Opening night at Tin Pan South

Tin Pan South 2016 preview

By Ken Paulson

Mac Davis and Bobby Braddock at Tin Pain South 2011

Mac Davis and Bobby Braddock at Tin Pan South 2011

Tin Pan South, one of Nashville’s best -and most economical – music festivals begins Tuesday, April 9, the first of  five nights of songwriter showcases.

This annual event brings together songwriting legends (Bobby Bare, Mac Davis, Bill Anderson) and songwriters dominating the charts today (Luke Laird, Barry Dean, Natalie Hemby, Lori McKenna, Jessi Alexander.) It features legacy artists (Dickie Lee, Buzz Cason) and current stars (Will Hoge, Kacey Musgraves.)

The songwriters rounds encompass a wide range of themes – “A Little Chick on Pick Action” anyone? – but the overall quality is always high. Some shows that we found particularly intriguing:

Tuesday, April 5, 6pm | $20 Bluebird Cafe
Bill Anderson, Bobby Bare, Buddy Cannon, special guests

Tuesday, April 5, 6pm | $20 The Country

Jessi Alexander, Cary Barlowe, Jonathan Singleton, Josh Thompson

Tuesday, April 5, 9pm | $15 Whiskey Rhythm Saloon
Keith Burns, Jim Peterik, Collin Raye, Joie Scott, special guest

Wednesday, April 6, 9pm | $15 Station Inn
Chuck CannonLari WhiteLee Roy Parnell

Wednesday, April 6, 9pm | $20 Bluebird Cafe
Mac Davis, Scotty Emerick, Leslie Satcher, Special Guest

Thursday, April 7, 6pm | $20 Listening Room
Barry Dean, Natalie Hemby, Luke Laird, Lori McKenna, Special Guest

Thursday, April 7, 6pm | $10 Station Inn
Buzz Cason, Wayland Holyfield, Dickey Lee

Thursday, April 7, 9pm | $15 Douglas Corner
Bekka Bramlett, Billy Burnette, Bruce Gaitsch, Dennis Morgan

Thursday, April 7, 6pm | $15 Bluebird Cafe

Pat Alger, Don Henry, Livingston Taylor, Jon Vezner

Friday, April 8, 6:30pm | $20 3rd and Lindsley
Granville Automatic (Elizabeth Elkins & Vanessa Olivarez),
Travis Meadows, Angaleena Presley

Friday, April 8, 6:30pm | $15 Listening Room
Jeff Cohen, James T. Slater, Kim Richey

Saturday, April 9, 6:30pm | $15 Station Inn
Marti Dodson, Will Hoge, Tony Lane, Jason Mizelle, Special Guest

Saturday, April 9, 6:30pm | $20 3rd and Lindsley
A Benefit for Bonaparte’s Retreat
Clare Bowen, Chris Carmack, Colin Linden, Brandon Young, special guest, hosted by Emmylou Harris

Saturday, April 9, 9:30pm | $25 3rd and Lindsley
Shane McAnally, Kacey Musgraves, Josh Osborne

The full schedule can be found on the Nashville Songwriters Association website.

Review: Jason Wilber’s “Echoes”

By Paul T. Mueller
wilberJason Wilber is best known to many as the nattily dressed guy who stands to the right of the great John Prine on stage, playing guitar and mandolin and singing harmony. Wilber also happens to be a singer-songwriter in his own right, with nine solo albums to his credit.

The newest, Echoes, finds him performing songs by other writers. He’s covering a lot of ground here – Leon Russell’s “A Song for You,” the Rolling Stones’ “As Tears Go By,” Pink Floyd’s “Echoes,” Joni Mitchell’s “Edith and the Kingpin,” David Bowie’s “Oh You Pretty Things” and Stevie Wonder’s “Overjoyed” are among the 11 tracks. Of course Wilber’s boss gets his due, with a solemn reading of “Paradise,” Prine’s lament about the despoiled coal country of Kentucky.

Echoes follows several years’ serious effort by Wilber to improve his singing voice, and while he will probably always be more noted as a guitarist than as a singer, his vocals do justice to the essence of these songs. The album benefits from spare but clean production by Paul Mahern, who also handled percussion duties, with help on a couple of tracks from Devon Ashley. The rest of it – guitars, bass and vocals – is all Wilber.



New releases: Paul Burch on the life of Jimmie Rodgers

New and recent releases:

Paul BurchMeridian RisingPaul Burch – Plowboy Records  The new Paul Burch album is an extraordinarily ambitious project, the “imagined autobiography” of the legendary Jimmie Rodgers.  Often cited as the father of country music, Rodgers was a transformative figure whose tragically short career influenced all who followed. Burch, perhaps best known as a member of WPA BallClub, uses Rodgers’ life story as a foundation for his own musical explorations. He’s joined by some great players – from Nashville and elsewhere-  including  Fats Kaplin, Tim O’Brien, Garry Tallent, Jen Gunderman, Jon Langford and William Tyler. Nashville Scene Editor Jim Ridley captured the essence of the album (and Burch’s career) beautifully in a cover story for the Nashville Scene. You’ll find it here.

Dynamite!Tami Neilson – Outside – Raucous honky tonk from an award-winning New Zealand artist who will bring Wanda Jackson to mind.

Good and DirtySarah Borges – Hard-rocking EP from Sarah Borges, produced by Eric Ambel. She’s opening in March for Dave Alvin and Phil Alvin

Crow River RambleJason Paulson – Minneapolis-based songwriter releases his third album on March 25.



Review: George Winston at the Dosey Doe

By Paul T. Mueller

George Winston at the Dosey Doe

George Winston at the Dosey Doe 

When you go to a George Winston concert, you get not only a musical performance but a history lesson as well. So it went at the Dosey Doe in The Woodlands, Texas, on Feb. 21, as Winston sat down at the grand piano and introduced his opening tune, “In the Night” by renowned New Orleans pianist Professor Longhair.

His next piece, “Rain,” from Winston’s 1982 album Winter Into Spring, featured a section inspired by American minimalist composer Steve Reich. And that was followed by a short medley of tunes by jazz pianist and composer Vince Guaraldi, from his soundtrack to the musical You’re a Good Man, Charlie Brown.

George Winston may be best known as one of the leading figures of New Age music in the ‘80s, when albums such as Autumn, December and Winter into Spring graced many a turntable and CD player. These days he prefers to call his music “rural folk piano,” and his playing reflects influences beyond the precise and pretty tone poems that first brought him fame. Introducing a stride piano piece called “Elephant and Mouse,” Winston cited jazz pianists Fats Waller and Teddy Wilson; echoes of Paul McCartney’s “Blackbird” could be heard in the lovely ballad “Beverly,” while “Urban Lullabye,” “Blues Minuet” and “Harlem Nocturne” were infused with jazz and blues.

Winston played in his usual concert attire – blue jeans, button-up shirt and stocking feet – and with his characteristic intensity, occasionally reaching into the piano to pluck or dampen a string. He was equally at ease with muscular chords and delicate melodies, and if there was an occasional off note among the thousands, write that off to the passage of time. The audience was more than willing to overlook any imperfections; rapt silence ruled, with some listening with eyes closed, the better to appreciate the virtuoso at work.

In the years since his New Age heyday, Winston has become proficient on guitar and harmonica as well. He closed each of his two sets with a guitar performance – a piece called “Sassy” that he said he learned from Hawaiian slack-key guitar master Leonard Kwan, and a light, folky piece to close the evening. In between, the audience was treated to a sweet and sad harmonica tune called “Lament,” in honor of Cajun accordionist Amédé Ardoin.

Two of the show’s highlights came at the end. Winston drew applause when he announced one of his signature tunes, “Variations on the Kanon by Johann Pachelbel,” and played a fine rendition, faithful to the familiar recorded version but with enough subtle differences to keep things interesting. What he said would be his final piece (but wasn’t quite) turned out to be a dramatic rendition of The Doors’ classic “Riders on the Storm.” The cascade of descending notes at the beginning recalled Ray Manzarek’s electric piano in the original, but from there Winston took off on his own interpretation, pounding out dark chords with his left hand while overlaying them with brighter notes with his right. It would have made for a good ending to the show, but Winston finished with a lighter, happier guitar tune, making for a nice transition to an extended meet-and-greet with fans afterward.

In a sweet bit of post-show lagniappe, those who stayed around were treated to a couple of Scott Joplin ragtime tunes, beautifully played by an audience member who commandeered the piano almost as soon as Winston left the stage. The boy, who appeared to be in his early teens, earned an enthusiastic ovation and soon found himself on the receiving end of lavish praise from George Winston himself, among others.


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Flower Power Cruise: Mickey Dolenz, Eric Burdon

Americana Music News – There’s a particularly strong musical line-up set for the 2017 Flower Power Cruise, scheduled for February 27-March 4.

The cruise, which embarks in Ft. Lauderdale and includes stops in Falmouth, Jamaica and  Nassau, Bahamas, will be hosted by the Monkees’ Micky Dolenz. Artists on the cruise include Eric Burdon and The Animals, Chad and Jeremy, The 5th Dimension, Lovin’ Spoonful, Rare Earth, Spencer Davis, Three Dog Night and The Yardbirds.

We’ve seen impressive shows in recent years from Burdon, Chad and Jeremy and the Yardbirds. While every band has personnel changes over four decades, the best still deliver the hits with energy and passion.

The cruise is now booking passengers from its 2016 crusie, but will open to new bookings on March 10. You’ll find more information on their site.


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Review: Cayamo 2016 a magical musical tour

By Paul T. Mueller

Cayamo 2016 is in the books. The latest edition of the singer-songwriter-focused cruise, aboard the Norwegian Pearl, arrived back in Miami early on Sunday, Feb. 7, after a week’s voyage through the Caribbean and stops at the islands of Tortola and Sint Maarten. More than 2,000 passengers disembarked on a brisk, sunny South Florida morning, most of them tired, happy and prepared to relive the experience on social media and at meet-ups around the country until the 10th Cayamo sets sail in 2017.

Cayamo 2016  provided plenty of highs and a few lows. Let’s dispense quickly with the lows – too-chilly air conditioning in some of the indoor venues; considerably higher prices for adult beverages than in years past; problems (real and/or perceived) with things like food quality and sound mixes at some shows; restrictions on photography during sets by at least one high-profile performer; the occasional plumbing problem in a stateroom. But these matters weren’t enough to harsh the mellow of a weeklong musical festival at sea.

The highs on Cayamo 2016 were much more numerous. As always, there were more great performances than anyone subject to the laws of time and space could hope to see, so missing some magical moments was a given. But here, in more or less chronological order, is a subjective look at some outstanding performances from each day, from among many that could have been included.

Sunday, Jan. 31 – embarkation day

Americana superstar Jason Isbell and his band, the 400 Unit, took the pool-deck stage for the sailaway show as the Pearl left Miami. It’s hard to imagine a better choice, as the group ripped through a high-energy, 14-song set. Included were several tracks from Isbell’s most recent album, Something More than Free, along with older material such as “Decoration Day” and “Alabama Pines.” The set was capped by a rocking rendition of the Rolling Stones’ classic “Can’t You Hear Me Knocking,” with Isbell and lead guitarist Sadler Vaden trading licks in a more-than-passable echo of Keith Richards and Mick Taylor.

Steve Earle took the stage of the Pearl’s large auditorium, the Stardust Theater, Sunday evening for his only solo show (he also played two sets with Shawn Colvin later in the week). After opening with “Devil’s Right Hand,” Earle noted that it’s been 30 years since the release of his stellar debut album, Guitar Town, and then launched into the title track, still fresh despite the decades. What followed was pretty much a string of greatest hits, as many as could be fitted into a one-hour set. He closed with a quiet, powerful rendition of his death-penalty ballad “Billy Austin” and an excellent reading of the classic “Copperhead Road.”

Also: British guitarist Martin Harley’s high-powered slide guitar on the pool deck during boarding; Jimmy Galloway’s masterful picking in the Atrium; Jim Lauderdale’s endearing mix of goofiness and country chops in the Spinnaker Lounge.

Monday, Feb. 1 – at sea

Angaleena Presley

Angaleena Presley on Cayamo 2016

Monday afternoon featured an excellent “Unlikely Trio” show with three Cayamo rookies – Angaleena Presley, Foy Vance and Paul Thorn – taking turns performing their own songs, sometimes with backup from the others. Irish singer Vance delivered his selections with a powerful, expressive voice and vigorous guitar playing. His words weren’t always easy to follow, but the emotions behind them were. Several of Presley’s songs were taken from her most recent album, the fine American Middle Class. A newer song, “Bless Your Heart,” was a hilarious but biting jab at hypocrisy, and its title was soon to become a buzzword around the boat. Thorn, a veteran of other music cruises but a newcomer to many Cayamoans, wasted no time endearing himself to the crowd by dedicating “I’m Still Here” to a cancer patient he had met. One of the more charming aspects of shows of this kind is watching artists’ reactions to the work of others with whom they might not be all that familiar. It’s often a combination of amusement and admiration, and Monday’s show did not disappoint.

Foy Vance

Foy Vance

Also: Promising pop from young singer Rainey Qualley in the Great Outdoors; harmony-driven country folk from The Novel Ideas; singer-songwriter excellence from John Prine and John Hiatt in the Stardust; Nashville brilliance from the past and the present from Buddy Miller in the Stardust.

Tuesday, Feb. 2 – at sea

Lucinda Williams’ band, Buick 6, has accompanied her on Cayamo previously, but this year was the first time the band got its own sets. The first came Tuesday night, before a Lucinda set, and consisted of about a half-hour of high-energy power trio rock, with a little funk and jazz thrown in. Most of it was instrumental, with occasional nonverbal vocals and whistling. For fans of the power-trio format, or of instrumental rock in general, it was an invigorating warmup for Williams’ show. The band’s members – guitarist Stuart Mathis, bassist David Sutton and drummer Butch Norton – are excellent musicians, and the title of their debut album, Plays Well With Others, was well chosen.

Williams also put on a terrific show, mixing older material (“Drunken Angel,” “Lake Charles,” “Can’t Let Go,” “Joy”) with newer songs, including several from her just-released The Ghosts of Highway 20 (the title track and “Dust,” based on a work by her late father, poet Miller Williams). Appearing relaxed and confident, Williams produced some nice work on acoustic and electric guitar to accompany her gritty lyrics of love and loss, spirituality and sensuality. She drew laughs with her description of the time and effort she put into getting her hair ready for the show, only to see her labors literally blown away on the windy pool deck.

Jim Lauderdale on Cayamo 2016

Jim Lauderdale on Cayamo 2016

Also: The history of American roots music, plus stellar guest performances, from David Bromberg in the Stardust; fine bluesy guitar from Martin Harley in the Great Outdoors; high-volume country rock from Chris Stapleton on the pool deck; the midnight Grateful Dead tribute show on the pool deck, backed by American Babies and featuring contributions from Miller, Lauderdale, Bromberg and many others.

Wednesday, Feb. 3 – Sint Maarten/St. Martin Passengers returning Wednesday from excursions on Sint Maarten/St. Martin were treated to a sailaway show by Hurray for the Riff Raff, led by singer-songwriter Alynda Segarra. The Cayamo newcomers showed plenty of rock ‘n’ roll attitude to back up Segarra’s thoughtful and sometimes disturbing lyrics, as in “The Body Electric,” a reimagining of the classic Southern murder ballad from a different angle. “Like an old sad song, you heard it all before,” she sang. “Well, Delia’s gone, but I’m settling the score.”

Newly anointed American superstar Chris Stapleton’s first indoor show packed the Stardust Wednesday night. Stapleton and his band were a little more subdued than in their rocking pool deck show the previous night, but the set was still almost as much rock ‘n’ roll spectacle as Americana, fueled by Stapleton’s guitar heroics and plenty of high-powered backup from his very capable band. Stapleton did seem a bit nonplussed by the quiet and attentive Cayamo crowd – at one point he noted that he could hear a pin drop on stage between songs, and then (apparently) dropped something to prove just that. But the show, consisting mostly of material from the hugely successful Traveller album, was not without its rowdy charms, and the audience certainly seemed to eat it up, even calling the band out for an encore of “Sometimes I Cry.”

Also: Full-band rock and blues with a funny twist from Paul Thorn on the pool deck; purebred Americana from Larry Campbell and Teresa Williams in the Spinnaker; high-energy, late-night jamming with American Babies in the Atrium.

Thursday, Feb. 4 – Tortola

John Fullbright seemed to be embracing a bigger sound than on previous Cayamos, and this was much in evidence at his Thursday sailaway show on the pool deck. Fullbright and his band, with the help of guests including guitarist Davis Causey and keyboardist Daniel Walker, rocked out on signature tunes including “All the Time in the World” and “Fat Man.” But the emotional high point of the show might have been a powerful and dramatic rendition of Woody Guthrie’s “Deportee” – with a subtle lyrical twist that sounded a lot like a dig at anti-immigrant comments by a certain front-running Republican presidential candidate. Fullbright closed with a joyous, full-out take on the Box Tops classic “The Letter.”

Robert Ellis on Cayamo 2016

Robert Ellis on Cayamo 2016

Singer-songwriter Robert Ellis, who’d already played a solo set on the Pearl’s Great Outdoors stage and a couple of straight-up country tunes at Shawn Mullins’ Family Jam in Bar City, had a few surprises in store for his midnight Thursday show in the Stardust. A few songs in, backed by his nattily attired band, the Perfect Strangers, Ellis launched into a vigorous rendition of Joni Mitchell’s “Free Man in Paris,” on which he demonstrated his monster guitar skills. He followed with other selections from his most recent album, The Lights from the Chemical Plant, along with new material. Things took a left turn late in the show with an extended instrumental jam that owed more to free jazz than to Ellis’ more usual genres, country and folk. The chaos finally resolved into “Sing Along,” Ellis’ blistering indictment of organized religion. Despite his veteran status – he also sailed on Cayamo in 2013 – Ellis seemed to be many Cayamoans’ “find” this year.

Also: Guitar-fueled singer-songwriter brilliance from Jason Isbell and band, including wife Amanda Shires, in the Stardust; bouncy pop from Kate York and Joe Pisapia in the Spinnaker; “heavy mellow” from Sugar & the Hi-Lows in the Atrium; well-written singer-songwriter fare from Sam Lewis in the Spinnaker.

Friday, Feb. 5 – at sea

After several years on the cruise as lead guitarist and vocalist in John Prine’s band, Jason Wilber finally got a set of his own on Cayamo 2016 on Friday, and he made the most of it, to the delight of an attentive Atrium crowd. Wilber led off with a lovely, slow rendition of Leon Russell’s “A Song for You,” following with the unfortunately timely “Oh You Pretty Things” by David Bowie. He brought out drummer Kenneth Blevins, of John Hiatt’s band, The Combo, and elicited laughs with “Quakertown Optimist Club,” inspired by a newspaper story about down times for an upbeat organization. Much of the rest of the show consisted of tracks from his new album, Echoes, on which he covers a range of material by other writers (including an excellent take on Prine’s mournful “Paradise”). Also included was the original “Ghost Light,” a tribute to the old theaters in which he often plays when touring with Prine.

Knoxville-based roots-rock outfit The Black Lillies delighted a large pool deck crowd Friday afternoon with an energetic set drawn largely from its recent album Hard to Please. The band, fronted by Cruz Contreras on guitars, keyboards and vocals and singer-guitarist Trisha Gene Brady, was clearly buoyed by the outpouring of support it received in the aftermath of having its van and a trailer full of instruments and other belongings stolen after a gig just days before Cayamo. Playing with borrowed instruments, the Lillies turned in strong performances on such familiar tunes as “Two Hearts Down” and “Ruby,” and newer material including the quiet ballad “Born to Roam,” the rocking touring tale “40 Days,” and the soulful “Mercy.” The band got a boost on a few songs from the trumpet and saxophone players from Austin-based funk-rock outfit Mingo Fishtrap.

Also: Harmony-driven adult pop from Johnnyswim on the pool deck; slightly quirky, personal tunes from Amanda Shires, accompanied by Jason Isbell, in the Spinnaker; acoustic pop with a New Orleans vibe from the Andrew Duhon Trio in the Great Outdoors; excellent folk and country in a mostly requests show by Slaid Cleaves in the Great Outdoors; pop country with a hip-hop twist from Maren Morris in the Atrium.

Saturday, Feb 6 – at sea

The final 2016 show by Shawn Mullins, the only musician to have performed on all nine Cayamos, was mostly a parade of familiar hits – “Beautiful Wreck,” “Light You Up,” “Twin Rocks, Oregon,” and so on – not new, but delivered as always with passion and style. Mullins also threw in some newer material, including a couple of songs from his recent album My Stupid Heart – the title track and “Ferguson,” a co-write with Chuck Cannon that addresses racial matters. Guitarist Davis Causey earned a cake and a standing ovation in honor of his 67th birthday, and the show resumed with “House of the Rising Sun” and “Lullabye.” A final sweet moment ensued when the hundred or so Cayamoans who had sailed on all nine voyages came down the aisles, attired in white bathrobes, to sing along with Shawn on “Sunshine.”

The performances of Cayamo 2016 drew to a close late Saturday with the Moonlight Revival, a guitar pull featuring three rounds of three or four singer-songwriters each. The event started out on the pool deck, but wind and rain necessitated its being moved to the Atrium after only a few songs. Early-round highlights of the acoustic show included Steve Earle’s heartfelt “Jerusalem,” Angaleena Presley’s snarky “Bless Your Heart” and Foy Vance’s literary epic “Noam Chomsky Is a Soft Revolution.”

Also: A morning gospel show featuring chicken and waffles and contemplative tunes from Birds of Chicago, Sam Lewis, Langhorne Slim, Martin Harley and The Bros. Landreth on the pool deck; more funny songs with serious messages, brilliantly played, from Paul Thorn and his band in the Stardust.

Finally, despite my efforts, I wasn’t able to catch enough of Shawn Colvin, The Alternate Routes or Watkins Family Hour to offer an informed opinion. I can say that all had many fans on Cayamo and all were reported to have turned in fine performances.


A quotable cruise: Cayamo 2016

By Paul Mueller

Best quotes from the stages of Cayamo 2016:

“It’s like playing in a Lava Lamp, but it’s a great feeling.” – Alynda Segarra of Hurray for the Riff Raff, during a sunny midday set on the pool deck

Lucinda Williams and her "boys"

Lucinda Williams and her “boys”

“This is my band! These are my boys! Three guys with the power of six! “– Lucinda Williams, on her band, Buick 6

“Twenty-three percent of my day – a little more – is spent waiting for Teresa.” – Larry Campbell, while waiting for his wife and musical partner, Teresa Williams, to join him onstage

“I’m sweating up here like Ted Cruz at a Steve Earle concert.” – Jim Lauderdale

“We ain’t on this cruise to do the right thing, are we? We gonna straighten up on Monday”. – Paul Thorn, on questionable dietary choices at the buffet

“When you think of great songs, you think 1980s and you think Echo and the Bunnymen. At least I do.” – Jason Wilber, before performing that band’s “The Game”

“It’s OK to love the Grateful Dead. It’s also OK to hate the Grateful Dead. “– Buddy Miller, before singing “Black Muddy River”

“You guys are unnervingly quiet.” – Chris Stapleton, to the audience at one of his large-theater shows

“Please sing along with congregational gusto.” – J.T. Nero of Birds of Chicago, during the Saturday morning gospel show

“We’re gonna sing some really sad songs, and somehow it’s gonna make us all happy. “– Slaid Cleaves

“That’s the saddest S.O.B. I have to offer.” – Jason Isbell, on his cancer ballad “Elephant”

“Play it again!” – David Bromberg, to several band members and guest artists after each had played a solo.

Award-worthy moments from Cayamo 2016

By Paul T. Mueller

Award-worthy moments from Cayamo 2016:

The Cover Me AwardJason Wilber, who played songs by David Bowie, John Prine, Echo and the Bunnymen and others (plus some originals) in a very entertaining Atrium show.

The Press On Regardless Award – The Black Lillies, who played a series of great sets on Cayamo 2016 with borrowed instruments after having most of their gear stolen less than a week before the cruise.

The “They Must Be Clones” Award – (Tie) Daniel Walker (keyboards and accordion, John Fullbright) and Chojo Jacques (fiddle and mandolin, Slaid Cleaves), one or both of who seemed to be a guest performer at practically every set all week.

The “I’ll Sleep When I’m Dead” Award – Cruz Contreras (The Black Lillies), who was still playing as the Pearl pulled into the Port of Miami.


The Boogie Shoes AwardMingo Fishtrap, whose late-night funk-rock shows kept the Atrium hopping.

The Dead Will Live Again Award – American Babies, “house band” for the Grateful Dead tribute show.

The Deadpan Delivery Award – J.T. Lindsay (Birds of Chicago), for his confession that he had been inadvertently drinking Jim Lauderdale’s wine and his promise to “make it right.”

The “Where’s the Beef?” AwardPaul Thorn and Shawn Mullins, for their “feud” pitting Mississippi morality against rock ‘n’ roll hedonism.

The Let’s Duet AwardSlaid Cleaves, who sang the Dewey Cox classic to passengers late one night in the Great Outdoors dining area.

Chris Stapleton on Cayamo 2016

Chris Stapleton on Cayamo 2016

The Fish Out of Water Award – Chris Stapleton, who seemed somewhat perplexed at the idea of playing for quiet audiences.

The “How Can You Be Two Places at Once When You’re Not Anywhere At All” Award – every Cayamo passenger who found him- or herself desperately wanting to attend two shows at the same time.

The Bandleader Generosity Award – David Bromberg, who in at least one show insisted that almost every band member and guest take a solo – and then kept saying, “Play it again!.”

The Throwback AwardJason Isbell and the 400 Unit, for their excellent rendition of the Rolling Stones’ “Can’t You Hear Me Knocking” at the sailaway show.

The Bless Your Heart AwardAngaleena Presley, for her very funny song by the same name, which became an oft-repeated catch phrase around the boat.

The Keepin’ It Clean Award – The Washy Washy Duo (Norwegian Cruise Lines employees Redelick on guitar and Komang on vocals and hand sanitizer spray bottle), who daily serenaded passengers entering the buffet with such classics as “Washy Washy, Happy Happy,” “I Wanna Wash Your Hands” and “Spray You, Spray Me.”

The Best Dressed Male AwardRobert Ellis, who apparently brought along steamer trunks filled with fashionable suits and accessories.

The Best Dressed Female Award – Rainey Qualley, for the beguiling black dress she wore at her Atrium show.

Parents of the Year – Paul “Hammy” Hamilton (Foy Vance’s drummer) and his wife, for cruising with a couple of very young kids.

Honorary Uncle of the Year Award – Foy Vance, who was often to be seen playing with his drummer’s young sons on the pool deck.

The Most Valuable Player Award – the crew of Sixthman, the Atlanta-based company that produces Cayamo.

New releases: Buddy Miller on Cayamo, Mark Huff

New and recent releases:

Cayamo Sessions at SeaBuddy Miller and Friends – We’ve been on the Cayamo music cruise a number of times and this new collection conveys what makes that such a rich musical experience. Take a couple of dozen Americana music artists, put them all on a cruise ship, and compelling collaborations result. Highlights include Miller and Nikki Lane on “Just Someone I Used to Know,” Lee Ann Womack’s take on “After the Fire is Gone” and Kacey Musgraves’ “Love’s Gonna Live Here.” Kris Kristofferson, Lucinda Williams, Richard Thompson, Elizabeth Cook, Shawn Colvin, Jill Andrews, Doug Seegers, Brandi Carlile and the Lone Bellow round out this thoroughly enjoyable collection.

Mark HuffDown RiverMark Huff – This vibrant new EP from Mark Huff moves seamlessly through rock, folk and country, fueled by some of Nashville’s best players. Down River was produced by Huff and Mark Robinson, joined in the studio by Audley Freed, Jen Gunderman, Paul Griffith, Mike Vargo and Lisa Oliver-Gray. Huff writes smart and personal songs with compelling hooks, a next-generation Elliott Murphy.  “Almost True” would be the ideal single if there still was such a thing.

Brown-Eyed Georgia Darlin’Sammy Walker – The legendary Phil Ochs championed Sammy Walker in the ‘70s, but commercial success eluded the Georgia folksinger. Give credit to Ramseur Records for unearthing the set of demos that launched Walker’s career. They’re very much of the era – “Talkin’ Women’s Lib”– but clear evidence that Walker’s songwriting and Arlo Guthrie-like vocals should have taken him further.

ExperiencedLarry Keel – Flatpicking guitarist Larry Keel’s new album features guest spots from Sam Bush, Del McCoury, Peter Rowan and Keller Williams.

Six on the OutThe Westies – Chicago-based duo follows up debut West Side Stories with a new collection of folk-rock narratives.

MultitudesJames Houlahan – Third solo album from former member of The Jody Grind and Dogs on Television.

Broken ManBen Hemming – London-based singer-songwriter’s first album features blues-fueled Americana. A U.S. tour is in the works.


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