Tag: Elizabeth Cook

Outlaw Country West cruise: A wide net of rocking, raucous music

By Paul T. Mueller

Despite its name, the inaugural Outlaw Country West music cruise wasn’t just about country music. Producers Sixthman and Renegade Circus cast a wider net, including a couple of Southern California punk bands as well as several purveyors of West Coast country and rock. The floating festival departed Los Angeles on November 3 aboard the Norwegian Jewel, making stops at the Mexican ports of Cabo San Lucas and Ensenada before returning to Los Angeles on November 8.

X and Social Distortion, longtime mainstays of the Southern California punk scene, brought rock ‘n’ roll energy and attitude to the festival, an offshoot of the well-established and mostly Miami-based Outlaw Country Cruise. Artists offering a purer country sound included Jim Lauderdale, Wade Sapp, James Intveld, Deke Dickerson and Elizabeth Cook. Also featured were East LA roots music icons Los Lobos, cowpunk pioneer Dave Alvin, bluesy folksinger Lucinda Williams, rockabilly guitar-slinger Rosie Flores and Texas iconoclast Terry Allen, among many others.

Lucinda Williams (Photo by Paul T. Mueller)

Some highlights from the packed schedule of nearly 60 shows and numerous other activities:

Los Lobos got things off to a rocking start with a first-day sailaway show on the pool deck that featured hits such as “Don’t Worry Baby,” “Will the Wolf Survive?” and “Kiko and the Lavender Moon.” The band also threw in some excellent covers, including a joyous rendition of “Not Fade Away” and the Grateful Dead’s “Bertha” to close the show.

Terry Allen brought his offbeat West Texas style to the Jewel’s Stardust Theater the first evening. Allen has long been a favorite in his home state, and his sets, supported by the brilliant Panhandle Mystery Band, won him a slew of new fans. High points included some Allen originals possibly better known from being covered by others – “Amarillo Highway” (Robert Earl Keen), “New Delhi Freight Train” (Little Feat) and “Gimme a Ride to Heaven” (The Flatlanders).

Also impressive were less-familiar songs such as “Death of the Last Stripper,” “All These Blues Go Walking By” (featuring powerful vocals by Shannon McNally), and “City of the Vampires,” which Allen said was based on suggestions from his 9-year-old grandson. Later in the cruise, veteran singer-songwriter and activist Steve Earle interviewed Allen for his SiriusXM radio show, giving Allen a venue for fascinating and often funny stories about growing up in Lubbock and working with artists such as Guy Clark and David Byrne.

Terry Allen (photo by Paul T. Mueller)

Lucinda Williams, continuing her strong comeback from the stroke she suffered about two years ago, played a powerful first-night set in the Stardust with her excellent band, Buick 6. She drew from her extensive catalog with older songs such as “Right in Time,” “Lake Charles” and “Those Three Days,” and newer tracks such as “Big Black Train” and Memphis Minnie’s “You Can’t Rule Me,” which she dedicated to the U.S. Supreme Court. Williams hasn’t yet regained her ability to play guitar onstage, but her voice sounded better than it has in a while, despite some occasional glitches (“Dammit! Son of a biscuit baker!” she said at one point while reaching for her throat spray). One couldn’t help but be moved by the care and support shown by her band members – guitarist Stuart Mathis, bassist David Sutton and drummer Butch Norton.

Exene Cervenka and John Doe of X (Photo by Paul T. Mueller)

Dave Alvin and his band, The Guilty Ones, packed the Stardust for a Friday show featuring Alvin’s sometimes dark songs about the California experience. Alvin, in remarkable form after some recent health issues, led his excellent outfit through “The King of California,” “Ashgrove” and “Dry River,” among others. Jimmie Dale Gilmore, who’s been touring and recording with Alvin in recent years, was scheduled for the cruise, but he came down with Covid-19 and was unable to participate. His son Colin Gilmore, a fine singer-songwriter in his own right, filled in for him, joining Alvin for “Billy the Kid and Geronimo” and his father’s “Dallas.” Also making guest appearances were two members of Los Lobos, guitarist/singer David Hidalgo and saxophonist/keyboardist Steve Berlin.

A wide range of artists converged on the Stardust for a Sunday evening tribute to California native Merle Haggard. The setlist included Jim Lauderdale with “I’m a Lonesome Fugitive,” Shannon McNally with “Mama Tried,” John Doe of X with “Silver Wings,” Terry Allen with “Okie from Muscogee,” Rosie Flores with “My Own Kind of Hat,” Dave Alvin with “Kern River,” and Norm Hamlet, longtime steel guitarist with Haggard’s band, The Strangers, with “Today I Started Loving You Again.” Everyone returned to the stage for the big finale, “Sing Me Back Home.”

Southern California punk rockers Social Distortion brought their high-energy, high-volume songs of anger and pain to a Monday pool deck show as the Jewel departed Ensenada, Mexico. Founder and lead singer Mike Ness rather sheepishly owned up to enjoying the clearly non-punk experience of cruise ship life before launching into powerful renditions of “I Wasn’t Born to Follow,” “Sick Boys” and “Ball and Chain,” among others. Longtime Social D guitarist Jonny Two Bags was absent, reportedly because of an injury, but Josh Jove (Eagles of Death Metal) filled in capably.

A Monday evening guitar pull in the Stardust drew a large crowd for a song swap featuring Steve Earle, Lucinda Williams (with Stuart Mathis handling the guitar work), Charlie Sexton (filling in for Jimmie Dale Gilmore), and Dave Alvin. The show featured some excellent performances — Sexton honoring Gilmore with a rendition of the latter’s “Treat Me Like a Saturday Night,” Alvin’s moving take on Tom Russell’s “Blue Wing,” Williams’ wistful “Passionate Kisses.” Other high points included Alvin’s funny story about once having had to follow the legendary Barrett Strong in a songwriter round, and Sexton’s amazement at being chided for talking too much by none other than the notoriously loquacious Steve Earle.

All of this hardly scratches the surface, of course. The festival’s big lineup and short duration made it pretty much impossible to see every artist, let alone every show. But by all accounts, there were fine performances by Steve Earle, Elizabeth Cook, Chuck Prophet & the Mission Express, Big Sandy & His Flyrite Boys, Deke Dickerson & the Whippersnappers, Rosie Flores, Lillie Mae, Jim Lauderdale, the Slim Jim Phantom Trio, the Beat Farmers, the Long Ryders, Charlie Overbey, Jo Harvey Allen, Mojo Nixon & the Toad Liquors, Andrew Leahey & the Homestead, Jade Jackson, James Intveld, Norm Hamlet & Mario Carboni, Wade Sapp and Roger Alan Wade & Honky Tonk CIA. There was also a previously unannounced appearance by guitarist Wayne Kramer of the Detroit-based band MC5, who sat in with Lucinda Williams, Rosie Flores and the Long Ryders, among others.

Americana One #34: A conversation with Elizabeth Cook and Carlene Carter

Describing Elizabeth Cook and Carlene Carter as kindred spirits doesn’t begin to cover it. We were about 10 minutes into our conversation with Elizabeth when Carlene dropped by. What followed was a highly entertaining, engaging and candid conversation about both women’s lives and careers – and how the two first connected.

Cayamo finale: Elizabeth Cook, David Bromberg

By Paul T. Mueller

Friday, Jan. 23 found the Norwegian Pearl in the home stretch of its return to Miami. The end of the Cayamo music cruise 2015 was just around the corner, but the day’s full schedule of music was an effective antidote to any possibility of negative thoughts. Who has time to mope when there are shows to get to?

Elizabeth Cook

Elizabeth Cook

Elizabeth Cook’s 12:30 set on the pool deck was a lively mix of the spiritual and the secular. The former was represented by several songs from her 2012 EP Gospel Plow, including the title track, “Hear Jerusalem Calling” and “Jesus.” The latter included “It Takes Balls to Be a Woman,” “El Camino,” “Goin’ Down” (with a vocal assist from Todd Snider) and “Methadone Blues.” Cook cut a fashionable figure in her hipster/hippie garb, while Snider went casual as always in cut-off jeans and a white undershirt, topped off with a jaunty nautical cap.

Amy Speace’s final show in the Spinnaker Lounge featured several songs from her new CD That Kind of Girl – the spiritually themed “Three Days,” the lonely love song “In Chicago,” the sad breakup song “Raincoat” (“You were my raincoat/Now you’re the rain”), a post-breakup song (“Epilogue (I Don’t Know How To Stop Loving You),” and the title track, a rueful reflection on the stories we tell ourselves. Backed by Tim Easton on guitar and Megan Palmer on fiddle, Speace also played a few older favorites, including “The Killer in Me” (with a guest appearance by guitarist Stuart Mathis), “Hunter Moon,” “In Salida,” “The Sea and the Shore” and “Vertigo.” There was also a nice rendition of “The Fortunate Ones,” which Speace dedicated to the audience.

David Bromberg

David Bromberg

David Bromberg’s final set, in the Stardust Theater at 3:00, was a varied show that included some solo work, some full-band efforts, and a couple of tunes by band members. From the opener – blues standard “Nobody’s Fault but Mine” – Bromberg moved on to a long rendition of his comic breakup songs “I’ll Take You Back.” Things got a little more serious with “The Fields Have Turned Brown” and a twangy rendition of “Last Date,” but slid back into comedy with “The Holdup,” a crime-caper tale co-written with George Harrison. Bromberg accompanied “Kaatskill Serenade,” on the surface a retelling of the Rip Van Winkle story, with an explanation of how the song is also about alienation, both personal and in a wider sense. Guitarist Mark Cosgrove took the spotlight with a skillfully flat-picked “Alabama Jubilee,” followed by some fiddle tunes featuring himself and Bromberg on guitar, accompanying fiddler Nate Grower. Bromberg closed the set with “Bring It On Home,” including a long discourse on the nature of true love and how he lost it and found it again, and returned for a full-band acoustic encore of “Roll On, John,” featuring Cosgrove’s fine mandolin playing.

Other Friday performers included Lisa Mills, winner of the open mic competition for songwriters, playing in the Pearl’s open-air Great Outdoors venue (backed by Richard Thompson’s rhythm section, bassist Taras Prodaniuk and drummer Michael Jerome); Kristy Lee and Dirt Road Revival, bringing the rock and soul to the pool deck with help from Shawn Mullins, and The Lone Bellow, getting assists from John Fullbright and Brandi Carlile in the Stardust.

Shawn Colvin and Lucinda Williams

Shawn Colvin and Lucinda Williams

Shawn Colvin’s 8:00 Stardust show consisted largely of songs by her large cast of guests, to whom she lent her fine voice and acoustic guitar, as well as Steuart Smith’s electric guitar. The set included Rodney Crowell performing his “The Rock of My Soul”; Jim Lauderdale’s rendition of Gram Parsons’ “Sin City”; Brandi Carlile helping out on “Calling All Angels” and the Traveling Wilburys’ “Handle with Care”; Buddy Miller doing “Let It Be Me” (made popular by the Everly Brothers) and “Poison Love”; Lucinda Williams singing Parsons’ “Hickory Wind”; Richard Thompson with his “A Heart Needs a Home” and a cover of the Animals’ “We’ve Gotta Get Out of This Place”; the Louvin Brothers’ “My Baby’s Gone,” featuring Luke Bulla, and Colvin with her “Diamond in the Rough,” getting assistance from Keith Sewell.

Michelle Malone kept the energy level high on the pool deck with a mostly electric set at 10:30. Highlights included “Weed & Wine,” a lament for lost youth; “Chicken Lickin’ Boogie,” featuring Jimmy Galloway on guitar; a vigorous rendition of “Preacher’s Daughter” that included an extended acoustic guitar workout by Malone, and “Feather in a Hurricane,” with help from Kristy Lee and the Black Lillies’ Cruz Contreras.

Rodney Crowell’s 11:30 Spinnaker set was a loose and joyous affair featuring a crowd on the stage and a bigger one in front of it. It was standing room only as Crowell and a plethora of guests – Joanne Gardner, Luke Bulla, Shawn Colvin, Steuart Smith, Keith Sewell, Dave Jacques and David Bromberg, among others – ripped through a rich and varied set list. Highlights included Gram Parsons’ “Return of the Grievous Angel”; a lively rendition of the Staple Singers’ soul hit “Respect Yourself”; a happy sing-along version of “Like a Rolling Stone,” featuring nice solos from several guests and enthusiastic audience participation, and Crowell’s own “Ain’t Living Long Like This.” After a crack about “long solos and sloppy endings,” Crowell summed up the show as “11 fast songs and one ballad” – the latter being his closer, a moving rendition of his “ ’Til I Gain Control Again.”

At that point, with disembarkation only hours away, many Cayamoans had had about all the musical fun they could stand. But others who weren’t done partying headed for the Atrium and the “No Sleep ’Til Land Jam,” led by the Band of Heathens, which continued well into the small hours of Saturday morning.

Elizabeth Cook tour dates announced

Elizabeth Cook is back on tour, appearing  tonight in Albuquerque, along with husband Tim Carroll and Bones Hillman. She’s also scheduled to perform on Late Night with David Letterman on June 13.

Future concert dates:

May 24 – KTAOS Solar Center – Taos, NM

May 25 – Meadowgrass Festival – Colorado Springs, CO

May 27 – Cabaret – Sparks, NV

May 29 – Bourbon Theater – Lincoln, NE

May 30 – Knuckleheads Saloon – Kansas City, MO

May 31  – Vaudeville Mews – Des Moines, IA

June  1 – Old Rock House – St Louis, MO

June  2 – Uncle Slayton’s – Louisville, KY

June  3 – Mountain Stage – Morgantown, WV

June  7 –  Station Inn – Nashville, TN

June  8 – Cosmic Charlie’s – Lexington KY

June  9 – Kirk Ave Music Hall – Roanoke, VA

June 10 – Night Cat – Easton, MD

June 12 – City Winery  (w/ Matthew Sweet)  – NYC

June 14 – Mockingbirds – Staunton, VA

June 16 – Todd Snider’s What the Folk Festival – Memphis, TN

July  6 – The Shed – Maryville, TN

July  7 – Rumba Cafe – Columbus OH

July 8 – Beachland Tavern – Cleveland, OH

July  9 – Sportsmen’s Tavern – Buffalo, NY

July 11 – Higher Ground – Burlington VT

July 13 – One Longfellow Square – Portland, ME

July 15 – Green River Festival – Greenfield, MA

July 16 – Club Passim – Cambridge, MA

July 19 – Abbey Bar at ABC- Harrisburg, PA

July 20 –  Rams Head On Stage – Annapolis MD

Aug 24 – Shank Hall – Milwaukee, WI

 

Review: Todd Snider times two

By Ken Paulson

–Todd Snider’s new album Agnostic Hymns and Stoner Fables may put you a little on edge, but thankfully, he’s also provided the antidote.

Agnostic Hymns could well be the original cast album for the Occupy Movement, with a fair share of contemporary protest songs and attitude.

The opening track “In the Beginning” makes the case that religion was invented to keep the poor from killing the rich. On “New York Banker,” Snider sings “good things happen to bad people.” No happy endings here.

Closer “Big Finish,” sort of a “Hey Jude” for the unraveled, advises “It ain’t the desire that gets you; it’s the hope.” It also contains the best line on the album: When I found myself in possession of these car keys, I just naturally assumed I could drive.”

“Brenda” is a change of pace, melodic and affirming, about either a challenged and enduring couple or the partnership between Keith Richards and Mick Jagger. Probably both.

If you tire of Agnostic Hymns, you need only turn to Snider’s other current album. Time as We Know it: The Songs of Jerry Jeff Walker, is a celebration of the singer and songwriter who helped transform the Austin music scene of the ‘70s. It’s an engaging sampling of Walker’s best known-songs and a handful of intriguing obscurities.

The covers are pretty faithful, with the occasional lyrical liberty. On a terrific version of “Sangria Wine” recorded with Kix Brooks, Snider moves the drinking to East Nashville.

“Taking it as it Comes,” “Jaded Lover,” “Derby Day,” “Railroad Lady” and “Little Bird”(with Elizabeth Cook) all reveal Snider’s obvious affection for Walker, and in turn, Jerry Jeff’s clear influence on Todd.

The two albums are a formidable combination; one contemporary and cutting, the other nostalgic and joyous. Not a bad spring for Todd Snider.

Nov. 19: Americana Music Festival on Austin City Limits

The national television debut of the Americana Music Festival is scheduled for Nov. 19 on Austin City Limits, which has released this show setlist, beginning with Emmylou Harris, Alison Krauss, Buddy Miller, Jerry Douglas and Don Was singing “I’ll Fly Away.”

  • The Avett Brothers – The Once and Future Carpenter
  • Lucinda Williams – Blessed
  • Amos Lee – Cup of Sorrow
  • Elizabeth Cook- El Camino
  • Justin Townes Earle – Harlem River Blues
  • Jessica Lea Mayfield – For Today
  • Buddy Miller – Gasoline and Matches
  • The Civil Wars – Barton Hollow
  • Candi Staton – Heart on a String
  • Jim Lauderdale – Life by Numbers
  • Robert Plant – Monkey
  • Gregg Allman – Melissa

It captures the best moments of the evening, although we wish Hayes Carll had made the cut. Nashville area viewers were able to watch the full version live and in a couple of early morning repeats.

As we’ve noted, national television exposure is critical to the future growth of Americana music and there’s arguable no better showcase than Austin City Limits. Check your local PBS station for show times.

 

TV holds key to growth of Americana music

The Avett Brothers at the Americana Awards show

By Ken Paulson

Television is a very big deal to the Americana music community.
For years, the Americana Music Association has worked to establish the genre with the general public, and TV is the key.
Any medium that can make Snooki a household name should do wonders for Buddy Miller.
That’s why news that WNPT, Nashville’s public television station, would broadcast the 2011 Americana Music Festival Honors and Awards show , and that Austin City Limits would do a show of highlights, was so welcome. A broader audience would finally see what Americana music was all about.
Yet the early results were discouraging. That initial live broadcast from the Ryman Auditorium in Nashville showed large expanses of empty seats early on, due to a late-arriving crowd. Unbelievably, the opening graphic noted that the evening was dedicated to the memory of “Jim” Hartford rather than John Hartford. And then early in the show, transmission difficulties meant audio and video drop-outs during performances by Justin Townes Earle and Elizabeth Cook. Ouch.
Things were better for a rebroadcast two days later, although the length of the show was apparently longer than the original estimate. If you have a TiVo, you didn’t see a dazzling finale.
But the good news is that the music overall was stunning, the performances passionate and even the presentations were well-paced. Austin City Limits should find it relatively easy to mine the two-plus hour show for an hour’s worth of great music, drawing on performances by Robert Plant, the Avett Brothers, Jim Lauderdale, Lucinda Williams, Emmylou Harris, Miller, Cook, Earle and more.
That kind of quality exposure will build awareness of Americana, but will also amplify the sales pitch to prospective music festival sponsors.
My guess is that Austin City Limits, scheduled for Nov. 19, will edit out acceptance speeches, which may be just as well. The message relayed by Mumford and Sons thanked “the Nashville community,” which is exactly what the Americana Music Association doesn’t need. Americana needs to be seen as a vibrant worldwide genre, which just happens to have an office in Nashville. National television exposure is critical to making that happen.

 

Jayhawks, Will Hoge headline Americana Music Showcases

Tonight’s Americana Music Festival in Nashville kicks off with the week’s highlight, the 10th Annual Americana Honors and Awards show. Performers include Lucinda Williams, the Civil Wars, Elizabeth Cook and Buddy Miller, plus many more.

Club showcases begin at 10 p.m., with the reunited Jayhawks (currently in the top spot in Americana radio with “Mocking Bird Hill”,) headlining the Cannery Ballroom at 11 p.m.

At exactly the same time in the adjoining Mercy Lounge, Will Hoge will take the stage in support of his new album “Number Seven,” which is #13 on the Americana chart.

The Station Inn features Mollie O’Brien and Rich Moore at 10 p.m., followed by storied songwriter and singer J.D. Souther. In addition to a rich solo career and his role in the Souther Hillman Furay Band, Souther wrote “Best of My Love”, “Heartache Tonight”,”New Kid in Town” and “Faithless Love.”

Here’s the full line-up for tonight:

The Basement

10 pm Amanda Shires
11 pm Malcolm Holcombe
Midnight: Pokey LaFarge & the South City Three

The Station Inn

10 pm Mollie O’Brien and Rich Moore

11 pm JD Souther

The Rutledge

10 pm Frank Solivan and Dirty Kitchen

11 pm Gurf Morlix

Midnight: Lori McKenna

The Mercy Lounge

10 pm Lera Lynn

11 pm Will Hoge

Midnight: Romantica

The Cannery Ballroom

10 pm Carrie Rodriguez

11 pm The Jayhawks

Preview: Americana Music Festival 2011 in Nashville

The 2011 Americana Music Festival lights up Nashville this
week, bringing a remarkably diverse and talented range of artists to the city’s venues.
And of course, it also prompts the question: “What is
Americana music?”
Peter Cooper of the Tennessean took a stab at it in 2003:

American music is “country music that is too rooted and true for contemporary country radio programmers. Twangy music that draws from blues, folk and rock forms. Music with smart and
literary lyrics that can be more layered and “difficult” than most
radio fare. Or maybe it would be simpler to say that what they mean is ‘Johnny Cash Music.’

Not bad. That description holds up well today. The biggest change over the years has been a broadening of the genre by the Americana Music Association and radio programmers, inviting more alternative folk performers and storied rock artists into the tent.
That means you’ll see country legend Connie Smith at 9 p.m.
at the Rutledge and emerging folk duo The Civil Wars at the Cannery Ballroom two hours later. You’ll hear the rootsy Knoxville band the Black Lillies one night, and Bobby Keys, saxophonist for the Rolling Stones the next.

Among the performers scheduled for the Americana Music
Festival, which runs from Oct. 12-15:

– The Jayhawks
– North Mississippi AllStars
– Elizabeth Cook
– Keb’ Mo’
-The Bottle Rockets
– Foster and Lloyd
– John Oates
– Kelly Willis and Bruce Robison
– Marty Stuart
– Blind Boys of Alabama
– Blackie and the Rodeo Kings
– Hayes Carll

The highlight of the week is the Americana Americana Honors and Awards Show, scheduled for the Ryman Auditorium on Oct. 13. The show recognizes the best in Americana music and always features stellar performances. This year the show will be broadcast live
for the first time on Nashville Public Television. An edited version will be featured on Nov. 19 on Austin City Limits.

Ticket information for the week’s showcases available at the Americana Music Association website.
You’ll find schedules for Wednesday, Thursday, Friday and Saturday on Sun209.

Americana Music Festival schedule: Friday, Oct. 14

Sun209: The Americana Music Journal will provide extensive coverage of the Americana Music Festival in Nashville all week. Here’s a quick look at the showcase schedule for Friday, Oct. 14:

The Basement

8 pm Meg Hutchinson
9 pm Tommy Womack and the Rush To Judgment
10 pm Ian McLagan, formerly of the Faces
11 pm Henry Wagons
Midnight: New Country Rehab

The Station Inn

8 pm The Packway Handle Band
9 pm The WIYOS
10 pm David Wax Museum
11 pm The Farewell Drifters
Midnight: The Black Lillies

The Rutledge
8 pm The Vespers
9 pm Matraca Berg
10 pm Eric Brace and Peter Cooper
11 pm The Bottle Rockets
Midnight: Will Kimbrough

The Mercy Lounge

8 pm Robert Ellis
9 pm Amy LaVere
10 pm Elizabeth Cook
11 pm John Oates
12am TBA (In the past, the TBA shows have been very pleasant surprises)

The Cannery Ballroom

8 pm Secret Sisters
9 pm Keb’ Mo’
10 pm Jim Lauderdale and Buddy Miller
11 pm North Mississippi Allstars

Americana Music Festival announces artists

The Americana Music Festival, scheduled for Oct.12-15, 2011 in Nashville, is unveiling more details about the performances:
From the AMA’s press release:
“More than 100 of the genres’ trailblazers and rising stars will perform in the talent packed showcases that draw music lovers from all over the world. Among the first round of artists announced are: Gurf Morlix, Foster & Lloyd, JD Souther, Will Hoge, Elizabeth Cook, Marty Stuart and Marshall Chapman. They’ll be joined by buzz-worthy up and coming acts The Civil Wars, Amy LaVere, The Farewell Drifters, Catherine Britt and The David Mayfield Parade along with others listed below.
Festival Showcase Artists confirmed to play so far include:
Amy LaVere ~ Black Lillies ~ Blackie and the Rodeo Kings ~ The Bottle Rockets ~ Carrie Rodriguez ~ Catherine Britt ~ The Civil Wars ~ Connie Smith ~ The David Mayfield Parade ~ David Wax Museum ~ The Dirt Daubers ~ Elephant Revival ~ Elizabeth Cook ~ The Farewell Drifters ~ Foster & Lloyd ~ The Gourds ~ Grayson Capps ~ The Greencards ~ Gurf Morlix ~ Hymn for Her ~ Ian McLagan ~ The Jayhawks ~ JD Souther ~ John Oates ~ Kelly Willis & Bruce Robison ~ Kenny Vaughan ~ Lake Street Dive ~ Lera Lynn~ Malcolm Holcombe~ Marshall Chapman ~ Marty Stuart ~ Matraca Berg ~ New Country Rehab ~ North Mississippi Allstars ~ Patrick Sweany ~ Pokey LaFarge and the South City Three ~ Tim Easton ~ Tommy Womack & the Rush to Judgment ~ The Vespers ~ Will Hoge~ Will Kimbrough and more tba.”