Tag: music cruises

Outlaw Country West cruise: A wide net of rocking, raucous music

By Paul T. Mueller

Despite its name, the inaugural Outlaw Country West music cruise wasn’t just about country music. Producers Sixthman and Renegade Circus cast a wider net, including a couple of Southern California punk bands as well as several purveyors of West Coast country and rock. The floating festival departed Los Angeles on November 3 aboard the Norwegian Jewel, making stops at the Mexican ports of Cabo San Lucas and Ensenada before returning to Los Angeles on November 8.

X and Social Distortion, longtime mainstays of the Southern California punk scene, brought rock ‘n’ roll energy and attitude to the festival, an offshoot of the well-established and mostly Miami-based Outlaw Country Cruise. Artists offering a purer country sound included Jim Lauderdale, Wade Sapp, James Intveld, Deke Dickerson and Elizabeth Cook. Also featured were East LA roots music icons Los Lobos, cowpunk pioneer Dave Alvin, bluesy folksinger Lucinda Williams, rockabilly guitar-slinger Rosie Flores and Texas iconoclast Terry Allen, among many others.

Lucinda Williams (Photo by Paul T. Mueller)

Some highlights from the packed schedule of nearly 60 shows and numerous other activities:

Los Lobos got things off to a rocking start with a first-day sailaway show on the pool deck that featured hits such as “Don’t Worry Baby,” “Will the Wolf Survive?” and “Kiko and the Lavender Moon.” The band also threw in some excellent covers, including a joyous rendition of “Not Fade Away” and the Grateful Dead’s “Bertha” to close the show.

Terry Allen brought his offbeat West Texas style to the Jewel’s Stardust Theater the first evening. Allen has long been a favorite in his home state, and his sets, supported by the brilliant Panhandle Mystery Band, won him a slew of new fans. High points included some Allen originals possibly better known from being covered by others – “Amarillo Highway” (Robert Earl Keen), “New Delhi Freight Train” (Little Feat) and “Gimme a Ride to Heaven” (The Flatlanders).

Also impressive were less-familiar songs such as “Death of the Last Stripper,” “All These Blues Go Walking By” (featuring powerful vocals by Shannon McNally), and “City of the Vampires,” which Allen said was based on suggestions from his 9-year-old grandson. Later in the cruise, veteran singer-songwriter and activist Steve Earle interviewed Allen for his SiriusXM radio show, giving Allen a venue for fascinating and often funny stories about growing up in Lubbock and working with artists such as Guy Clark and David Byrne.

Terry Allen (photo by Paul T. Mueller)

Lucinda Williams, continuing her strong comeback from the stroke she suffered about two years ago, played a powerful first-night set in the Stardust with her excellent band, Buick 6. She drew from her extensive catalog with older songs such as “Right in Time,” “Lake Charles” and “Those Three Days,” and newer tracks such as “Big Black Train” and Memphis Minnie’s “You Can’t Rule Me,” which she dedicated to the U.S. Supreme Court. Williams hasn’t yet regained her ability to play guitar onstage, but her voice sounded better than it has in a while, despite some occasional glitches (“Dammit! Son of a biscuit baker!” she said at one point while reaching for her throat spray). One couldn’t help but be moved by the care and support shown by her band members – guitarist Stuart Mathis, bassist David Sutton and drummer Butch Norton.

Exene Cervenka and John Doe of X (Photo by Paul T. Mueller)

Dave Alvin and his band, The Guilty Ones, packed the Stardust for a Friday show featuring Alvin’s sometimes dark songs about the California experience. Alvin, in remarkable form after some recent health issues, led his excellent outfit through “The King of California,” “Ashgrove” and “Dry River,” among others. Jimmie Dale Gilmore, who’s been touring and recording with Alvin in recent years, was scheduled for the cruise, but he came down with Covid-19 and was unable to participate. His son Colin Gilmore, a fine singer-songwriter in his own right, filled in for him, joining Alvin for “Billy the Kid and Geronimo” and his father’s “Dallas.” Also making guest appearances were two members of Los Lobos, guitarist/singer David Hidalgo and saxophonist/keyboardist Steve Berlin.

A wide range of artists converged on the Stardust for a Sunday evening tribute to California native Merle Haggard. The setlist included Jim Lauderdale with “I’m a Lonesome Fugitive,” Shannon McNally with “Mama Tried,” John Doe of X with “Silver Wings,” Terry Allen with “Okie from Muscogee,” Rosie Flores with “My Own Kind of Hat,” Dave Alvin with “Kern River,” and Norm Hamlet, longtime steel guitarist with Haggard’s band, The Strangers, with “Today I Started Loving You Again.” Everyone returned to the stage for the big finale, “Sing Me Back Home.”

Southern California punk rockers Social Distortion brought their high-energy, high-volume songs of anger and pain to a Monday pool deck show as the Jewel departed Ensenada, Mexico. Founder and lead singer Mike Ness rather sheepishly owned up to enjoying the clearly non-punk experience of cruise ship life before launching into powerful renditions of “I Wasn’t Born to Follow,” “Sick Boys” and “Ball and Chain,” among others. Longtime Social D guitarist Jonny Two Bags was absent, reportedly because of an injury, but Josh Jove (Eagles of Death Metal) filled in capably.

A Monday evening guitar pull in the Stardust drew a large crowd for a song swap featuring Steve Earle, Lucinda Williams (with Stuart Mathis handling the guitar work), Charlie Sexton (filling in for Jimmie Dale Gilmore), and Dave Alvin. The show featured some excellent performances — Sexton honoring Gilmore with a rendition of the latter’s “Treat Me Like a Saturday Night,” Alvin’s moving take on Tom Russell’s “Blue Wing,” Williams’ wistful “Passionate Kisses.” Other high points included Alvin’s funny story about once having had to follow the legendary Barrett Strong in a songwriter round, and Sexton’s amazement at being chided for talking too much by none other than the notoriously loquacious Steve Earle.

All of this hardly scratches the surface, of course. The festival’s big lineup and short duration made it pretty much impossible to see every artist, let alone every show. But by all accounts, there were fine performances by Steve Earle, Elizabeth Cook, Chuck Prophet & the Mission Express, Big Sandy & His Flyrite Boys, Deke Dickerson & the Whippersnappers, Rosie Flores, Lillie Mae, Jim Lauderdale, the Slim Jim Phantom Trio, the Beat Farmers, the Long Ryders, Charlie Overbey, Jo Harvey Allen, Mojo Nixon & the Toad Liquors, Andrew Leahey & the Homestead, Jade Jackson, James Intveld, Norm Hamlet & Mario Carboni, Wade Sapp and Roger Alan Wade & Honky Tonk CIA. There was also a previously unannounced appearance by guitarist Wayne Kramer of the Detroit-based band MC5, who sat in with Lucinda Williams, Rosie Flores and the Long Ryders, among others.

Taking cover on Cayamo 2017

 

By Paul T. Mueller

Parker Millsap on Cayamo 2017

Singer-songwriters usually, and understandably, focus on their own songs when performing. But many also perform songs they didn’t write, especially in a festival setting, where the audience tends to appreciate the different perspectives artists can bring to others’ work. The recently concluded Cayamo 2017 cruise, a singer-songwriter-focused festival at sea, featured many excellent cover performances.

Leaving aside shows that by definition were pretty much all covers (a tribute to the late Guy Clark, for instance), here’s a sampling (in no special order and by no means comprehensive) of artists’ takes on songs written by or usually associated with other artists.

  • Parker Millsap, “You Gotta Move” (Mississippi Fred McDowell)
  • Brandi Carlile, “Going to California” (Led Zeppelin)
  • Patty Griffin and Aaron Lee Tasjan, “Insider” (Tom Petty and the Heartbreakers)
  • Richard Thompson and Rufus Wainwright, “Who Knows Where the Time Goes” (Sandy Denny)
  • Christian Lopez Band, “I Want You (She’s So Heavy)” (The Beatles)
  • Bonnie Bishop, “Whipping Post” (The Allman Brothers Band)
  • American Aquarium “Spanish Pipedream” (John Prine)
  • Aoife O’Donovan, “Can’t Find My Way Home” (Blind Faith)
  • Steve Earle, “Rex’s Blues” (Townes Van Zandt)
  • Ruby Amanfu, “I Put a Spell on You” (Screamin’ Jay Hawkins)
  • Gretchen Peters, “Guadalupe” (Tom Russell)
  • Sarah Jarosz, “Come On Up to the House” (Tom Waits)
  • Gurf Morlix, “The Parting Glass” (Traditional)
  • Sarah Potenza, “Hallelujah” (Leonard Cohen)
  • Patty Griffin, “Where or When” (Rodgers and Hart)

For lack of a better title, the “Repeat Offender Award” (no offense) goes to the Christian Lopez Band, which, in addition to covering the Beatles, performed Blaze Foley’s “Clay Pigeons,” Bill Withers’ “Use Me,” Steve Fromholz’s “I’d Have to Be Crazy,” Stephen Bishop’s “On and On” and Tom T. Hall’s “That’s How I Got to Memphis.” Let it be noted that A) they did a fine job on all of these, and B) their original material was also excellent.

The “Reverse Cover Award” goes to Steve Earle, who introduced his own “Galway Girl” by predicting that 100 years from now, people in Ireland will still be singing the song, but will be insisting that it was written by an Irishman.

Review: Sail Across the Sun cruise 2015

By Ken Paulson

Train’s Sail Across the Sun cruise runs on two parallel tracks.

On one, it’s a floating music festival featuring Train, the Wailers and emerging acts like Striking Matches.

Pat Monahan of Train

Pat Monahan of Train

On the other, it’s a fanfest for those who love Train, which means three crowd-pleasing concerts by the band, Q&A and photo sessions, podcasts, wine tastings with the band’s Jimmy Stafford, and even “Trainaoke.”

Surprisingly, it all works.

Not as music intensive as some other Sixthman music crusie offerings,  the five-day cruise supplements the music with cooking demonstrations and comedy. They could use a few more musicians; by the fourth day you’ve seen some acts three times.

Calling Train the headliner of the cruise is an understatement, Lead singer Pat Monahan is the ringmaster, visible throughout, and even hosting the karaoke contest.

This kept the Train fans very happy, and they returned the goodwill when Monahan’s voice gave out before the band’s final show.

“My voice is broken,” Monahan said, explaining that other artists on the boat and even a Trainaoke finalist or two would fill in for him. Monahan gamely stayed on stage, exhorting the crowd and keeping the show moving. It was Train’s greatest hits (and Journey and Led Zeppelin covers) sung by both some talented and some overmatched vocalists, but the audience wasn’t fazed,  standing and cheering until the end.

Other highlights from the cruise:

A Great Big World

A Great Big World

– We saw Ian Axel and Chad Vaccarino of A Great Big World pick up their Grammy in Los Angeles just four days before the cruise and it appeared the euphoria hadn’t worn off. Their shows were joyous, reflective and often funny, with three sets spread throughout the ship, including an acoustic set the final night.

– Andy Grammer and Ingrid Michaelsen both drew big and enthusiastic crowds for their consistently smart and engaging pop performances.

– Striking Matches’s new album Nothing but the Silence is due in March  and their energetic performances on board showcased their always-strong material. Sarah Zimmerman and Justin Davis are best known for writing songs featured on the Nashville TV show; it’s good to see them record on their own.

– John Driskell Hopkins, a founding member of the Zac Brown Band and co-writer of the band’s hit “Toes,” writes and sings highly melodic and accessible country and folk. His sets drew heavily from his fine 2012 release Daylight, including “She Don’t Love Me Today,” a funny and inspired song about the realities of marriage.

The Wailers

The Wailers

– We first saw Stephen Kellogg and the Sixers on a Cayamo cruise about five years ago,  and his solo performances this year were engaging  and intimate, even when he played  on the pool deck.

– The Wailers shouldn’t bother playing on land. Their set – laden with Bob Marley classics – is ideally suited for a cruise. There’s a younger generation of singers fronting the band, but the legacy remains intact.

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Review: Delbert McClinton’s Sandy Beaches Cruise 2015

(Editor’s note: The 2016 review of the Sandy Beaches Cruise can be found here.)

By Ken Paulson

We’ve just stepped off Delbert McClinton’s Sandy Beaches Cruise, a floating music festival in its 21st year. Though the ship stopped in Antigua and St. Croix, that really didn’t matter. On Sandy Beaches, you come for the music.

Paul Thorn

Paul Thorn

The cruise features an amazing array of artists, with blues, rhythm and blues and New Orleans influences among the most common denominators. Headliners included McClinton, Paul Thorn, the Mavericks, Lyle Lovett, Marcia Ball, Wayne Toups, Band of Heathens, the McCrary Sisters, Teresa James, Elizabeth Cook, Lari White and Mingo Fishtrap. Rough seas moved some of the deck shows inside, but the performances didn’t suffer. It was one rich performance after another.

McClinton’s partner on the 2015  cruise was Sixthman, the industry leaders in music cruises. Their cruises (they call them festivals) include ventures with Kiss, Florida Georgia Line, Train and Kid Rock, as well as the popular Americana-folk-rock Cayamo cruise.

We’ve written extensively about the always amazing Cayamo cruise over the years and we’ll have a report on the 2015 cruise shortly. It’s the cruise that most closely matches the vibe and music of Sandy Beaches. While both are impressive festivals, Cayamo tends to have bigger names and a wide range of singer-songwriters (John Prine, Lucinda Williams, Richard Thompson and Lovett are headliners this year), while Sandy Beaches books bands and artists whose primary mission is to get you dancing in the aisles.

Among the week’s highlights on Sandy Beaches:

Red Young and Delbert McClinton

Red Young and Delbert McClinton

Collaborations – some planned, many impromptu – were a big part of the cruise, and Delbert McClinton was everywhere. In addition to three sets with his band, he sat in on a songwriters session featuring Gary Nicholson, Spooner Oldham, Danny Flowers, Glen Clark (of Delbert and Glen) and Bruce Channel. It was Delbert who played harmonica on Channel’s big hit “Hey! Baby,” a #1 record in 1962, and the duo revisited that classic.

The most striking team-up came when Delbert sat down on the piano bench with

veteran keyboardist Red Young for a stirring version of “Georgia,” while members of the audience attempted to slow dance despite high waves and a rocking boat. Young was a revelation throughout the cruise.

He’s played piano for Clyde McCoy, Lloyd Price, Eric Burdon, Willie Nelson, Waylon Jennings and even Sonny and Cher, and he showed up as a sideman on stages throughout the cruise, while also leading a band that played Frank Sinatra and jazzy pop in the Spinnaker Lounge.

Delbert also joined Lari White for a song from her Green Eyed Soul album, to her obvious delight. She had opened her set by telling the audience that she would understand if they filtered out to see the Mavericks, whose set overlapped with hers. She then went on to make

Lari White and Delbert McClinton

Lari White and Delbert McClinton

sure they didn’t, Opening with “Amazing Grace” (her usual encore, she explained), a sizzling take on Steve Wonder’s “Signed, Sealed, Delivered” and guest spots with Young and others.

White’s concern about competition from the Mavericks was understandable. They played two robust sets, including songs from their upcoming album Mono, set for release on Valory Music on Feb. 17.

Bass player and longtime Maverick Robert Reynolds is no longer in the band, and the Mavericks used Sandy Beaches to introduce his successor James Intveld. Raul Malo claimed they were throwing Intveld into the mix without much rehearsal time, but it didn’t show. He’s an accomplished solo artist and a great addition to the band.

As hard as Delbert worked, Marcia Ball matched him, headlining her own three sets, hosting an all-star “Pianorama” that featured the most talented keyboardists on the cruise complementing and competing with each other, and doing guest spots in other shows, including a memorable turn with Teresa James.

Marcia Ball and Teresa James

Marcia Ball and Teresa James

Lyle Lovett was probably the biggest draw on the cruise, and packed the largest theater on the boat with acoustic sets that had fans raving.

Paul Thorn’s fans were also out in force, though he surprised many by announcing that after more than a decade on this cruise, this would be his last. He told fans to watch his website for developments, and then delivered an outstanding set that included a guest spot by his daughter on tambourine.

It’s been a few years since we’ve seen Thorn perform, and it’s clear that as his fan base has grown, so has his sound. He’s playing much bigger rooms now and his band is more powerful  and his songs more anthemic. He played a number of songs from his latest album Too Blessed to Be Stressed, including “Everybody Needs Somebody” and a wonderful version of the title song with guest vocals from the McCrary Sisters.

Another highlight from the new album was “Mediocrity is King,” the best protest song we’ve heard in years, taking to task everything and everyone who waters down our culture, and expressing special disdain for both Republicans and Democrats.

A bonus was the Paul Thorn Band’s take on Jackson Browne’s “Doctor My Eyes,” from the recent tribute album Looking Into You.

Elizabeth Cook

Elizabeth Cook

Thorn also showed up on Jason Wilber’s “In Search of A Song” radio show taping and as a flamboyantly dressed guest on Fred Eaglesmith’s mock talk show. The Sandy Beaches audience will miss him.

Elizabeth Cook battled an illness early in the week, and only made it through four songs before her voice gave out.

To our surprise, she battled back on Friday to deliver a solid set that drew heavily from her recent Gospel Plow album and her 201o release Welder, including “El Camino” and “Heroin Addict Sister” from the latter.

Whether it was the bug or the mix, her vocals were sometimes overwhelmed by her new band, but she played for almost 90 minutes.

Jill Sobule’s time on the boat was limited, but she delivered one of the most entertaining sets of the week, backed by members of Paul Thorn’s band. she opened with “If I Had a Jetpack,” followed by the defiant “I’ve Got Nothing to Prove,” immediately winning over the audience.

Jill Sobule and her instant chorus

Jill Sobule and her instant chorus

“Where is Bobbie Gentry?,” from her California Years album, was next, and Sobule said she had been told that Gentry thought the song was very funny. It was a  sweet tribute to Gentry and the sound of “Ode to Billie Joe.”

Sobule explained that she had been hired to write a song about the history of immigration in America, and enlisted more than a dozen audience members to serve as a chorus on a powerful and profane song that makes the point that virtually all of us are in the U.S. because of immigration.

Sobule closed with a sampling of fan favorites, including “Supermodel” from the Clueless soundtrack, “Bitter,” “When My Ship Comes In, “Underdog Victorious”  and “Lucy in the Gym,” with an atrium-wide sing-along on the encore of Mott the Hoople’s “All the Young Dudes.”

Of course, all of this just scratches the surface. There were more than 60 shows, with outstanding sets by Wayne Toups, the Band of Heathens, the McCrary Sisters, Jimmy Hall, Teresa James and many more.

Spooner Oldham and Glen Clark

Spooner Oldham and Glen Clark

As musically memorable as the week was, some of the smaller moments were the most memorable. When Muscle Shoals great Spooner Oldham performed his “I’m Your Puppet,” a hit for James and Bobby Purify in 1966, Glen Clark couldn’t contain himself, rushing all the way across the stage to harmonize with Oldham. We know the feeling.

(The 2016 Sandy Beaches Cruise is scheduled for January 9 through 16 on the Holland America Line. More information is available on Delbert McClinton’s site.)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Richard Thompson times 3 on Cayamo

 

Richard Thompson on Cayamo

Richard Thompson was a solo artist on Cayamo this week. And a member of a duo.  And a member of  a trio.

And it was all good.

Thompson  teamed with Loudon Wainwright for a reprise of Loud and Rich, playing a few originals, but largely covers of songs ranging from Bob Dylan to Charlie Poole.

He also played two sets with power trio bandmates Taras Prodaniuk and Michael Jerome. He described  the trio as a combination of Cream and the Kingston Trio (and alternately the Jim Hendrix Experience and Peter, Paul and Mary) and played a truncated version of “Tom Dooley” to the melody of “Sunshine of Your Love.” The Cream reference was apt. The trio reminded us just how potent guitar, bass and drums can be.

But it’s probably not a surprise that the very best Richard Thompson show was his solo acoustic set. Favorites like “I Misunderstood” and “1952 Vincent Black Lightning” were complemented by the hard-rocking “Valerie” and a fun cover of the Who’s “Legal Matter.”

Cayamo Week in Tweets

  • Celebrating Leo Kottkes’ debut album http://t.co/fvzY2lia #
  • Opening night on @Cayamo: Brady and Manning vs. Lovett and Hiatt. #
  • There are big names on @Cayamo – John Prine, Lucinda – but we’re also looking forward to some newcomers, particularly @thebellebrigade #
  • Monday on @Cayamo: @thecivilwars, @sarawatkins,@thebellebrigade, Loudon Wainwright and Richard Thompson Trio. #
  • We’ve spent a lot of time at Jammin’ Java; Luke Brindley is now with Native Run and on @Cayamo. #
  • On @Cayamo last night, Lyle Lovett said he has the room next to John Prine and has been jamming with him all week. “He doesn’t know it.” #
  • Belle Brigade dance party on @cayamo http://t.co/Z5XWKVq9 #
  • Jim Lauderdale was everywhere on @Cayamo today. He led Tai Chi, then played in Buddy Miller’s and Lucinda Williams’ bands. #
  • John Hiatt and Lyle Lovett did 3 different shows @Cayamo, all outstanding. Great music and very funny conversations. http://t.co/Q1ICrTZT #
  • The @civilwars rebound from illness on @cayamo. http://t.co/rvnRZNqD #
  • Buddy Miller dedicated his opening and closing songs last night to Ed, a passenger and Buddy fan who died just as @cayamo was leaving port. #
  • Loudon Wainwright in a rare performance of Dead Skunk tonight, says @Cayamo agreed to pay him more. #

John Prine on Cayamo

John Prine on Cayamo 2012

By Ken Paulson Four of the best minutes in a week full of great music on Cayamo came as Iris DeMent joined John Prine on “in Spite of Ourselves,” their very funny duet from the album of the same name. Prine is always a professional, and his shows with Dave Jacques and Jason Wilber are well-paced, spanning his best work of the past four decades. The three shows this week were no exception. But Prine absolutely beams when there’s a shift in the routine, and he was clearly having a good time with Iris. She stayed for “Unwed Fathers” and the finale “Paradise.” Prine has been on the Cayamo cruise before, but he hasn’t quite gotten over the sensation of singing while trying to hold onto your balance. He told the audience that if they see any performers who aren’t having a problem with their footing, “they’re drunk.” One early show finished at 7 p.m. “I haven’t been done with a show this early since I played the matinee at the Earl of Old Town,” Prine recalled.

Civil Wars rebound on Cayamo

The Civil Wars had to cancel a show due to John Paul White’s seasickness, but rebounded for a pair of shows on Tuesday. Their harmonies were pristine, despite the medical setback. The set was essentially their Barton Hollow album, plus reconstructions of  the Jackson 5’s “I Want You Back” and Michael Jackson’s “Billie Jean.”

 

The Civil Wars on Cayamo

White thanked an onboard doctor for going “above and beyond the  call” and was visibly relieved when he finished the first set after his illness. We have a hunch this may be the Civil Wars’ last Cayamo.

John Hiatt, Lyle Lovett on Cayamo

 

Lyle Lovett and John Hiatt on Cayamo 2012

Lyle Lovett and John Hiatt left their bands behind on this Cayamo trip and instead teamed up as an acoustic duo. They’re touring together this year and are obviously comfortable with each other. Lovett is the prodder, throwing out seemingly spontaneous comments and questions, and Hiatt is his wry equal.

It’s a measure of their chemistry that you leave their show thinking as much about the conversation as the music. Highlights of the first show included covers of Chuck Berry’s “Brown-Eyed Handsome Man” and Jesse Winchester’s “Brand New Tennessee Waltz.”

From there, each of their shows mixed it up, with fresh content and stories. Hiatt brought an iPad out for one show so that he could remember his songs, but instead fielded requests most of the evening, including “Angel Eyes,” which he abandoned mid-song in favor of “one I do know.”

Both talked about artists on the cruise that impress them. Hiatt said Richard Thompson makes him want to give up the guitar, and Lovett joked that his room is next to John Prine’s, and he been jamming with him all week. “He has no idea,” Lovett said.

The final show featured Sara and Sean Watkins and a stirring Lovett rendition of “Closing Time.”

Cayamo 2012: A floating music festival

By Ken Paulson

Cayamo, a  Sixthman music festival on a cruise ship, is about to launch from the Port of Miami, with a boat full of musicians and Americana music zealots.

This is a distinctly different cruise, one on which the passengers give far less thought to destinations than their seat locations at dozens of different performances.

The line-up boasts big Americana names like John Prine, Lucinda Williams, Buddy Miller, John Hiatt, Lyle Lovett and Jim Lauderdale, plus emerging talents like the Belle Brigade, Levi Lowrey and the Civil Wars.

We’ll be reporting from Cayamo this week, with reviews and photos.  Those on dry land should take note; the ship sells out in a matter of weeks each year and the cruise is full of people who have taken the trip several times before. You’ll find details at www.cayamo.com.