New releases: Lily Hiatt, Joseph Wooten

Americana Music News – New releases include albums from Lily Hiatt and Joseph Wooten, both artists with strong  Nashville ties:

LilyRoyal Blue Lily Hiatt – Normaltown Records   We first saw Lily Hiatt years some ago as a solo songwriter strumming an acoustic guitar on a side stage at the CMA festival in Nashville. It’s a more mature and musically adventurous Hiatt on the just-released Royal Blue, a dynamic recording produced by Adam Landry with pedal steel, synth and a rock foundation. The lyrics reflect broken relationships, but the sound is bold and confident.

Stumpjumper – Charlie Parr – Red House Records   Set for release on April 28, Charlie Parr’s Stumpjumper release is the first album he’s recorded with a full band. The Duluth-based artist is on tour now, with dates this week in Pittsburgh, Maumee, Ohio and Milwaukee .

Gill LandryGill Landry – ATO Records  Gill Landry , best known as a member of Old Crow Medicine Show, is joined on his third album by guests Laura Marling and Robert Ellis. Landry is touring in support of the album, with dates this week with Justin Townes Earle.

WootenSoul of FreedomJoseph Wooten Joseph Wooten’s latest solo album Soul of Freedom is both familiar and fresh, melding the influences of Steve Wonder and Sly Stone with very contemporary takes on the world around us. Wooten is the keyboardist with the Steve Miller Band and a member of the musically rich Wooten family (his brother Victor guests here.) He also clearly embraces music for its capacity to inform, engage and elevate. From “Life Love Truth” to “Unity” and “I Matter,” Wooten delivers affirmation and reflection in a consistently ambitious musical setting.

Head for the HillsMarkus James – Firenze Records – Head for the Hills continues Markus James’ collaborative blues recordings, teaming him a with a number of drummers from the North Mississippi Hill Country.


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Bonnaroo announces 2015 lineup

Americana Music News — The Bonnaroo Music Festival has announced its  lineup for 2015 and a fair number of Americana music artists are in the mix, including Sturgill SimpsonJerry Douglas and the Earls of Leicester, Mumford and Sons, Alabama Shakes,  Béla Fleck and Abigail Washburn and the Punch Brothers.

The line-up so far:

Billy Joel

Mumford & Sons


Kendrick Lamar

Florence + The Machine

Robert Plant & The Sensational Space Shifters

My Morning Jacket


Alabama Shakes

Childish Gambino




Ben Harper & The Innocent Criminals

Belle & Sebastian


The War on Drugs


Ben Folds

SuperJam !


Atomic Bomb! Who is William Onyeabor?

Tears for Fears

Brandi Carlile

twenty | one | pilots

The Bluegrass Situation SuperJam featuring Ed Helms and Special Guests

Flying Lotus

Earth Wind & Fire


Gary Clark Jr.


Punch Brothers

Medeski, Scofield, Martin, & Wood

Tove Lo

Run The Jewels



Trampled By Turtles

Sturgill Simpson

Moon Taxi


Sylvan Esso

Béla Fleck & Abigail Washburn


Jamie XX

Against Me!



Jerry Douglas presents Earls of Leicester



Mac DeMarco


The Very Best

Freddie Gibbs & Madlib

Shakey Graves

Shabazz Palaces


Unknown Mortal Orchestra


Benjamin Booker


The Growlers

Glass Animals

Ana Tijoux


Courtney Barnett

Rhiannon Giddens

Royal Blood

Tanya Tagaq


Hurray for the Riff Raff



Between the Buried & Me


Ryn Weaver


Pokey LaFarge



Strand of Oaks


Gregory Alan Isakov

Brownout Presents BROWN SABBATH

The Districts

Madisen Ward and the Mama Bear


Catfish & The Bottlemen

Jon Cleary & The Absolute Monster Gentlemen


Dej Loaf

Christopher Denny

Hiss Golden Messenger

King Gizzard and the Lizard Wizard

Jessica Hernandez & the Deltas

Unlocking The Truth


Review: Doyle and Debbie on the Sandy Beaches Cruise

The Doyle and Debbie Show

The Doyle and Debbie Show

By Ken Paulson

For years, we’ve heard great things about the Doyle and Debbie Show, a satirical take on country music with a long weekly residency at Nashville’s Station Inn. Instead of seeing it just miles from home, though, we finally caught up with it on Delbert McClinton’s Sandy Beaches Cruise.

The shows tells the story of Doyle, a washed-up old school country singer who never quite made it, and his duo partner Debbie, an earnest and quirky young woman who sees the chance to team up with Doyle as her last, best shot at a career in show business.

It’s laugh-out-loud funny, particularly because Bruce Amston (“Doyle” and the author of the show) and Jenny Littleton (“Debbie”) play it so straight, delivering outlandishly goofy lyrics with heart. Among the songs: “Barefoot and Pregnant,” “When You’re Screwin’ Other Women (Think of Me)” and “Whine Whine Twang Twang.”

There were two performances of the Doyle and Debbie Show on board, and we saw both of them. On the second night, a computer glitch shut down their music in the final minutes of the show, leaving Amston to scramble to a laptop.

At each show, Doyle thanks the audience for being so “forgiving,” but this time, Amston said he really meant it. The computer rebooted, the music kicked in and the show ended with a well-deserved standing ovation.

Celebrating Bobby Keys

By Ken Paulson

(This article first appeared in May 2011 on Sun209. Bobby Keys passed away this week.)

There was a moment in Bobby Keys’ show at the Mercy Lounge when it dawned on everyone just how pivotal a player in rock history he is. Sure, we knew of his long association with the Rolling Stones and his short, but fruitful association with Joe Cocker’s Mad Dogs and Englishmen, but then he told a sweet story about hearing his saxophone on the radio for the first time, and how he wished his girlfriend had been there to hear it. And then he played “The Wanderer.”
It was an apt reminder that throughout the first three decades of rock ‘n’ roll, Key’s sax was at the heart of both AM and FM radio, including such songs as “Brown Sugar,” “Whatever Gets You Through the Night” and Bitch”, as well as albums by George Harrison, John Lennon, Ringo Starr, Warren Zevon, Nilsson, Eric Clapton, Faces and dozens more.
Keys’ playing is still vibrant, and he’s joined by a terrific band that includes Dan Baird (Georgia Satellites) on lead vocals and Michael Webb (Poco) on keyboards.
This isn’t an oldies show; it’s a loose and lively celebration of an iconic career, and it does the man justice.

Americana Music Festival on PBS this weekend

Ry Cooder at the Americana music Honors and Awards show

Ry Cooder at the Americana Music Honors and Awards show

The Americana Music Association’s Honors and Award show at the Ryman Auditorium is one of our favorite events of the year, and highlights from the September show  will be shared with a national audience on a special edition of Austin City Limits that begins airing Nov. 22. Performers include Robert Plant, Taj Mahal, Ry Cooder, Rosanne Cash and Flaco Jimenez.

It’s no easy task to distill the best moments of a nearly three-hour event, but the ACL   emphasis is on the music and not the awards. Here’s the setlist shared by the Americana Music Association:

Follow Sun209 on Twitter at @Sun209com.



Reset to Pop: Bill Lloyd’s classic revisited

By Ken Paulson

Bill Lloyd’s Set to Pop was a revelation upon its release in 1994, a buoyant and inventive slice of pop in a league with Emitt Rhodes and Nick Lowe’s Jesus of Cool. So it’s great news that Lloyd has chosen to revisit his classic album 20 years on.

Reset 2014 replicates the track list of the original with remakes, live versions and alternate mixes. The album contains some of Lloyd’s best songwriting, particularly the euphoric opener “I Went Electric,” “the mood swing anthem “Trampoline” (written with Greg Trooper) and the yearning “Forget About Us.”

There’s also a new recording of “Channeling the King,” maybe the smartest Elvis tribute ever recorded, and two live versions of “Niagara Falls,” with contributions by Rusty Young, Billy Block, Byron House, Pat Buchanan, Jason White and Jonell Mosser.

If you’re new to Bill Lloyd’s work, Set to Pop is still the place to start, but Lloyd is offering the original in a bundle with the new release on his website. Highly recommended.

Follow Sun209 on Twitter at @Sun209com.

In concert: Ian Hunter and the Rant Band

By Ken Paulson

You won’t find Ian Hunter on the Happy Together oldies tour anytime soon.

As he made clear in his set Saturday night at the City Winery in Nashville, he’s earned the right at age 75 to play exactly what he wants. So it probably shouldn’t have been a surprise that he did as many songs from his most recent album When I’m President as from his years with Mott the Hoople.

Ian Hunter (photo copyright Ken Paulson)

Ian Hunter (photo by Ken Paulson)

We saw Paul McCartney on tour a few weeks ago and marveled at his stamina and performance. Hunter, three years McCartney’s elder, was just as energetic and committed. From the second song of the evening – a driving take on “Once Bitten, Twice Shy” through the moving “All the Young Dudes” at the close, this was a full-on rock show.

Hunter shifted to keyboards about a third of the way into the set, and delivered some of the show’s best moments, including a poignant “Irene Wilde” and raucous “All the Way From Memphis.”

It’s a measure of his deep catalog with Mott and as a solo artist that so many great songs were left on the sidelines. For my part, I would have traded “Boy” or “Bastard” for the fun factor of “Central Park and West,” “Golden Age of Rock ‘n’ Roll” or “Cleveland Rocks,” but I’m sure every Hunter fan has own list of favorites.

It’s remarkable that an artist whose band scored just a single hit in the U.S can continue to tour to good-sized crowds a half-century into his career. And yet his audience is with him every step of the way, devoted, enthralled and cheering madly for “I Wish I Was Your Mother” and “Michael Picasso.”

Hunter clearly doesn’t take that for granted.

“I can’t believe you’re still here and I really can’t believe I’m still here, he sang on “Life,” as he neared the end of the set.

Believe it. Ian Hunter still delivers.

(Nashville’s own Amy Speace opened the show with a brief, but compelling set, previewing her upcoming album That Kind of Girl. You can pre-order it here.)


Follow Sun209 on Twitter at @Sun209com.







Bobby Bare, Bobby Bare Jr. at City Winery

By Ken Paulson

Bobby Bare Jr. knew this wasn’t going to be a fair fight.

“He’s playing nothing but hits and I ain’t got no hits,” he said in mock exasperation, recalling the first time he shared the stage with his father Bobby Bare at the Bluebird Cafe.

Two generations of Bares at the City Winery in Nashville

Two generations of Bares at the City Winery in Nashville

Nonetheless, he agreed to the double bill a second time for a show Friday night at the City Winery in Nashville. Once again, the elder Bare showed no mercy, beginning the evening with his classic “Detroit City” and then playing close to a dozen country hits over the course of the evening.

Bare Jr. was clearly delighted to team up with his dad, serving up his own unconventional tunes in counterpoint. Irreverence and a deep love of music clearly run through their shared DNA. Bare Jr. played a number of songs from his new album Undefeated, including “My Baby Took My Baby Away,” written with Hayes Carll.

“I don’t understand how I lost you to this little man” who has “itty bitty boots and a big fat face,” he sang, detailing the impact of a new child on a couple’s relationship. Somehow it’s a sweet song.

Decidedly less endearing was “The Big Time,” a funny fantasy about becoming such a big success you can kiss your current friends goodbye. “I want to go bowling with Sheryl Crow,” he explained.

Bobby Bare had his own goofy moments during the anatomy lesson that is Shel Silverstein’s “The Mermaid.” Bare may be Silverstein’s very best interpreter.

Bare Jr. had his own song about love gone bad. Before performing “Don’t Go to Chattanooga,” he recalled losing the girl from Manchester, TN who inspired the song. If she had only foreseen Bonnaroo coming to her hometown and his eventual performance there, she would never have left him, he said.

For his part, Bobby Bare just kept performing the hits, including “Streets of Baltimore,” “Four Strong Winds,” “Margie’s at the Lincoln Park Inn,” The Winner,” “That’d How I Got to Memphis” and even “Dropkick Me Jesus,” written by Paul Craft, who passed away weeks ago.

The Bares closed this memorable pairing with “Marie Laveau,” teaming up on the song’s bloodcurdling screams.

The audience would’ve stuck around for multiple encores but the younger Bare explained that wasn’t possible.

Dad “goes to bed at 7:30 and it took three naps” to get him this far, he said.


Follow Sun209 on Twitter at @Sun209com.




Staying Cool: Tim Carroll at the Mayday Brewery

By Ken Paulson

I first saw Tim Carroll perform at a Nashville festival in the late ‘90s, where he shared a set with Amy Rigby and Kevin Gordon. All three impressed and clearly had bright futures, fueled by remarkable songs. Over the past 15 years, all have had considerable critical acclaim, though none have had major commercial success.

Tim Carroll at Mayday Brewery

Tim Carroll at Mayday Brewery

That doesn’t appear to bother Carroll, who recapped his career in a song at his show at the Mayday Brewery in Murfreesboro, TN, Saturday night.

“All I ever wanted was to play guitar/never really cared if I became a star/everybody says I’m close, but no cigar” he sang on “That’s Rock & Roll,” a track from his Look Out! album.

Joined by bassist Bones Hillman and drummer Steve Lantanation, Carroll turned in a vibrant set of full throttle rock ‘n’ roll. He played for almost 2 hours, including songs from his upcoming album Pure Coal. Carroll was self-deprecating throughout, explaining to the audience that they wouldn’t know any of the songs “because I wrote them” and radio doesn’t play them. And that’s a shame.

Mayday is a special venue. It’s a brewery and not a club, and the menu consists of beer and more beer. A food truck outside offers dinner. It’s a sparse, but great setting for live music.

The crowd at the Carroll show was modest, and most in the audience seemed to have wandered in from the bar.

Bu no matter. Carroll, Hillman and Lantanation never let up, delivering energetic and anthemic music all night, including “You Can’t Stay Young, But You Can Stay Cool.” For Tim Carroll, that’s mission accomplished.

Follow Sun209 on Twitter at @Sun209com.



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Oct. 20 – This week in Americana music

This week in Americana

Lucinda Williams remains in the top spot in the Americana Music Association airplay chart with Down Where the Spirit Meets the Bone, followed by Paul Thorn’s Too Blessed to Be Stressed. Dropping to third is Justin Townes Earle’s Single Mothers, with new albums by Ryan Adams and John Hiatt rounding out the top five.

In Nashville:

Lake Street DiveIt’s another great week for live shows in Nashville. We’re particularly enthusiastic about the Lake Street Dive show at the Cannery Ballroom on 10/25. Their Bad Self Portraits is one of our favorite albums of 2014, a smart and engaging pop showcase.

Jason Isbell, the hottest artist in Americana music, has a three-night run at the Ryman Auditorium beginning 10/24.

Wilco 10/21 and 10/22 at the Ryman Auditorium

Mac Wiseman at the Franklin Theatre 10/21

Los Lobos 10/22 at City Winery

Music City Roots, featuring Caleb Klauder, James McMurtry, Del Barber, Caroline Rose and John Oates at the Factory in Franklin

Beausoleil Avec Michael Doucet 10/25 at 3rd and Lindsley

New this week:

The Earls of Leicester, a celebration of Flatt and Scruggs, from Jerry Douglas, Tim O’Brien, Shawn Camp, Charlie Cushman and Barry Bales.

In the news:

The Bonnaroo Music Festival announced its 2015 dates: June 11-14 in Manchester, TN.

Hard Working Americans  will release The First Waltz, a live album and documentary on Oct. 28.

Follow Sun209 on Twitter at @Sun209com.

This week in Americana music

This week in Americana

Lucinda WilliamsDown Where the Spirit Meets the Bone tops the Americana Music Association airplay chart  for yet another week, followed by Justin Townes Earle’s Single Mothers, Paul Thorn’s Too Blessed to Be Stressed (reviewed here) and the latest from Shovels and Rope (review), Ryan Adams and John Hiatt (review.)

In Nashville: Music City Roots at the Factory in Franklin features Selwyn Birchwood, Taylor Beshears, Keelan Donovan and Whiskey Shivers on Oct. 15. Tickets are $15.

Sons of Bill at the High Watt, Friday, Oct. 17

Steel Wheels at 3rd and Lindsley, Oct. 17

Jessi Alexander, Jonathan Singleton, Barry Dean and Jon Randall at the Bluebird Café, Oct. 17

Angaleena CDAngaleena Presley is featured at the Country Music Hall of Fame’s Songwriter Session at 11:30 a.m. on Saturday, Oct. 18.

The Long Players recreate Born in the USA at 3rd and Lindsley, Oct. 18

In the news:

The Country Music Hall of Fame announced a major exhibition set for March 27, 2015: Dylan, Cash and the Nashville Cats, Museum director Kyle Young says “this exhibit is a great opportunity to talk about the early confluence of country and rock.”

The Musical Instrument Museum in Phoenix has just opened an exhibit celebrating the Carter Family and Johnny Cash.

Americana on tour:

Runner of the Woods in Newport, Kentucky 10/16, Thomas, West Virginia 10/17 and Bluefield, West Virginia, 10/18.

New releases this week:

American Middle Class by Angaleena Presley

The Essential Kinks

Ride Out by Bob Seger

All Them Ghosts by Pauline Andres, “written over 4 years in 4 different countries,” according to the release.



1861 Project set for Franklin Theatre

FranklinBy Ken Paulson

It’s the rare concept album that holds up over multiple editions. Bat Out of Hell III anyone?

One exception was the Nitty Gritty Dirt Band’s Will the Circle Be Unbroken series, which spanned several decades. And now we have the third volume of the  1861 Project, which brings together talented artists to chronicle the Civil War through music.

Franklin, the third volume in this consistently well-done series, focuses on the Battle in Franklin, just south of Nashville. On November 28, the new album – along with selections from the first two editions, will be performed at the Franklin Theater, timed to coincide with the 15oth anniversary of that battle.

Bobby Bare, Kim Richey, Sierra Hull, Maura O’Connell, Peter Cooper, Eric Brace and Irene Kelly are among the talented artists participating in this  rare and possibly final performance of the 1861 Project in concert.

Tickets are available online from the Franklin Theater.

Highly recommended.

Americana Music Festival’s deep, diverse line-up

ama_logo_button_redThe Americana Music Association’s 2014 Conference and Festival in Nashville  begins this week. It’s a rich event with a diverse line-up. Here’s the list of performers: 
Brennen Leigh and Noel McKay
Chuck Mead and His Grassy Knoll Boys
Danny & The Champions
Doug Seegers
The Duhks
Emily Barker & the Red Clay Halo
The Fairfield Four
The Harpoonist & the Axe Murderer
Howlin’ Brothers
J.D. Wilkes & the Dirt Daubers
Joe Purdy
Joshua James
Leo Welch
Marah Presents: Mountain Minstrelsy
Nathaniel Rateliff
Quebe Sisters Band
Sean Rowe
Todd Snider & Friends
Trigger Hippy (feat. Jackie Greene, Joan Osborne, Steve Gorman, Tom Bukovac & Nick Govrik)
Whiskey Shivers

Andrew Combs

Anthony D’Amato
Brooke Russell & the Mean Reds
Cale Tyson
Caleb Klauder Country Band
Cory Chisel’s “Soul Obscura”
The Danberrys
The Hot Nut Riveters
Howard Fishman
Ian McLagan
Jim Oblon
Leftover Salmon feat. Bill Payne of Little Feat
Matt Anderson
Matthew Perryman Jones
NQ Arbuckle
Parsonsfield (formerly Poor Old Shine)
Promised Land Sound
Robby Hecht
The Silks
Truth & Salvage Co.
Follow Sun209 on Twitter at @Sun209com.

John Hiatt’s “Terms of My Surrender”

Hiatt termsby Paul T. Mueller

John Hiatt’s latest album Terms of My Surrender finds the veteran singer-songwriter pretty much in “old dude looking back” mode. “I’ve sang these songs a thousand times, ever since I was young,” he sings in the first track, “Long Time Comin’.” And there’s this in the next track, “Face of God”: “My eyes are blind from crying/don’t know how many more tears I’ve got.”

Grim stuff, especially considering that Hiatt, who just turned 62, is not exactly ancient. Still, he’s been at this for a while, producing excellent work along the way – “Drive South,” “Thing Called Love,” “Crossing Muddy Waters,” “Have a Little Faith in Me,” “Slow Turning” – the list goes on. So he’s earned his aging-bluesman persona, and with his gravelly voice and still-worthy guitar chops, he’s pretty good at it.

There might not be anything on Terms that will get Hiatt much radio airplay (not that that seems to have been his goal – the album has a “because I want to” feel about it). But there’s good material here nonetheless, all original, well written and well performed.

“Wind Don’t Have to Hurry” is an eerie meditation on freedom and mortality, fueled by the spooky banjo of longtime collaborator Doug Lancio (who also contributes guitar and mandolin on various tracks). “Nobody Knew His Name” treads familiar ground – the mysterious stranger lamenting the long-ago loss of his true love – but Hiatt tells the story with his typical panache.

Hiatt knows his way around a funny song, and he’s not afraid to paint in broad strokes. “Old people are pushy,” he sings in “Old People,” before describing a list of dubious behaviors – cutting in line, arguing with the checkout lady, driving too slow. “They can seem like sweet little old people,” he sings of his newly embraced tribe, “but they’re not about to kiss your ass.”

Of course, it wouldn’t be a Hiatt album without a few sweet love songs. Romance meets the blues in “Nothin’ I Love,” in which the narrator recounts his various vices and concludes, “There ain’t nothin’ I love good for me but you.” He’s accompanied here by some excellent guitar by Lancio (other contributors include bassist Nathan Gehri, drummer Kenneth Blevins and keyboardist Jon Coleman, with Brandon Young on backing vocals).

The title track is a gentle love song with a jazzy arrangement. “I can be rough, sometimes I can be tender, but I can’t negotiate the terms of my surrender,” Hiatt sings. “I love you too much, babe, go on and have your way with me.” The album closes with the lively “Come Back Home,” in which the narrator pleads for the return of a departed lover. “I’d take back every song, all that I’ve done wrong/I wish that you’d come home to me.”

Terms of My Surrender benefits from fine production by Lancio, featuring clear, uncluttered arrangements that leave the focus on Hiatt’s words.

Holly Williams, BR5-49 added to festival

ama_logo_button_redThe Americana Music Association has announced a third wave of artists for its upcoming festival and conference in Nashville, including Aaron Lee Tasjan, BR5-49, Holly Williams, Joe Fletcher & the Wrong Reasons, Luther Dickinson, Michaela Anne, Paul Burch, Sharde Thomas and the Rising Star Fife & Drum Band.

BR5-49 has widely been credited as the musical catalyst that helped turn around Nashville’s once-decaying Lower Broadway in the ’90s, and paved the way for the city’s current vibrant music scene.

Holly Williams, another Nashville resident, is the granddaughter of Hank Williams and daughter of Hank Jr.

You’ll find the full schedule for the Sept. 17-21 festival here.


Jack Clement’s “For Once and For All”

Jack ClementBy Ken Paulson

I spent my day Friday interviewing nine members of the Nashville Songwriters Hall of Fame as part of an archival project and one name came up again and again: Cowboy Jack Clement.

The producer, songwriter and occasional artist had a knack for identifying talented young songwriters and artists and nurturing them. In Memphis at Sun Records, in Beaumont, Texas, and finally in Nashville, Clement made friends, helped build careers and made great records.

That’s why it’s no surprise to see so many remarkable guests on For Once and For All, the final Clement album , released 11 months after his death in August 2013.  Rodney Crowell, Vince Gill, Marty Stuart, Emmylou Harris, Bobby Bare, Duane Eddy, Dickie Lee, T- Bone Burnett, Buddy Miller, Dan Auerbach, Leon Russell, Gillian Welch, Dave Rawlings, Shawn Camp, John Prine, Dierks Bentley, Jim Rooney, Jim Lauderdale and Will Oldham are all on hand for this farewell album.

For Once and For All revisits 12 of Clement’s songs, a number of which were first recorded by Charley Pride. Clement and Pride broke down racial barriers in country music, and made some great records in the process. “Just Between You and Me,” “Got Leaving On Her Mind,” “Baby is Gone” and “I Know One” are among Pride’s best.

“Jesus Don’t Give Up on Me,’ with guitar by Duane Eddy, is the closest thing to a religious song on the record, but Peter Cooper sets the record straight in his liner notes: “Jack was about as religious as a corn cob, but he was a spiritual guy.”

“The Air Conditioner Song” is a reminder that keeping our windows sealed may make us more comfortable, but there’s beauty through an open window. Gill and Camp contribute background vocals and Joey Miskulin is on accordion.

It’s all quite an informal affair, with gentle instrumentation and Clement’s relaxed vocals.

I knew Jack just well enough to say hello, but I treasured every meeting. For Once and For All truly captures his spirit. Buy it for the joy.


Follow Sun209 on Twitter at @Sun209com.







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Americana Festival announces 2014 line-up

The Avett Brothers at the 2011 Americana Awards show

The Avett Brothers at the 2011 Americana Awards show

Americana Music News – The ever-growing American Music Association announced today that its annual Nashville festival  will feature an outdoor concert on the city’s riverfront on Sept. 20 with the Avett Brothers as headliners.

The concert will anchor the Americana Music Festival and Conference, scheduled to take place Sept. 12-21. Tickets go on sale June 27 for the riverfront concert. Admission is free to conference registrants.

The Americana Music Association also released this list of 2014 festival acts, with more to come:

Allison MoorerAmy RayAngaleena Presley •  The Barefoot MovementBen Miller BandBilly Joe ShaverBlack PrairieBrennen Leigh and Noel McKay • Buddy Miller • The Cactus BlossomsCarlene CarterCaroline RoseChatham County LineChuck Mead • Danny & The Champions of the World • The Deadly Gentlemen • Del Barber • The Deslondes • Doug Seegers • The Duhks • The Dustbowl Revival • Emily Barker & the Red Clay Halo • Ethan Johns • The Fairfield Four • The GrahamsGrant-Lee PhillipsGreen River OrdinanceGreensky BluegrassGregory Alan IsakovGreyhounds • The Harpoonist & the Axe Murderer • Hayes Carll • Howlin’ Brothers • Immigrant UnionIsrael NashJamestown RevivalJason Eady • J.D. Wilkes & the Dirt DaubersJoe HenryJoe Pug • Joe Purdy • John MorelandJonah TolchinJonny Two BagsJosh Ritter • Joshua James • Lake Street DiveLee Ann Womack • Leo “Bud” Welch • Lera LynnMarah Presents: Mountain Minstrelsy • Marty StuartMatthew RyanMcCrary Sisters • Nathaniel Rateliff • New Country RehabOh SusannaOtis GibbsParker MillsapPaul ThornPete Molinari • Quebe Sisters Band • Rhett MillerRobbie FulksRobyn HitchcockRodney CrowellRuthie FosterRyan MontbleauSam OutlawSarah Jarosz • Sean Rowe • Shakey GravesSuzy Bogguss • Todd Snider & Friends • Tom Freund • Tony Joe WhiteTrigger Hippy (featuring Jackie Greene, Joan Osborne, Steve Gorman, Tom Bukovac & Nick Govrik) • Whiskey Shivers • Willie Watson

John Hiatt, Patty Griffin headline Cross-County Lines

cross county

Americana Music News — John Hiatt and Patty Griffin are headlining  the Americana Music Association’s  2nd annual Cross-County Lines festival on May 31 in Franklin, TN.

Also in the line-up: Ashley Monroe, Brandy  Clark, Parker Millsap, Joe Pug and Luther Dickinson.

It’s a 7-hour showcase for roots and Americana music in The Park at Harlinsdale Farm, just outside the offices of the Americana Music Association.

We attended last year’s kick-off Cross-County Lines event, which featured Alison Krauss, Jerry Douglas and Amos Lee. The 2014 event should be just as memorable.

The music starts at 3:30 p.m. and $35 tickets are available from Ticketmaster and at the Franklin Theatre box office.


Follow Sun209 on Twitter at @Sun209com.

A little Poco at the Bluebird Cafe in Nashville

By Ken Paulson

It was a good week for Poco fans in the Nashville area.

Richie Furay

Richie Furay

On Tuesday, Richie Furay joined Vince Gill and an emerging duo called Striking Matches as part of the new SoundExchange Influencer series at the club.  The premise is that musicians build on the influences of others, so Gill talked about how Furay influenced him and Striking Matches cited both men as musical heroes.  Furay did a lot of newer material,  but did perform a spirited “Pick Up the Pieces” and closed with “Kind Woman,” the song that essentially led to the birth of Poco.

Rusty Young was on that Buffalo Springfield session and ended up being the longest-standing member of Poco. On Saturday night. Young appeared at the Bluebird Cafe along with Bill Lloyd, Craig Fuller of Pure Prairie League and Little Feat and Robert Ellis Orrall.



Rusty Young

Rusty Young

Young opened the show with “Call It Love” and closed with “Crazy Love,” but may have received the biggest reaction for “Neil Young” off the recent All Fired Up Poco album, in which he entertainingly explains that Neil is not his brother.

Follow Sun209 on Twitter at @Sun209com.


Review: Rodney Crowell’s “Tarpaper Sky”

TarpaperBy Ken Paulson

I was listening to the Nitty Gritty Dirt Band’s 1979 album An American Dream the other day and was reminded of the beauty of the title track, written by Rodney Crowell and included on his first solo album Ain’t Livin’ Long Like This” in 1978.

“American Dream,” ‘Til I Gain Control Again” and “Shame on the Moon” were all big hits in the hands of other artists, a reminder of just how resonant – and yes, commercial – a songwriter Crowell could be.

Crowell has had extraordinary success as an artist in recent years,  including striking collaborations with Mary Karr on KIN and Emmylou Harris on Old Yellow Moon. His last four solo albums have been autobiographical, topical and sometimes stark.

In contrast, Tarpaper Sky, ( New West) his latest, is not a concept album or project and its tone is often joyous and adventurous. It has more of the spirit of Crowell’s  early recordings, possibly due to the co-production of his ‘80s collaborator Steuart Smith.

The album opens with the soaring “The Long Journey Home,” followed by the jaunty “Fever on the Bayou” (When she gets a hold me/Mucho me-oh-my-oh”) and the full-throttle love song “Frankie Please.” This one’s fun.

The reflective Crowell is still here, with the Karr co-write “God I’m Missing You” and the sentimental “Grandma Loved That Old Man.”

Closing out the album are two tributes: “The Flyboy & the Kid,” a tip of the hat to friend and mentor Guy Clark, and “Oh What a Beautiful World,” a nod to John Denver.

It’s been too long since Sex and Gasoline, Crowell’s outstanding and largely overlooked  2008 solo album. Tarpaper Sky is a welcome addition to his rich body of work.

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