By Ken Paulson
Wayland Holyfield and Dickey Lee
The Tin Pan South songwriters festival in Nashville this week offered up five nights of remarkable performances by some of the country’s best songwriters, but an early show on Thursday at the Station Inn featuring three veteran performers and writers was among the most memorable.
I’ve just finished reading The Song Machine: Inside the Hit Factory, a book by John Seabrook that documents how today’s songs are engineered rather than created. There’s a new hook every few seconds because the formula demands it. Every generation complains that “all these new songs sound the same.” This time they’re right.
That’s why the performance at the Station Inn was so special. Buzz Cason, Dickey Lee and Wayland Holyfield have had hits spanning five decades, fueled by inspiration, happenstance and creativity.
Buzz Cason
Cason’s “Soldier of love” was covered by the Beatles during the BBC sessions and his “Everlasting Love” has become a pop standard. But he explained that his professional breakthrough came just by mimicking the goofy doo-wop vocals of Jan and Dean, and then submitting the songs to the duo. The result: “Tennessee” and the Top 25 single “Popsicle.”
Dickey Lee had a successful career as a recording artist and performed “I Saw Linda Yesterday,” his hit from 1963. But the emotional stakes of that song were trumped by his biggest hit, “She Thinks I Still Care,” a classic in the hands of George Jones. Lee said the song was inspired by a girl who broke his heart.
Holyfield played “Rednecks, White Socks and Blue Ribbon Beer,” his first hit as a songwriter and a big record for Johnny Russell. But the highlight of his performance was “You’re My Best Friend,” a Don Williams hit that Holyfield dedicated to his wife.
And so it goes. The hits of the past were inspired by lost love. Found love. And an impulse to get Jan and Dean to record your songs.
No algorithms. No product. Just art, creativity and fun.
Tin Pan South, the pre-emiment songwriters festival, has just released its line-up for the 2012 event scheduled for March 27-31. It’s a wide-ranging collection of talent, spead over ten venues. Attendees can pay cover at the door or buy a weeklong pass that offers preferred access.