Tag: Spooner Oldham

Amy Black, Spooner Oldham salute Muscle Shoals

Americana Music News – Tonight Amy Black brought a bit of Muscle Shoals to the City Winery in Nashville,

Spooner Oldham and Amy Black

Spooner Oldham and Amy Black

showcasing classic songs from her Muscle Shoals Sessions album with a horn section and a guest appearance by the legendary songwriter and keyboardist Spooner Oldham.

The evening’s highlight was Black’s duet with Oldham on “I’m Your Puppet, the James and Bobby Purify hit written by Oldham and Dan Penn.

Other great renditions included the “Lou Rawls version” of “Bring it On Home to Me,” Mel and Tim’s “Starting All Over Again,  and Arthur Alexander’s classic “You Better Move On.”

 

Music Producers Institute brings artists, fans together in the studio

Steve Fishell

 One of the more innovative ventures in Nashville’s music community offers a chance for fans and prospective producers to sit in on the recording sessions of some of their favorite bands.
Music Producers Institute, directed by Grammy-award winning producer Steve Fishell, gives artists a chance to defray recording costs by inviting in paid guests, and attendees get a rich musical experience.
5 Questions for Steve Fishell:

1. You’ve found an innovative way to bring artists and fans together in a recording studio. How does it work?

 “Music Producers Institute brings students of recording and music fans right into their favorite artists’ master studio sessions. The premise is simple: the best way to learn about the recording process is to observe your favorite artist at work. Tuition is generally around $800 for a two or three day event and a majority percentage goes to the artist to cover their studio costs. Artists walk with the masters and attendees check off another “bucket list” item.”

 2. Do most people enroll  because they’re aspiring producers or because they want to watch their favorite artist work?

“The attendees are generally split 50%-50% between aspiring producers and fans. They are very respectful of the process and feel privileged for the chance to observe. We’ve never had one problem with interruptions in over four years of sessions. Nobody wants to blow it and get the boot!”
 

3. How does the presence of fans affect the recording process?

 “Martie Maguire of the Dixie Chicks played mandolin and fiddle on Radney Foster’s March MPI sessions in Austin. I asked Martie if the attendees made her feel self-conscious and she said “I forget they were even there. Artists are performers and they prefer playing in front of a small group of respectful people rather than just to the four studio walls.”

4. You’ve had some amazing artists join you. What have been some of your best moments in the studio?

“The Del McCoury Band sessions were a highlight. Del and the band were cracking jokes all day long and still managed to record 17 songs in two days. In fact, on the last day they wrapped up the sessions around 6:30pm which is way early for most artists. Their virtuosity was simply mind-boggling to watch. The resulting album, “Old Memories: The Songs of Bill Monroe” was nominated for a Grammy last December.

“Poco let their entire class play percussion on one song and Todd Snider had his class sing harmony vocals on a track. Anything can happen at an MPI session.”

5. The great Duane Eddy has a session coming up. How would you describe his contributions to popular music and how can folks see him firsthand?

 “Guitarist Duane Eddy – a member of the Rock and Roll Hall of Fame – influenced everybody: The Beatles, Bruce Springsteen, Creedence, the Ventures, Mark Knopfler. John Fogerty calls him “the first rock and roll guitar god.” Our MPI session June 22-23 marks the first time Duane has ever opened his studio doors to the public. He’s one of the nicest people on the planet so it promises to be a lot of fun. Also on the session are steel guitar session giant Dan Dugmore and legendary musicians Spooner Oldham and Richard Bennett. These sessions will also be special because the resulting tracks will be included on an album benefitting the Country Music Hall of Fame. All attendees will be thanked by name in the liner notes. To learn how to attend go to www.musicpi.com or call  MPI at sessions@musicpi.com.”

Celebrating the music of Muscle Shoals

The 2011 Americana Music Festival began last night with an event that illustrates the genre’s greatest strengths: outstanding performances and a respect for what has come before.
The 90-minute concert celebrating the Muscle Shoals sound was equal parts energy and nostalgia, with legendary figures like Dan Penn, Spooner Oldham, Jimmy Johnson and David Briggs sharing the stage with some of Nashville’s most soulful vocalists.
With Webb Wilder on hand as MC, the evening walked through the history of FAME Studio and Muscle Shoals Sound Studio, from soul to pop and rock.
Highlights were plentiful. From Jonell Mosser’s take on “Dark End of the Street” to Mike Farris’ “I’d Rather Go Blind” to Jimmy Hall’s “Land of a Thousand Dances,” singers delivered faithful, but moving performances. Special treats: Candi Staton’s “He Called Me Baby” and Dan Penn’s “I’m Your Puppet.”
Billy Burnette performed “The Letter,” which was recorded in 1967 by a young Alex Chilton and the Box Tops at FAME. Oddly, he did the live Joe Cocker arrangement that came three years later.
The show closed with Burnette kicking off an all hands-on-deck performance of Bob Seger’s “Old Time Rock ‘n’ Roll.” The song belongs in the “Played Badly at Weddings Receptions Hall of Fame,” but proved to be a vibrant and fitting close.

(Pictured: A  scarce Muscle Shoals anthology.)