at six music venues.

“We’re indebted to the Americana Music Association for its commitment to a new generation of recording industry and music professionals,” Paulson said. “It’s a great fit on so many levels.

“The Americana Music Association has energized an entire genre of music through fresh approaches and a collaborative spirit, just as our goal at MTSU is to provide an education in innovation.”

Jed Hilly, executive director of the Americana Music Association, said the partnership is a logical extension of the association’s overall mission.

The association describes Americana as “contemporary music that incorporates elements of various American roots music styles, including country, roots-rock, folk, bluegrass, R&B and blues, resulting in a distinctive roots-oriented sound that lives in a world apart from the pure forms of the genres upon which it may draw.”

“Americana Music readily spans generations and we’re proud to establish this dynamic educational partnership with the students and faculty of the College of Mass Communication at Middle Tennessee State University,” Hilly said.

As part of the festival, Paulson on Wednesday presented the Spirit of Americana Freedom of Speech Award to artist Stephen Stills during the Honors & Awards Show at Ryman Auditorium. The award was given by the association and the Freedom Forum’s First Amendment Center.

The award spotlights and celebrates Stills’ contributions to some of the most thought-provoking and observational songs of the 60s and 70s, as a member of Crosby, Stills, Nash & Young and beyond. Among them: “For What It’s Worth,” “Wooden Ships,” and “The Ecology Song.”

On Thursday, British singer-songwriter Billy Bragg was the inaugural guest speaker for the new Americana Music series at MTSU.

Bragg is best known for his topical songs over his 20-year recording career and for his collaboration with Wilco on “Mermaid Avenue,” a project that married unpublished lyrics by Woody Guthrie with new music.

“Billy Bragg’s appearance at MTSU was a rare opportunity for our students to hear firsthand from an artist who has consistently made music with meaning, drawing on the day’s headlines for politically potent and thought-provoking songs,” Paulson said.

Bragg began his recording career in 1983. His 1986 “Talking With the Taxman About Poetry” was a Top 10 album in Great Britain.

Bragg’s MTSU appearance was also a part of the Tom T. Hall Lecture Series, which brings noted writers and authors to campus.

The Tom T. Hall Writers Series in the College of Mass Communication celebrates songwriters, authors, poets and screenwriters and offers students, faculty, staff and the public a chance to learn more about the creative process as well as the business end of success.

Previous Hall Writers Series guests have included country superstar Vince Gill, acclaimed songwriter John Hiatt, bluegrass impresario Ricky Skaggs and the Emmy-nominated creative team behind the HBO Films movie “Bury My Heart at Wounded Knee,” which included MTSU alumnus and composer George S. Clinton.

Interview: Chip Taylor on “Block Out the Sirens of This Lonely World”

By Ken Paulson

Chip Taylor regularly attends the Americana music Festival and it’s always great to catch up with him. He wrote classic pop songs like “Angel of the Morning,” “I Can’t Let Go” and Wild Thing” and then carved out a country career in the early ’70s  that was truly a precursor to what we now call Americana. Here’s Chip on his most recent work:

 

Interview: Kim Richey on “Thorn in my Heart”

kim richeyBy Ken Paulson
Kim Richey has been all over the Americana Music Festival and it’s been great to see her showcase her fine new album Thorn in My Heart. Here’s a quick interview on the new album and her return to Nashville:

Interview: Randall Bramblett on “The Bright Spots”

bramblettSun209 – We caught up with Randall Bramblett at the Americana Music Festival. He played a great, but short set to open the evening at the Cannery Ballroom in Nashville. Here’s Bramblett on his career and new album The Bright Spots:

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Americana Music News

Ben Miller Band @AmericanaFest @newwestrecords showcase in Nashville http://t.co/FjsBo3DKbB

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Duos dominate Americana Music Awards

Americana Music News — Duos dominated at tonight’s Americana Music Association Honors and Awards show at the Ryman.

Emmylou Harris and Rodney Crowell won for album of the year for Old Yellow Moon, and were also  named top duo/group.

A younger pair – Shovels and Rope – was named emerging artist of the year, and also won the song of the year category for “Birmingham.”

Dwight Yoakam was named artist of the year in an evening that honored other music veterans in these categories:

Dr. John with Don Was

Dr. John with Don Was

Instrumentalist of the year:  Larry Campbell

Spirit of Americana  Free Speech in Music Award   Stephen Stills

Trailblazer Award:  Old Crow Medicine Show

Lifetime Achievement for Instrumentalist: Duane Eddy

Lifetime Achievement Award for Executive: Chris Strachwitz

Lifetime Achievement for Performance:  Dr. John

Lifetime Achievement Award for Songwriter: Robert Hunter

President’s Award: Hank Williams

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Dr. John and Dan Auerbach #americanafest. wow. http://t.co/Z8WJksLENS

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Richard Thompson @AmericanaFest good things… http://t.co/eOWMfZO9kj

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Bruce Robison and Kelly Willis ignite the Blasters’ “Border Radio,” #americanafest http://t.co/i7Qihl7qpw

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Tim Easton and Megan Palmer delight fans in Houston

 By Paul T. Mueller

Tim Easton’s in-store performance at Cactus Music in Houston on Sept. 13 delighted fans who got considerably more than is typical of such gigs. Easton, accompanied by fiddler and musical partner Megan Palmer, didn’t stop at the four or five songs that are more or less standard for promotional appearances. Instead the duo stuck around for more than a dozen, throwing in some oldies, a cover and even a brand-new song, along with seven selections from Easton’s newest CD, Not Cool. From the look of it, they might have kept going had they not been scheduled to play a house concert later in the evening.

From Not Cool, Easton and Palmer played, not necessarily in this order, “Little Doggie (1962),” “Don’t Lie,” “Gallatin Pike Blues,” “Troubled Times,” “Four Queens,” “They Will Bury You” and one we’ll call, for the sake of delicacy, “Crazy MF from Shelby, Ohio.” Without full-band backup, the tunes got a folkier treatment than the rockabilly/Memphis versions on the CD, but Easton’s excellent guitar, harmonica and kick drum, plus Palmer’s lovely fiddle and vocals, proved more than adequate.

Megan Palmer and Tim Easton (Paul T. Mueller)

Megan Palmer and Tim Easton (Paul T. Mueller)

Easton also reached back into his extensive catalog for fine renditions of “Don’t Walk Alone” and “Carry Me” (the latter by audience request), as well as the more recent “California Bars,” “Dear Old Song and Dance” and “Burgundy Red” (Easton introduced the latter as an example of what he called “pre-hab music”). At one point he threw in a traveling song called “On My Way,” which he said he has not yet recorded. Palmer got a turn at lead vocal on John Hartford’s “In Tall Buildings,” also by request.

If fine songwriting and outstanding musicianship aren’t enough, give Easton and Palmer points for their work ethic as well. Earlier in the day, the two visited a local radio station for a fairly lengthy interview, including playing a few songs on the air, and all of it came less than 24 hours after opening for Billy Joe Shaver in Austin, a few hours’ drive from Houston. That kind of roadwork isn’t easy, but from the buzz Not Cool has been getting, it seems to be paying off.

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Revisited: Merle Haggard, Buck Owens, Buddy Emmons

bakersfieldBy Ken Paulson

Two new and notable albums celebrate country music’s heritage, successfully revisiting classic songs in a contemporary setting.

Vince Gill and premier steel guitar player Paul Franklin team up on Bakersfield to celebrate California country, specifically the recordings of Buck Owens and Merle Haggard.

It’s no surprise that the playing of these Time Jumpers bandmates is impeccable. What is surprising is just how fresh these half-century old songs sound.

The tracks alternate between those made famous by Owens and Haggard and include “Together Again,” “Foolin’ Around,” “The Bottle Let Me Down” and “I Can’t Be Myself.”

Gill and Franklin grew up on these songs  and their comfort level shows, though it’s a bit disquieting to hear perennial nice guy Gill snarl about “some squirrelly guy who claims he don’t believe in fightin’” on Haggard’s “The Fightin’ Side of Me.”

Gill and Franklin show up again on The Big E – A Salute to Steel Guitarist Buddy Emmons, performing album opener “Country Boy.”

Album producer and former Hot Band steel guitarist Steve Fishell put this project together, pairing great players and singers on songs that played a significant role in Emmons’ storied career.

Duane Eddy, Emmylou Harris, Willie Nelson, Rodney Crowell, Greg Leisz and Raul Malo are among the big names here, performing songs from multiple decades.

The biggest treats include a couple of pop-oriented tunes. Albert Lee and JayDee Manness team on “Rainbows All Over Your Blues,” a song from John Sebastian’s first solo album that was transformed by Emmons’ solo. Similarly, Joanie Keller Johnson and Mike Johnson offer a fine cover of “Someday Soon,” a Judy Collins hit graced by Emmons’ licks.

The album includes reverential, detailed and sometimes technical liner notes from Fishell that make clear just how influential Emmons was.  Highly recommended.

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Review: Butchers Blind’s “Destination Blues”

butchersBy Ken Paulson

Press releases promoting Butchers Blinds’ Destination Blues (Paradiddle Records) emphasize influences like Uncle Tupelo, the Hold Steady and even the Replacements,  but those comparisons largely escape me.

This  band from Bellerose, New York, plays a highly accessible brand of rock and country, melding strong melodies with intriguing themes.

“Nobody Hears What I Say Anymore”  is about dashed dreams, and surprisingly, sounds like David Crosby and Graham Nash. “OPP”  is an energetic rocker that would have been at home on a Gin Blossoms record. Other tracks bring Tom Petty to mind.

The common denominator, though, is disciplined and focused songwriting, and that bodes well for this promising band.

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Eric Brace song inspires a NASA video

We’re fans of Eric Brace and were glad to hear the news that one of his songs inspired a NASA video and tribute to Neil Armstrong.

In Eric’s words: I’m extraordinarily honored and proud that the folks at NASA heard my song “Tranquility Base” and are using it to help commemorate the first anniversary of Neil Armstrong’s death (Sunday). The video they created to accompany the song, using footage from the historic Apollo 11 mission, is spectacularly beautiful and moving and can be seen here on NASA’s website.

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Sun209: The Week in Tweets

The week in Tweets from Sun209:      Tuned In’ review: Diversified Greencards still trump sounds with ‘Americana’           knoxville.com/news/2013/aug/… 24 hours ago

 

Review: Tim Easton’s “Not Cool”

tim eastonby Paul T. Mueller

Someone once said, “Geography is destiny,” and that certainly seems true of Not Cool, the new CD from much-traveled singer-songwriter Tim Easton. Easton recently moved to the Nashville area after several years in the Mojave Desert town of Joshua Tree, California. Fittingly, many of the songs on Not Cool have an early rock ‘n’ roll/rockabilly sound that’s well suited to the home of country music, and Easton’s lyrics (he wrote 10 of the 11 tracks) have taken a more straightforward direction, in contrast to the sometimes oblique nature of much of his recent work.

In keeping with the vintage sound, the CD’s running time totals only 30 minutes, with eight of the 11 tracks clocking in at three minutes or less. Themes include life’s travails (“Troubled Times,” “Four Queens,” “Gallatin Pike Blues”) and bad romance (“Don’t Lie,” “Lickety Split” and the title track). But the grim subject matter is offset by bouncy arrangements, mostly featuring the excellent guitar playing of Easton, J.D. Simo and Sadler Vaden. Megan Palmer, Easton’s partner in a duo called Out of Our Tree, contributes sweet violin and vocals on several tracks.

Easton saves the best for last, closing the album with “Knock Out Roses (For Levon),” a beautiful tribute to the late Levon Helm. Written, according to Easton, the day Helm died, it’s an acoustic instrumental featuring an old-timey sound, set to a lively waltz tempo, but with a melancholy undertone. The song’s delicate interplay of guitar, banjo and violin fades out near the end, leaving only the violin to carry the tune to its end. Sweet.

 

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Americana Music Awards tickets on sale

AMAAmericana Music News — Tickets for the 2013 Americana Honors and Awards Show at the Ryman are now available.

Tickets to the Sept. 18 show , will be available online and at the Ryman box office, priced at $85 and $65.

The awards show,   a highlight of Nashville’s musical year, will be hosted once again by Jim Lauderdale, Buddy Miller will head up the always stellar house band.

You’ll find more information about the show and the Americana Music Festival and Conference  at www.americanamusic.org.

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Reissues: Soulful pop albums from Marilyn McCoo, Billy Davis

MarilynBy Ken Paulson

The summer of 1967 saw the release of one of the best (and most underrated) pop albums of the decade. With Johnny Rivers producing and Jimmy Webb contributing songs, the Fifth Dimension literally soared into the charts with Up, Up and Away and the big single of the same name.

Over the next eight years, the Fifth Dimension dominated the singles charts, drawing on great songwriters like Laura Nyro (“Sweet Blindness, “Wedding Bell Blues”) and Webb to deliver a very hip brand of mainstream pop.

In 1975, Marilyn McCoo and husband Billy Davis left the group to pursue a career as a duo, scoring immediately with “You Don’t Have to Be a Star (to be in my Show.)” The sound was a little funkier than the Fifth Dimension, but the vocals were immediately recognizable.

Unfortunately, that album was the duo’s commercial peak. Two more albums followed, but sold modestly and have been largely unavailable.

That’s changed with Real Gone Music’s release of The Two of Us (circa 1977) and Marilyn and Billy (1978.)

Both offer their own rewards, but on very different terms. The Two of Us kicks off with “Look What You’ve Done to My Heart,” an up-tempo track that briefly put the duo back on the charts.   It sets the tone for the entire album, largely one song after another celebrating a really good relationship. “Wonderful,”  “My Reason to Be is You” and “My Very Special Darling” are representative.

Marilyn and Billy, recorded as the pair moved to Columbia Records, is more ambitious and ultimately more satisfying. Disco was dominant and McCoo and Davis had to make their sound more contemporary. They pulled that off in part by working with producer Steve Cropper, the legendary guitarist from the MG’s.  Yes, it has a disco influences, so it’s a bit dated. But the cover of Sam and Dave’s hit “I Thank You” is timeless and the vocals are strong throughout.

The Two of Us and Marilyn and Billy will be welcome additions to the collections of ‘70s pop and soul fans.

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Reissues: Amazing Rhythm Aces’ first two albums

AcesBy Ken Paulson

The Amazing Rhythm Aces were a little ahead of their time.

1975, the year of the Aces’ debut album, was not the time for a country band that was soulful or a bluesy band with a twang.  And it sure wasn’t the time for a band that embraced all of that, plus rock and jazz.

36 years ago, it was called “eclectic.” Today, it would be called “Americana.”

Now the band’s first two albums are available again on a reissue from Real Gone Records. Stacked Desk, their debut, boasted a big hit single in “Third-Rate Romance,” a genre-defying song that proved irresistible to AM radio.

That first album was fun and funky, but follow-up Too Stuffed to Jump may have been even stronger. The band-written “Typical American Boy,” “The End is Not In Sight” and “Dancing the Night Away” showed songwriting depth, while their rendition of “If I Knew What to Say” added a reflective tone.

Highly recommended.

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