By Mary Sack
Tonight I witnessed yet another, one-of-a-kind Nashville Moment. It wasn’t a Grammy moment. Could’ve been, in an alternate universe. Three days after The Grammy Awards were broadcast live from Los Angeles, I saw a bona fide 2012 Grammy Nominee (for “Best Children’s Album”) Peter Cooper, bona fide rapscallion Phil Lee, new-to-me Dave Duncan and the surprisingly soulful Karen Leipziger, accompanied by Andy Ellis, perform in an intimate, early-evening round where they laid songs out one-by-one in a packed-to-the-walls house of rapt listeners and several friends.
There’s lots to say about each of these songwriters, but collectively they shared one of the coolest, bluesiest and fun evenings I’ve ever heard at The Bluebird Café in Nashville’
I really went out in the rain to this show to lend an ear to Karen Leipziger. I’ve known her as a crack publicist and almost forgot that she is also a songwriter with many, very cool cuts with some very well-known blues artists. I was shocked to realize I knew most of her songs but never realized over all of these years that she’d written them. Karen has always been humble, but THESE songs were monsters. Chief Eddy Clearwater recently recorded her cautionary “Do Unto Others”, which I swear could have a run in the Christian Blues market, if one exists.
Peter Cooper played many of my personal favorites, including “715” — a song about Hank Aaron and growing up in the shadow of racism and inequality. He shared his recent Grammy experience with the crowd, as well as his good natured humor about being a “runner-up” but I left the show thinking what a great picker he’s become in addition to his growth as an artist.
Fresh back in Nashville from his latest UK tour, Phil Lee never disappoints, toying with the audience as he does, playing songs like the tragically catchy “Just Some Girl” as well as the brand new “Cry,” while accompanied by the McCrary Sisters from various seats around the room. Simply arresting, those voices.
Layin’ it down with finesse, Dave Duncan definitely has the blues. He, too, could lay down a lick and sang of learning more about the blues in two weeks from his lady than “20 Years of BB King” – a song that also earned its own nomination from the Blues Music Association in 2008.
It was one of those nights when a one great song is followed by another surprisingly, captivating great song, all backed with solid performances. And it was free, no cover. Only in Nashville.