Gretchen Peters and Barry Walsh, her husband and musical partner, rewarded the crowd at McGonigel’s Mucky Duck with an excellent performance that drew heavily from her most recent album, Blackbirds, but also included older material, a few covers and even a solo turn by Walsh.
Dustbowl Revival draws on a folk tradition stretching back at least 85 years. With a Lampshade On is a genial album fueled by brass, fiddle and mandolin.
Jason Isbell had quite a challenge in following up his excellent 2013 album, Southeastern, which was a thing of rare power and beauty. Fortunately, he was up to the task.
Best known for his successful run with the Pousette-Dart Band in the ‘70s, Jon Pousette-Dart continues to write and record rewarding music, as evidenced by his new collection Talk.
Review: On the Sandy Beaches Cruise, you come for the music.The cruise features an amazing array of artists, with blues, rhythm and blues and New Orleans influences among the most common denominators.
For years, we’ve heard great things about the Doyle and Debbie Show, a satirical take on country music with a long weekly residency at Nashville’s Station Inn. Instead of seeing it just miles from home, though, we finally caught up with it on Delbert McClinton’s Sandy Beaches Cruise.
Willie Nile’s “If I Was A River” is distinctly different from its predecessors. These are reflective and intimate songs played on piano. It’s very spare, with Nile’s rough-hewn vocal at the forefront.
At 75, Billy Joe Shaver is no longer the young country outlaw he once was. But he’s still around and kicking, and on his latest album, Long in the Tooth, he bares his (figurative) teeth on songs about several things he’s not too happy about.
By Ken Paulson (This article first appeared in May 2011 on Sun209. Bobby Keys passed away this week.) There was a moment in Bobby Keys’ show at the Mercy Lounge when it dawned on everyone just how pivotal a player in rock history he is. Sure, we knew of his long association with the Rolling Stones and his short, but…
Bill Lloyd’s Set to Pop was a revelation upon its release in 1994, a buoyant and inventive slice of pop in a league with Emitt Rhodes and Nick Lowe’s Jesus of Cool. So it’s great news that Lloyd has chosen to revisit his classic album 20 years on.
When a band’s name includes “Memphis,” it should come as no surprise – actually, it may be inevitable – that the music will incorporate diverse styles and genres. So it is with Rooted in the Bone, the first full-length CD from folk-Americana trio the Memphis Dawls.
It’s remarkable that Ian Hunter, whose band scored just a single hit in the U.S, can continue to tour to good-sized crowds a half-century into his career. And yet his audience is with him every step of the way, devoted, enthralled and cheering madly for “I Wish I Was Your Mother” and “Michael Picasso.”