Tag: “Marty Stuart”

Review: Marty Stuart, John Prine and “Songs That Tell A Story”

By Ken Paulson –

Throughout his performance last night at the Country Music Hall of Fame, Marty Stuart emphasized the unique nature of the concert, saying “This is never going to happen again.”

That’s true of course, because this was the final evening of Stuart’s Artist-in-Residence series, but it would be a shame if the Country Music Hall of Fame doesn’t find a way to create a new role for him, something along the lines of Ringmaster in Chief.

Stuart brought three rings of entertainment and insight to the Hall of Fame over the past three weeks, showcasing everyone from Chris Stapleton and Emmylou Harris to go-go dancers.
He and the Hall staff masterfully put together three distinct evenings and then populated them with extraordinarily talented people.

Last night was no exception. The theme was “Songs That Tell A Story” and Stuart’s guests included John Prine, songwriter Dallas Frazier, Brandy Clark and Doug Kershaw.

Among the highlights:

Dale Jett (Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)

Stuart’s first guest was Dale Jett, the grandson of A.P. and Sara Carter of the Carter Family. Jett’s back-to-basics performance was a revelation, particularly welcome in a week in which America is caught up in the history of Country Music via Ken Burns’ documentary. Jett did one of his own songs about compassion, pulled out a rarely heard A.P. Carter song about a cyclone killing children at a local school and then joined Stuart for a robust “Sunny Side of Life.”

Stuart and the Superlatives performed a breathtaking rendition of Marty Robbin’s “El Paso,” a song the band worked up for Grady Martin’s (he played guitar on the record) induction into the Country Music Hall of Fame. Great harmonies and guitar work throughout.

Dallas Frazier
Dallas Frazier and Marty Stuart(Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)

  • Legendary songwriter Dallas Frazier delivered his classic “There Goes My Everything” in fine voice. He explained that the song was inspired by Ferlin Husky’s divorce. Husky had the publishing rights on the song, so his pain was eased a bit when it became a hit, Frazier noted.
Brandy Clark(Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)
  • In a night filled with music veterans, Brandy Clark was the newcomer and more than held her own. She told of seeing John Prine at the Americana Music Honors event at the Ryman a few years back, and how after he received an extended ovation, Prine said he wished he was “who you thought I was.” That led to Brandy’s song of the same name and a soaring, resonant performance.
John Prine (Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)
  • Prine received another warm welcome last night, with many audience members aware of this recent medical setback and grateful for his return to the stage. After his opening song “Egg and Daughter Night,” the always gracious Stuart complimented Prine’s guitar-playing. Prine, not known for his guitar work, seemed taken aback and said “I’ll show you if you have five seconds.”

Review: The Trishas’ “High Wide & Handsome”

By Ken Paulson

–The Trishas’new album is called High, Wide & Handsome, but could easily have been sub-titled (And deep in talent.)

That applies to the young women comprising the quarter – Savannah Welch, Liz Foster, Kelley Mickwee and Jamie Wilson – as well as a remarkable array of talented collaborators.

The Trishas boast tight harmonies and a fresh sound, abetted by a band that includes Harry Stinson and Kenny Vaughan from Marty Stuart’s Fabulous Superlatives, Tammy Rogers, Viktor Krauss and Russ Pahl.

The album has 14 songs and doesn’t repeat a single songwriting combination. That means co-writes with Susannah’s dad Kevin Welch, Natalie Hemby, John Eddie, Stephen Simmons, Owen Temple, Evan Felker, Jason Eady and more. Purchasers of the CD also get a download of “A Far Cry From You,” a song written with Jim Lauderdale that features a guest vocal by Raul Malo. This is not the stuff of most band album debuts.

There are inevitable comparisons to the Dixie Chicks, but you’ll find more more roots and bluegrass in the Trishas’ sound. Highlights include “Mother of Invention, “Strangers” and “Over Forgiving You.”

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Charting: Alabama Shakes, Nanci Griffith, Jason Eady

The Alabama Shakes jump into the Americana Music Association airplay chart at #14 this week with Boys and Girls.

Other chart debuts: Nanci Griffith’s Intersection at #34, Jason Eady’s AM Country Heaven at #36, Hank Williams III’s Long Gone Daddy at #37 and Madison Violet’s The Good in Goodbye at #39.

Most added this week: Paul Thorn’s What The Hell Is Goin On? Marty Stuart and His Fabulous Superlatives’ Nashville, Volume 1: Tear The Woodpile Down and Todd Snider’s Time As We Know It.

Americana music news: Follow us on Facebook and Twitter at @sun209com.

Kenny Vaughan on “V”

Kenny Vaughan on "Outlaw Country"

Kenny Vaughan, guitarist for Marty Stuart’s Fabulous Superlatives, had a nice run on the Americana music radio chart with V, his solo debut. He says Stuart encouraged him to record the album so he would have something to sell at shows. In this interview backstage at the very noisy Mercy Lounge in Nashville, Vaughan talks about how he put the album together and what a pleasure it is to work with Stuart:

Review: The 1861 Project

You can’t put “The 1861 Project” on shuffle.
This ambitious, engaging and yes, educational project chronicles the Civil War through the perspectives of those who fought it.
The stirring John Anderson performance on “The Turning of a Field” foreshadows the events of the next four years, culiminating in the surrender at Appomattox and the soldiers’ return home.
There are inherent challenges in a project that tries to recapture the emotions and spirit of an era long gone. The music has to be contemporary (the hit songs of the 1860s don’t wear very well) and yet sound like they’re of a kind with the time. Producer Thomm Jutz and a talented group of writers, including Peter Cronin, Charley Stefl, Jon Weisberger, Stan Webb, Irene Kelley and
Dana Cooper accomplish that nicely.
The second challenge is to tell the story of the Civil War in some detail, yet not let it overwhelm the music. Case in point, these lyrics from Jutz and Cooper’s “Greater Gentlemen”: “Grant let them keep their horses/he ordered there’ll be no cheers/ these soldiers are our countrymen, though we’ve fought them for four long years.”
That’s a mouthful, but somehow it works.
A highlight of “The 1861 Project” is Marty Stuart’s performance on “The Soldier’s Dream,’ but there are fine players throughout the album.
Granted, there’s a certain threshold to enjoying this album. If you don’t care at all about the Civil War, this is a tough sell. But for buffs, Americana music fans looking for something a little different and teachers everywhere,”The 1861 Project” offers an appealing mix of history and artistry.

Charlie Louvin’s final TV appearance

The Marty Stuart Show on RFD is always a hoot, a throwback to early country music television. Stuart and the Fabulous Superlatives are terrific players and they have a wonderful time.
The show that aired this week, though, was truly something special. It began goofily enough, with the theme from Bonanaza, complete with lyrics. But then Stuart introduced the legendary Charlie Louvin to perform the first of two songs. The show was taped on Dec. 2, 2010 and Louvin died 55 days later. His final song on the show was Tom T. Hall’s “Back When We Were Young.” It’s a powerful moment, and a joy to see Stuart’s obvious love and respect for the veteran performer.