Tag: 2017 Sandy Beaches cruise

10 Special Moments on Sandy Beaches Cruise 2018

Americana Music News – Delbert McCinton’s 24th annual Sandy Beaches Cruise has come to a close after a full week of varied and outstanding musical performances, including shows by the Mavericks, Marc Broussard, Marcia Ball, Teresa James and the Rhythm Tramps, Band of Heathens, the Howlin’ Brothers, Paul Brady, the McCrary Sisters, Paul Brady, Danny Flowers, Wayne Toups and many more. We’ll be rolling out a new podcast this Spring that will feature interviews with many of the artists, but in the meantime, here’s a quick look at 10 of the moments that helped make the cruise special:

10. Bob and Etta Britt’s rambunctious cover of Leon Russell’s “Out in the Woods,”  with Bob channeling Leon’s voice.

9. “Pianorama,” an annual jam/shoot-out on a boat full of top-notch keyboard players. Always dazzling.

8. Bob DiPiero’s game take on “Too Fat to Fly,” a warped Christmas song about Santa’s weight problem and the tension it causes with the reindeer. It was an audience request and DePiero seemed to be willing the lyrics to float to him from across the ether.

7. Aeronautics Professor and former NASA researcher Scott Hubbard spoke compellingly  about our progress in exploring Mars.  No, it’s not standard music cruise fare, but it works.

6. The transformation of world-class songwriter Gary Nicholson into white-suited bluesman Whitey Johnson, setting the stage for a raucous R&B party.

5. The mere presence of  Spooner Oldham, Red Young and Bruce Channel.

4. Jaston Williams of “Greater Tuna” fame’s monologue about his boyhood infatuation with the Beatles, and his cowboy father’s stunned disapproval of the Fab Four.

3. The Mavericks’ note-perfect cover of the Bee Gees’ “How Can You Mend a Broken Heart?”

2. Al Anderson’s blazing solo sets, tapping into his NRBQ songlist, from “Riding In My Car” to “Never Take the Place of You. ”

1. “Delbert and Friends:” That’s how the Sandy Beaches Cruise is billed, and it’s also the key to the cruise’s charm. Virtually every artist has played a role somewhere in Delbert’s decades-long career, so they know and genuinely like each other, hopping on stage, sharing sets and sitting in. Other music cruises are festivals at sea, but this one is Delbert’s party and the guests are happy to mingle.

 

Do you have your own favorite moment from the Sandy Beaches Cruise? Please share in the comments section below.


 

 

Doyle and Debbie interview: Behind the scenes

By Ken Paulson

Walk by the venerable Station Inn tomorrow night or on many evenings throughout the year and you’ll hear raucous laughter coming from inside the Nashville venue.

Strange. Bluegrass isn’t that funny.

But Doyle and Debbie are. They’re the lead characters in an irreverent musical that parodies traditional country songs in a non-traditional way. “When You’re Screwin’ Other Women (Think of Me)” pretty much says it all.

The show – in residency at the Station Inn – recreates Doyle’s “comeback” tour with his “third Debbie.” It satirizes old school country, but with an affectionate nod.

The show was created and written by Bruce Arntson, and features Arntaon and Jenny Littleton in the title roles.  We had the chance to talk with both recently about this truly singular show:

Review: Sandy Beaches Cruise 2017

By Ken Paulson

The Sandy Beaches Cruise, the much-loved music festival at sea hosted by Delbert McClinton, rocked – in more ways than one – throughout its 23rd annual edition.

While the U.S. was shivering from a wide-ranging cold front, the temperatures on the Holland America Oosterdam were far more pleasant, but accompanied by high winds and waves. That left a number of artists struggling to keep their footing on stage and dancing audience members discovering moves they didn’t know they had.

But this is one cruise where the weather is almost irrelevant. People return to the Sandy Beaches Cruise every year because the musical talent is deep and the vibe is relaxed. When cruisers meet each other, the first question is almost always “How many of these have you been on?” There’s status in numbers.

week kicked off with Marcia Ball and Teresa James, strategic scheduling that got the audience up out of its seats on the very first night. That pattern held throughout the week with highly danceable music from McClinton, Marc Broussard, Jimmy Hall, Clay McClinton, Gary Nicholson, Lee Roy Parnell, Wayne Toups and Mike Zito.

The Mavericks performed three exuberant shows, though one was in the face of powerful winds and a cascade of sea spray. I’m not sure I’ve seen a more challenging performance environment, but the band – and the faithful – stayed the course.

The World Famous Headliners, a band comprised of NRBQ veteran Al Anderson, Shawn Camp, Pat McLaughlin, Michael Rhodes and Greg Morrow, were cruise favorites. There are a few songs on which their three lead vocals mesh and sound strikingly like the Band, but with a sense of humor. The Headliners have recorded two fine albums, but almost never perform, so those on board for the cruise the past two years have probably seen a majority of their shows.

The McCrary Sisters are the spiritual heart of the cruise, offering up a powerful mix of soul and gospel. Their medley of “I Can See Clearly Now/Let the Sun Shine In” was a musical weather forecast, with a bit of wishful thinking thrown in.

The surprise of the week was a salute to Eric Burdon and the Animals, led by Red Young, who played with Burdon for decades. It turns out that Teresa James and members of the Rhythm Tramps also served as latter-day Animals, and they joined Young on this impressive revue of Burdon’s best. James herself took the lead on “Don’t Bring Me Down.”

“Pianorama” is always a highlight of the Sandy Beaches Cruise. This impromptu annual jam session led by Marcia Ball brings together nearly a dozen great keyboard players. Adrenaline flows and the performances are inspired.

Lari White, Etta Britt and Kree Harrison offered up impressive solo showcases, while the Band of Heathens, the Howlin’ Brothers and Mingo Fishtrap delivered well-received sets, tapping into country, rock and traditional music. No one had a more traditional sound than the Quebe Sisters who channel brilliant harmonies (they say the Mills Brothers are their model) and a love of Bob Wills into a vibrant and contemporary take on Western Swing

The Sandy Beaches Cruise songwriters sessions are always entertaining and probably merit a larger venue. One show was dedicated to Lubbock, Texas (in a back-handed sort of way.) It featured a very funny monologue by Jaston Williams of “Greater Tuna” fame, who explored the city’s quirks. “Our homosexuals were not all that gay,” he noted. Gary Nicholson had a great story of his own, recalling a truly crazed friend who rescued him from a biker gang. Delbert shared his own account of seeing UFOs high over Lubbock. Kimmie Rhodes organized the session, which also included stories and music from Sharon Vaughn.

Other songwriting shows featured Bruce “Hey Baby” Channel, Bob DiPiero, Donnie Fritts, Danny Flowers, HalleyAnna, Terry McBride, Tom Hambridge, Spooner Oldham, Kevin Welch, Dustin Welch and Lari White, among others.

Lukas Nelson and Promise of the Real was this year’s revelation. Fresh off backing Neil Young, Willie Nelson’s sixth child delivered a high energy show reminiscent of the power trios of the late ‘60s. His own material – highlights included “Four Letter Word” and “Can You Hear Me Love You” – was complemented by nods to the past, from Paul Simon’s “Diamonds on the Soles of Her Shoes” to Roger Miller’s “King of the Road.”

And then there are Doyle and Debbie, aka Bruce Arnston and Jenny Littleton. The duo, along with Matt Carlton, offer up the story of a washed-up country star who latches onto a talented and desperate young woman and launches a comeback tour. The show, which features songs like “When You’re Screwing Other Women (think of me)” and “Fat Women in Trailers,” has been touring – and on the cruise – for a decade, and for good reason. It’s one of the funniest and most irreverent shows you’ll ever see.

The final show of the Sandy Beaches Cruise  always features Delbert McClinton and a wide range of guest artists. Gary Nicholson assembled about a dozen friends from Nashville, who joined him in singing “More Days Like This,” a fitting sentiment after 7 days of soulful and satisfying performances.

Delbert McClinton’s 2017 Sandy Beaches Cruise

By Ken Paulson

Delbert McClinton is the host and ringleader of the Sandy Beaches cruise, opening and closing the week, and playing all over the ship throughout the week.

Delbert McClinton is the host and ringleader of the Sandy Beaches cruise.

We’re looking forward to Delbert McClinton’s 2017 Sandy Beaches Cruise, which begins Jan. 6 in Tampa. There’s a relaxed vibe throughout the week, in contrast to other music cruises that include assigned seats and lines to get into shows.

It’s a great line-up, with Marcia Ball, the Mavericks, Marc Broussard, Fred Eaglesmith, Clay McClinton, the Quebe Sisters, Wayne Toups, Red Young, World Famous Headliners, Teresa James, Lukas Nelson and the Promise of the Real, Etta Britt, the McCrary Sisters, Big Joe Maher, Lari White, Bob DiPiero, Anson Funderburgh, Bluz House Rockers, Bruce Channel, Danny Flowers, Doyle and Debbie, Gary Nicholson, Jimmy Hall, Kimmie Rhodes, Kree Harrison, Lee Roy Parnell, Mike Zito, Mingo Fishtrap, Sharon Vaughn, Shelley King, the Band of Heathens, Spooner Oldham, the Howlin’ Brothers and Tom  Hambridge .

We’ll have full coverage of the 2017 Sandy Beaches cruise, but here’s our report from 2016.

As Marcia Ball wrapped up her first song to polite applause, she seemed a little nonplussed.

“I thought there was a dance floor here,” she said, as she kicked off Delbert McClinton’s Sandy Beaches Cruise 2016. The crowd took the hint, and the rest of the evening – and the week – was one non-stop dance floor.

That sets this music cruise apart from others, where headliners and reserved seats are the norm. The Sandy Beaches crowd listens respectfully, but they move to the music.

That’s probably the influence of McClinton himself, who is a low-key and welcoming presence thoughout the cruise. It’s as though you were invited to Delbert’s house – one with a very large pool – with his musical friends on a Saturday night.

And if this is your first visit to Delbert’s, you won’t feel like a newcomer for long.

“This is your cherry and we’re here to bust it, “ Ball declared, launching into a high-velocity set of rhythm and blues, including the week’s first performance of “Sea Cruise.’ “A lot of nerve, “ she laughed.

“All Night Long” with the Mavericks

Raul Malo of the Mavericks

Raul Malo of the Mavericks

The Mavericks headlined the pool deck stage three times and the energy never flagged. Since reuniting in 2012, the band has been on a roll, culminating in their Grammy nominations for the song “All Night Long” and their Mono album, and being named group of the year in the Americana Music Association awards. When a band with more than two decades of experience hits a new career high, it shows on stage. In their final set of the week, they even played a danceable “Okie from Muskogee.”

 

 The McCrary Sisters Let It Go

The McCrary Sisters delivered their first set on Sunday, appropriately so for this hard-rocking gospel quartet. Regina McCrary spoke of God’s capacity for healing and offered to pray for anyone in need. If you have a burden, you should “Let It Go,” they sang. No, not the song from “Frozen.”

Later in the day, Roger Blevins Jr. and Mingo Fishtrap announced they were going to echo the McCrarys’ advice to “let it go, “though their version would be “more profane.”

It wasn’t all church for the McCrarys . The sisters did the Family Stone proud with an inspired version of “Thank You (Falettinme Be Mice Elf Agin.)”

Sandy Beaches Cruise 2016 songwriters

The songwriter sessions were uniformly impressive, giving artists the chance to showcase their writing in an acoustic performance. Sharon Vaughn told the story of how she pitched her classic My Heroes Have Always Been Cowboys” to Waylon Jennings, who refused to believe she wrote it. Spooner Oldham played songs he co-wrote with Dan Penn, including James and Bobby Purify’s hit “I’m Your Puppet.”

Delbert McClinton joined the songwriters mid-week to showcase songs from a new album due this spring.

The World Famous Headliners

Former NRBQ member Al Anderson has been on the last 18 cruises, but this time he brought his bandmates from the World Famous Headliners . It’s a tongue-in-cheek name, but Anderson, Shawn Camp and Pat McLaughlin make up a potent front three, with stellar guitar work and tight harmonies. The band – deep in writing talent – showcased songs from their new album, including “Hitchike Home,” “The Whoa Whoa Song” and “Fried Chicken,” a song that mashes up Memphis music and the Bee Gees.

The Headliners know no barriers. “We’d like to apologize for these songs,’ McLaughlin told the audience, shortly before Anderson sang “Stick It Where the Sun Don’t Ever Shine.”

The band brings Little Village to mind. That was the storied band featuring Nick Lowe, Ry Cooder, John Hiatt and Jim Keltner, an amazing line-up of players and songwriters that never seemed to gel as a group.

The Headliners gel. They even have their own theme song, which they played at both the beginning and close of their set. “We’re the World Famous Headliners…”

Keb’ Mo’ and the return of Lee Roy Parnell

Among other highlights of  Sandy Beaches Cruise 2016:

Keb’ Mo’ drew big and appreciative crowds poolside with impeccable sets of blues and soul, including his fresh take on the O’Jays’ “Love Train.”

Mingo Fishtrap rallied the audience on the final day, with Blevins Jr. saying that although everyone would have to disembark the next morning, now was the time to “self-lobotomize.” The band then launched into a blistering medley of classic James Brown songs.

Lee Roy Parnell, on the Sandy Beaches Cruise since its inception 22 years ago, was back after a year away. He saluted the late Allen Toussaint with a spirited take on his “Holy Cow.” Lari White joined him for a duet of a song she and Parnell had written, and Etta Britt delivered a powerful “People Get Ready.”

The annual “Pianorama,” with Marcia Ball as ringleader, convened virtually every keyboardist on the cruise for a piano jam. Five players at a time took the stage, trading off parts on songs like “Iko Iko,” “Nothing from Nothing” and Drinkin’ Wine Spo-de-o-dee.”

The Quobe Sisters Band

The Quobe Sisters Band

The Quebe Sisters were a revelation. Their harmonies were gorgeous – in 1940 they would have been the Andrews Sisters –and all three play fiddle beautifully. They draw on a big songbook, but Western Swing is a specialty.

Doyle and Debbie, the lampooning country music revue, doesn’t change and doesn’t need to. It remains fresh and funny.

Alyssa Bonagura was joined onstage by her parents Kathie Baillie and Michael Bonagura, aka “Baillie and the Boys ,” who revisited their musical past, including an impressive “Blue Bayou.” It’s that rare family where the daughter can plug her parents’ CDs at the merch table.

Bruce Channel joined Delbert to perform his big 1962 hit “Hey Baby,” a record on which McClinton played harmonica. I’m sure they’ve performed it together dozens of times, but it’s still a joyous performance.

The Howlin’ Brothers – Ian Craft, JT Huskey and Jared Green impressed audiences with both a reverence for folk, blues and bluegrass classics and their ability to craft new songs that continue the tradition.