Tag: Lori McKenna

A brilliant showcase from Lori McKenna and Brandy Clark

 in Reviews, Songwriters


By Paul T. Mueller –

There’s a belief in some quarters that everything coming out of Nashville these days is formulaic dross, but Lori McKenna and Brandy Clark put that idea to rest in their Sept. 28 co-headlining appearance at Houston’s Heights Theater. The 90-minute show, the first on an 11-date tour, amounted to a two-person guitar pull that drew heavily from the singer-songwriters’ recent releases. Taking turns performing their finely crafted songs, McKenna and Clark rewarded the capacity crowd with a brilliant showcase for their writing, singing and playing, with some bonus comedy thrown in.

Brandy Clark and Lori McKenna (Photo by Paul T. Mueller)

McKenna, who lives near Boston but spends time writing in Nashville, is a master at capturing the nuances of human emotions and experience. She performed several songs from her new album 1988, including “Happy Children,” “The Old Woman in Me” and “Town in Your Heart.” There were older favorites as well – “People Get Old,” a wistful but clear-eyed look at aging; the rueful “All the Time I Wasted on You,” and the sad and haunting “Halfway Home” – the last performed, she said, at the request of one of her Texas fans.

Clark featured songs from her self-titled fourth album, produced by Brandi Carlile and released earlier this year. She paid heartfelt tribute to a beloved grandmother with “She Smoked in the House,” while “Northwest” was a love song to her home state of Washington. One of the biggest moments came near the show’s end, with “Dear Insecurity,” recently featured as a duet with Carlile during the Americana Music Association’s annual awards show. Clark’s fine older material included the regretful “Who You Thought I Was” and “Pawn Shop,” a ballad about broken dreams, both from 2020’s Your Life Is a Record.

The ”encore” consisted of one song each from McKenna and Clark, each of which became a hit for a more mainstream Nashville artist. The two alternated verses on “Girl Crush,” written by McKenna, Hillary Lindsey and Liz Rose, and recorded by Little Big Town. Clark closed the show with a rousing rendition of “Mama’s Broken Heart,” a co-write with Shane McAnally and Kacey Musgraves that found success with Miranda Lambert.

McKenna and Clark got excellent support from guitarist Cy Winstanley and bassist Vanessa McGowan, transplanted New Zealanders who also perform as Tattletale Saints. Louisiana native turned Nashvillian Brandon Ratcliff opened the show with a six-song solo set that featured his strong songs, excellent guitar and vocal skills and engaging stage presence.

12 special moments at John Prine’s inaugural “All the Best” Festival

 in Festivals, Reviews

By Ken Paulson –

John Prine’s music – and life – have always been marked by courage, compassion and integrity.

Now imagine a music festival just like that.

All the Best, a Prine-curated Sixthman festival in the Dominican Republic, wrapped up tonight after four days of inspired and inspiring music from some of the top songwriters in the world, including Prine, Lucinda Williams, Steve Earle, Gretchen Peters, Lori McKenna and Brandi Carlile.

More important, the performers at this festival were hellraisers and truth tellers, just like their host. When you write a line like “Jesus Christ died for nothing, I suppose,” you don’t invite the meek to your festival.

Kentucky songwriter Kelsey Waldon said it was a treat to perform where “people care so much about the lyrics . . . awesome.”

John Prine and Emmylou Harris at the All The Best Festival
Emmylou Harris and John Prine at the All The Best Festival

12 special moments:

  • The day after the Country Music Awards featured “Independence Day, Gretchen Peters proudly performed her indelible anthem, smiling broadly and exultantly declaring “My words came out of Dolly Parton’s mouth!”
  • Throughout the festival, artists covered Prine’s songs to often stirring effect. Perhaps the most moving, though, were Emmylou Harris and Ruby Amanfu’s respective takes on “Angel From Montgomery.” Prine noted that when artists perform the song, they always base it on Bonnie Raitt’s version instead of his.
  • Much like Prine, Paul Thorn is always wildly entertaining, but then he’ll draw you up short with a song that makes you look at something in a fresh way. “You Might Be Wrong” couldn’t have been more timely.
  • Given the line-up, the festival was full of songs that reflect the news. Todd Snider joked that surveys indicate that only 50 percent of the audience should like his topical songs, while Steve Earle’s “City of Immigrants” received a rousing response.
  • In the spirit of the festival, Iris Dement and John Prine performed what appeared to be a thoroughly unrehearsed version of the spouse-swapping tune “Let’s Invite Them Over Tonight.” The real lyrics showed up about 30 seconds in. Pure fun.
  • Nitty Gritty Dirt Band – The Dirt Band was a late addition to the line-up, and happily so. It’s hard to imagine a more joyous band than these guys, and that’s been the case for a half-century.  Sometimes you want self-reflection . Sometimes you want to dance. The Dirt Band has been around for more than a half-century, but remain as vibrant as ever.
Jimmie Fadden and Jeff Hanna of the Nitty Gritty Dirt Band at the All the Best Festival
Jimmie Fadden and Jeff Hanna of the Nitty Gritty Dirt Band at the All the Best Festival
  • Keith Sykes performed “You Got Gold,” a number of times during the festival, but added the inside story during a guitar pull at the Breathless Plaza.  He and Prine felt so good about the song they had written that they were “overserved” and ended the night being “picked up by two women” – Memphis police officers – who promptly took them to jail.
  • Tyler Childers’ swift career ascent has been amazing, and he played two crowd-pleasing sets, but the real treat was seeing him cover fellow Kentuckian Prine’s “Yes, I Guess They Oughta Name A Song After You” and “Please Don’t Bury Me
  • Lori McKenna unveiled a brand new song “In it for Love.”  “I’ve only heard it twice myself, she said. She played the near-anthemic song in back-to-back sets and the audience roared.  Sometime, somewhere and in the hands of someone to be determined, “In It For Love” is going to be a hit.
  • Nathaniel Rateliff and the Night Sweats played a raucous set on the final night and then Rateliff returned to the stage for a closing segment of Prine songs. Wiping away tears, Rateliff sang “Summer’s End” and was then joined by Prine for a touching “Sam Stone.”
  • Brandi Carlile was fresh off the Country Music Awards, where she had performed with her new group the Highwomen. Her All the Best  set was high energy and compelling, but two solo turns stuck out: Her rendition of the yodel-intensive “Lovesick Blues” and “Highwomen,” the gender-revised version of Jimmy Webb’s classic “Highwayman.”
The finale of John Prine's All the Best festival
The finale of John Prine’s All the Best festival

There was much more, including fine sets by Emmylou Harris and the Red Dirt Boys, Courtney Marie Andrews, Jason Wilber, Lucinda Williams, Rita Wilson, Senora May, Ruston Kelly, Kristi Rose and Fats Kaplin.

  • But everything was eclipsed by John Prine’s revisiting his very first album, playing the LP in order, start to finish. This was the astounding debut album that gave us “Sam Stone,” “Angel From Montgomery,” “Paradise,” “Donald and Lydia” and “Hello in There, ” and signaled the emergence of an extraordinary new talent. Prine noted that the album didn’t chart or win any awards, but that it was eventually inducted into the Grammys Hall of Fame along with Neil Young’s Harvest and Bob Dylan’s Blood on the Tracks. “I’ll take that,” Prine said.

Prine later joked that it took 40 minutes to play the album and another hour for him to talk about the songs. Of course, that’s what made it so special:  A great American songwriter standing steps from the ocean, exploring his groundbreaking first recording under a full moon. Now that’s Paradise.