Tag: Garth Brooks

Jerry Lee Lewis, Keith Whitley and Joe Galante enter the Country Music Hall of Fame

By Ken Paulson

It would be difficult to imagine a more unlikely group of inductees into the Country Music Hall of Fame than the class of 2022, honored Sunday night in the hall’s annual Medallion ceremony.

One had his career disappear after marrying a 13-year-old girl, who also happened to be a relative. Another’s life was cut short by alcoholism, just two albums into his career. The third was a New York label executive who reluctantly moved to Nashville to work with country artists.

Yet Jerry Lee Lewis, Keith Whitley and Joe Galante all made the kind of impact that leads to country music’s greatest honor.

Jerry Lee Lewis

Lewis, already a member of the Rock ‘n’ Roll Hall of Fame, was unable to attend the Country Music Hall of Fame induction due to frail health, but both the vibrancy and diversity of his music came through loud and clear.

 Chris Isaak, accompanied by Jen Gunderman on piano, rocked the room with his take on “Great Balls of Fire.” The McCrary Sisters gamely (and movingly) performed a Lewis arrangement of “My God is Real” that reportedly got him kicked out of a Bible school. Lee Ann Womack drew on Lewis’ post-scandal country career with an outstanding version of “Middle-Age Crazy.”

Chris Isaak performs
Chris Isaak , with Jen Gunderman on piano (Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)

Before his performance, Isaak recalled a Lewis show he saw during the punk era. A group of young men with plenty of attitude pushed their way to the front of the stage just before Lewis’ performance. When Lewis came out, he headed right to the group, staring at them for 90 seconds, before they stepped back.

“The punks just wilted,” Isaak laughed. 

The induction was done by Hank Williams Jr., who reminisced about Jerry Lee teaching the young Bocephus a few things about playing rock ‘n’ roll piano,

“Imagine how you’d feel if Jerry Lee asked you to share his piano bench while he played,” Williams recalled.  Jerry Lee told me that my father was one of his heroes and if he couldn’t meet his hero, he would meet his hero’s son and teach him how to boogie woogie.”

In his remarks, Williams described the free-spirited Lewis’ most admirable traits, a number of which he found “familiar.”

“Jerry Lee doesn’t walk on stage and politely thank an audience for being there,” Williams said. “Jerry Lee doesn’t ask for your attention. He demands it.”

Williams was joined by the now-retired Kris Kristofferson in unveiling Lewis’ plaque. Politically, the two men are on different planets, but have long shared an admiration for Lewis.

Induction of Jerry Lee Lewis
Kris Kristofferson, Hank Williams Jr. and CEO of the Country Music Hall of Fame and Museum Kyle Young (Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)

Keith Whitley

Keith Whitley had a brief, but influential career, with just an EP and two albums released during his lifetime. He began as a teen bluegrass player in tandem with a young Ricky Skaggs. Both joined the legendary Ralph Stanley’s band before moving on to solo careers.  

It’s a measure of Whitley’s talent that he’s been named to the Hall of Fame despite a recording career that spanned just 4 years before his death in 1989. A number of his biggest hits were posthumous.

Whitley had fans in high places, including Garth Brooks, who called him “one of the greatest voices ever to grace country music.”

Brooks recalled that an early knock on Whitley from country radio programmers was that he was ‘too country.’

“That’s like saying that something’s too good,” Brooks said shortly before performing Whitley’s “Don’t Close Your Eyes.”

Also on hand to celebrate Whitley were Mickey Guyton, who performed “When You Say Nothing At All,” and a trio consisting of Ricky  Skaggs, Molly Tuttle and Justin Moses doing a rendition of “Tennessee Blues.”

Mickey Guyton (Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)

Joe Galante

Joe Galante was recognized for his work helping build the careers of Whitley, Martina McBride, Brad Paisley, Clint Black, Brooks and Dunn, Alabama, Miranda Lambert and Kenny Chesney, with the latter three honoring him Sunday night with performances.

Joe Galante (Photo by Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum)

Alabama sang “My Home’s In Alabama,” Lambert performed her breakthrough hit “White Liar,” and Chesney performed “The Good Stuff.”

Kix Brooks presented the award and recalled that he and Ronnie Dunn had concluded that their run as Brooks and Dunn was probably over after an album had lackluster sales. Then Galante told them he wanted to work with them, opening the door for another decade of hits. He was “Joe Frickin’ Galante,” he said of the duo’s decision to continue recording.

Schuyler, Shamblin, Bettis, Brooks and Jackson to enter Nashville Songwriters’ Hall of Fame

The Nashville Songwriters Hall of Fame Foundation announced today that Garth Brooks, Alan Jackson, John Bettis, Tom Schuyler (pictured) and Allen Shamblin are its newest inductees.
(Full disclosure: Sun209: Americana Music Journal editor Ken Paulson is on the hall’s board and cast a ballot for nominees.)
The hall’s press release:

The five new inductees will be welcomed into the elite songwriting community by their peers at the41st Anniversary Nashville Songwriters Hall of Fame Dinner & Induction Ceremony, presented by AT&T, on Sunday, October 16th at the Renaissance Nashville Hotel.
“These five very talented individuals are among an era of powerhouse writers and artists who propelled country music to unparalleled heights beginning in the late 1980s and early 1990s, and also made substantial contributions to popular and rock music,” said John Van Mol, chairman of NaSHOF. “We look forward to a fantastic evening of recognition for our inductees, and great entertainment for all who attend.”
Van Mol said the NaSHOF board of directors decided to increase the number of inductees this year to five from the traditional three, as has been done in some years in the past. “Songwriters and songwriter/artists with ties to Nashville have made our city the songwriting capital of the world,” Van Mol said. “This year’s inductees have greatly enhanced that reputation and are richly deserving of Nashville Songwriters Hall of Fame honors.”
Bettis’ songwriter credits include Pop/Country crossover hits such as “Top Of The World” (The Carpenters, Lynn Anderson) and “Slow Hand” (The Pointer Sisters, Conway Twitty). Schuyler’s resume is known for hits such as “Love Will Turn You Around” (Kenny Rogers) and “A Long Line Of Love” (Michael Martin Murphey). Shamblin is the tunesmith behind “I Can’t Make You Love Me” (Bonnie Raitt) and “The House That Built Me” (Miranda Lambert). Brooks popularized many of his own compositions such as “The Thunder Rolls” and “The River.” Jackson created hits from many of his self-penned songs such as “Chattahoochee” and “Where Were You (When The World Stopped Turning).”

The Nashville Songwriters Hall of Fame Dinner & Induction Ceremony is one of the music industry’s foremost events of the year. The evening features tributes and performances of the inductees’ songs by special guest artists. NaSHOF’s sister organization, the Nashville Songwriters Association International (NSAI), also presents its annual awards for the year’s best Song, Songwriter and Songwriter/Artist, as well as the Top 10 “Songs I Wish I Had Written,” as determined by the professional songwriters division.

A 2011 inductee into the Songwriters Hall of Fame in New York,John Bettis is the only songwriter of his generation who has repeatedly topped the Pop, Country, R&B and Adult Contemporary charts. His biggest Country hits include “Heartland” (George Strait), “Only One Love In My Life” (Ronnie Milsap) and “One Of A Kind Pair Of Fools” (Barbara Mandrell). His successes on the Pop hit parade include “One Moment In Time” (Whitney Houston), “Human Nature” (Michael Jackson) and “Crazy For You” (Madonna). “Top Of The World” topped both charts (Lynn Anderson, The Carpenters), as did his Nashville-written “Slow Hand” (The Pointer Sisters, Conway Twitty), while The Carpenters’ “I Need To Be In L ove” and “Yesterday Once More” topped the AC charts. The California native has been co-writing in Nashville since 1971 and has been a full-time resident since 1996.

Certified by the RIAA as the #1 selling solo artist in US history,Garth Brooks has sold more than 128 million albums and is the only solo artist in RIAA history to have six albums top the 10 million mark. His most recent release The Ultimate Hits has been certified 5x platinum. His body of work includes groundbreaking albums No Fences, Ropin’ The Wind, The Hits and Double Live – all of which helped propel country music as a genre to the front pages of newspapers and magazines worldwide. Since breaking onto the charts in 1989, Brooks has covered a variety of styles, including working class blues, honky tonk, bluegrass and arena rock. As a songwriter his credits include“If Tomorrow Never Comes,” “The Thunder Rolls,” “Unanswered Prayers” and“We Shall Be Free,” to name a few. Brooks has received every accolade the recording industry can bestow on an artist, inclu ding two Grammys®, 17 American Music Awards, 11 Country Music Association Awards, 18 Academy of Country Music Awards, five World Music Awards, 12 People’s Choice Awards, and 36 Billboard Music Awards. He was named Artist of the ‘90s at the 1997 Blockbuster Entertainment Awards, received the Artist Achievement Award at the 1997 Billboard Music Awards, was named Artist of the Decade at the American Music Awards in 2000 and the Academy of Country Music Awards in 1999. In 2001, in the midst of one of the most successful careers in music history, Brooks retired and moved back to Oklahoma to raise his children. In 2008, Brooks headlined President Obama’s Inaugural Celebration at the Lincoln Memorial. In 2009, Brooks emerged out of retirement and entered a five-year performing relationship with Las Vegas resort developer, Steve Wynn. He recently finished an astonishing nine concerts to raise $5 million for the flood relief efforts in Nashville, Tennessee.

Alan Jackson’s songs are distinguished by straightforward, honest and back-to-basics Country sincerity. He has written or co-written 24 #1 songs for himself, including “Remember When,” “Good Time,” “Drive (For Daddy Gene),” “Don’t Rock The Jukebox,” “Where I Come From” and the career highlights “Chattahoochee” and “Where Were You (When The World Stopped Turning).” “Chattahoochee” won a CMA Song of the Year award. “Where Were You (When the World Stopped Turning)” won Song of the Year honors from the CMA, the ACM and the Grammys. He was ASCAP’s Country Songwriter of the Year in 1993, 1994 and 1998; Jackson was ASCAP’s Country Songwriter/Artist of the Year in 2002, 2003, 2008 and 2009; and in 2010 he was honored with the prestigious ASCAP Founders Award. Jack son was NSAI’s Songwriter/Artist of the Year in 1991, 1992, 2002, 2007 and 2008. In addition, he has penned or co-written hits for other artists, notably the #1 songs “A Better Class Of Losers” (Randy Travis) and “If I Could Make A Living” (Clay Walker). The Georgia native is a three-time CMA Entertainer of the Year and a member of the Grand Ole Opry – in fact, he’s one of the most-honored singer-songwriters of the last 20 years, with a total of two Grammys, 16 CMA Awards and 17 ACM Awards to his credit. Jackson’s songs span 13 studio albums, three hits collections, two holiday albums and a critically-acclaimed gospel album with combined global sales of nearly 60-million. He was inducted into the Georgia Music Hall of Fame in 2001. One of country music’s most-prolific songwriters, Jackson’s latest hit is “Long Way to Go,” the first singl e from his forthcoming debut album on EMI Records Nashville and his own ACR (Alan’s Country Records) venture. Recent credits also include “You’d Be Lonesome, Too,” from the new Lost Notebooks of Hank Williams project, spearheaded by Bob Dylan. Jackson completed the song based on original unfinished lyrics by the legend.

During his Nashville career, Bethlehem, PA native Thom Schuyler has worn many hats — A&R executive at RCA; recording artist for Capitol Records (solo) and for MTM Records (as a member of the trios S-K-O [Schuyler, Knobloch & Overstreet] and S-K-B [Schuyler, Knobloch & Bickhardt]) and songwriting instructor at Belmont University. Additionally, he is often credited as a founder of Nashville’s popular “in the round” style of songwriter showcases. After moving to Music City in 1978, Thom was signed to Eddie Rabbitt’s publishing company. In 1982, Thom’s “Love Will Turn You Around” (Kenny Rogers) was named ASCAP Country Song of the Year. Other songwriting credits include “I Don’t Know Where To Start” (Eddie Rabbitt), “A Long Line Of Love” (Michael Martin Murphey), “My Old Yello w Car” (Dan Seals), “I Fell In Love Again Last Night” (The Forester Sisters), “Years After You” (John Conlee) and “Love Out Loud” (Earl Thomas Conley). His “Point of Light” (Randy Travis) was the theme song for President George H.W. Bush’s volunteerism campaign. “16th Avenue” (Lacy J. Dalton) is the unofficial anthem of Music Row’s songwriting community.

Allen Shamblin was born in Tennessee but raised near Houston, Texas. He moved to Music City in 1987. He is noted for heartfelt sentimentality in such hit titles as “He Walked On Water” (Randy Travis), “In This Life” (Collin Raye) and “Life’s A Dance” (John Michael Montgomery), as well as hits such as “Thinkin’ Problem” (David Ball), “Walk On Faith” (Mike Reid) and “We Were In Love” (Toby Keith). His co-written “Don’t Laugh At Me” (Mark Wills) won NSAI’s 1998 Song of the Year. Among his Contemporary Christian cuts is the Dove-Award winner “It’s In God’s Hands Now” (Anointed). His biggest successes have come with Bonnie Raitt’s Grammy-nominated Pop renditi on of “I Can’t Make You Love Me” and “The House That Built Me” (Miranda Lambert), which was named 2010 Song of the Year by NSAI, the ACM and the CMA.