Review: Michael Johnathon’s “Front Porch”

By Joe Ross
Michael Johnathon’s signature “folkestral” music is a pleasing blend of nicely-arranged, mostly original songs that incorporate his guitar and banjo along with occasional orchestral strings into pretty little ditties with downhome messages. Besides a Kentucky homeplace, he now owns a cozy little log cabin deep in the woods, and Front Porch is about his “search for home and a life full of music and starlight, holding hands and dancing for no reason.” Back in the old days, a great deal of mountain music and dancing were solely made on the porch. Today, many people have turned a back on their musical roots, and it takes folksingers like Johnathon to frequently and nostalgically remind us of simpler days full of children dancing, fireflies, and values like love, forgiveness and mercy divine.

A unique arrangement of the Rolling Stones’ “Satisfaction” initially seemed a little out of place until we’re reminded of that man on the radio trying to capture our imagination with a lot of useless information. I believe that there’s a subtle message that Michael’s trying to convey – happiness and contentment can be found by simply embracing a life built around love, honesty and music.

The consummate musician surrounds himself with others who understand his musical vision. Others appearing on this album include Rob Ickes (dobro), Raymond McLain (mandolin), Ronn Crowder (harmonica), and three bass players (Paul Reich, Bob Bryant, A.J. Daugherty). As on his previous albums, his accompanists successfully dispense “song conversation” to the music. String quartets (with two violins, viola, and cello) appear in “How Can I Keep from Singing” and “Believe,” and “Pachelbel’s Canon in D” includes violin, viola, cello and bass. All three of these tracks were recorded live in concert, perhaps as part of Michael’s popular “WoodSongs Old-Time Radio Hour,” a live weekly program broadcast on hundreds of stations (and the Internet). Among the 10 tracks (a tad short for a full-length album), the instrumental “Tacobell’s Pee-shooter” and “Moonfire” are presented with plenty of engaging joie de vivre. In the closing number and title track, Johnathon happily professes that he’s got a front porch ’round his life. His advice, however, is that “We need a front porch ‘round the world.” The indefatigable Johnathon is a hard worker whose dedication and devotion to his art, home and family are a treasure to experience.

Leave a Reply

Your email address will not be published. Required fields are marked *

*